Having a 15 month old, it was hard to see any movies this year so I'll just list my top 5 of what I've seen (which will probably make a horrible list, but here we go).
1. Where The Wild Things Are, I'm almost tempted to put this one on my top 10 of all time. Such a brilliant film.
2. Moon
3. Watchmen
4. A Serious Man
5. Inglourious Basterds
Having a 15 month old, it was hard to see any movies this year so I'll just list my top 5 of what I've seen (which will probably make a horrible list, but here we go).
1. Where The Wild Things Are, I'm almost tempted to put this one on my top 10 of all time. Such a brilliant film.
2. Moon
3. Watchmen
4. A Serious Man
5. Inglourious Basterds
quite a cool list, I like most the films you put up there.
wow Hurt Locker is ranked #17 that movie should be on top
i agree... hurt locker then inglourious basterds then district 9...cant wait till moon and i'll try to ignore the book as much as possible when i see the road (book was excellent)
That depends where you live, where I live they where both only released this year. Hence they will show up on some people lists (and why such films as invictus etc would appear on my list next year [if they deserve it] as they are not released untill next year where I live).
My list includes very few international films as i've seen very few this year (local video store closed down, and the other stores don't stock much which makes watching them difficult). The top 4 I doubt will change, but the rest theres a lot of room for movement when I see all the films I want to see that have been released this year, however at the moment my top 10 is as follows.
1) Avatar
2) Let The Right One In
3) Harry Potter and the Half Blood Prince
4) Inglourious Basterds
5) Star Trek
6) Up
7) Coraline
8) Angels and Demons
9) Futurama Into the Wild Green Yonder
10) The Hangover
Maybe I need to see it again but I just didn't care for Inglorious Basterds when I saw it in the theater. I'm a fan of tarantino's films I've liked everything he has done but the story was for lack of a better term "cheesy" to me. I didn't find it overly funny or anywhere near as dramatic as his past works.
I would probably put Star Trek at the top of my list for the year but I've only seen maybe 6 films this year.
Since Moses brought the tablets down from the mountain, lists have come in tens, not that we couldn't have done with several more commandments. Who says a year has Ten Best Films, anyway? Nobody but readers, editors, and most other movie critics. There was hell to pay last year when I published my list of Twenty Best. You'd have thought I belched at a funeral. So this year I have devoutly limited myself to exactly ten films.
On each of two lists.
The lists are divided into Mainstream Films and Independent Films. This neatly sidesteps two frequent complaints: (1) "You name all those little films most people have never heard of," and (2) "You pick all blockbusters and ignore the indie pictures." Which is is my official Top Ten? They both are equal, and every film here is entitled to name itself "One of the Year's 10 Best!"
Alphabetically:
The Top 10 Mainstream Films
Bad Lieutenant. Werner Herzog's edgy noir fed off Nicolas Cage's flywheel intensity in a portrait of a cokehead cop out of control in post-Katrina New Orleans. He starts out bad and, driven by a painful back and pain meds, goes crazy and gets away with it because of the badge. Herzog paints the storied city in dark shadows and a notable lack of glamour, and when he involves Cage in a stare-down with an iguana it somehow needs no explanation. I predict they'll work together again. They probably got along at least as well as Herzog and Klaus Kinski.
Crazy Heart. This year's late-opening sleeper, built on a probable Oscar-winning performance by Jeff Bridges. He plays a nearly-forgotten C&W singer, touring nasty dives and smoky honky-tonks for a few dollars and change. He had hit songs, but alcoholism eroded him. Maggie Gyllenhaal is inspired as the woman who cares for him but doubts his newfound sobriety--and no, this isn't a cornball story about romantic redemption. After the screening a critic said: "This year's "The Wrestler." That sounded about right. Astonishing debut by Scott Cooper.
An Education. A star is born with Carey Mulligan's performance as a 16-year-old schoolgirl who is flattered and romanced, along with her protective parents, by an attractive, mysterious man in his mid-30s (Peter Sarsgaard). He's sophisticated, she's not; she sees him as a way out of London suburbia and into the circles she dreams of entering. He's not a molester but an opportunist and role-player, and Lone Scherfig's film is wise about what people want in a relationship and what they get. Faithfully adapted by Nick Hornby from the memoirs of the well-known British journalist Lynn Barber.
The Hurt Locker. "War is a drug," the opening title informs us, and in one of the best war movies ever, Jeremy Renner plays an expert member of an elite bomb disposal unit in Iraq. Somewhat guarded by a protective suit, he handles delicate mechanisms designed to outwit him. It's like chess. He's very good at his job, but is that what drives him to put his life on the line hundreds of times? Not pro-war, not anti-war, not about the war in Iraq, but about the minds of dedicated combat soldiers. Directed flawlessly by Kathryn Bigelow; as one critic's group after another honored it in their year-end awards, it became a sure thing for picture, actor and director nominations.
Inglourious Basterds. Quentin Tarantino is a natural and joyous filmmaker who feeds off his own tory story that fearlessly rewrites history. It finally comes down to a conflict between a fatuous Nazi monster (Chrisophe Waltz) and a fearless French Jewish heroine (Mélanie Laurent), with Brad Pitt as a knife wielding American commando leader. You have to hand him this: it's one World War Two movie where we don't know the ending. Waltz won best actor at Cannes 2009, has swept the critic's awards, is a shoo-in as best supporting actor.
Knowing. Among the best of science fiction films--frightening, suspenseful, intelligent, and, when it needs to be, rather awesome. In its very different way it's comparable to the great "Dark City," by the same director, Alex Proyas. That film was about the hidden nature of the world men think they inhabit, and so is this one. I loved the film's extravagance of energy, and the hard-charging Nicolas Cage performance (so different from his work in "Bad Lieutenant.") My praise stirred up a fierce pro and con debate among readers: http://blogs.suntimes.com/ebert/2009...hose_dice.html
Precious: Based on the Novel Push by Sapphire The heart-rending story of an overweight, abused young teenager and the support she finds from a teacher and a social worker, who both glimpse her potential. Harrowing, depressing, and yet uplifting, as director Lee Daniels uses her fantasies to show the dreams inside. What a sure and brave lead performance by newcomer Gabourey Sidibe, and what a powerful one by Mo'Nique, as her heartless mother. She, Mariah Carey, Paula Patton and Sherri Shepherd are all but unrecognizable as they disappear into key supporting roles.
A Serious Man. Another great film the Coen Brothers, returning to their homeland of the Minneapolis suburbs to tell the story of a modern-day Job who strives to be a good man, a "serious man," and finds everything--but everything--going wrong. Michael Stuhlbarg gives a virtuoso lead performance as the suffering man, who earnestly tries to do the right thing. Fred Melamed is inspired as his best friend, who, he discovers, is having an affair with his wife. The friend tries to console him; he is grief and grief counselor at once.
Up in the Air. George Clooney plays a man for the first decade of this uncertain century. "Where do you live?" he's asked while seated in a first class airplane seat. "Here." He wants no home, no wife, no family, and says he is happy. His job is depriving others of theirs; he's a Termination Facilitator. He fires people for a living. Vera Farmiga plays his friendly fellow road warrior who sleeps with him on the road. Anna Kendrick is the sincere young college grad whose first job is terminating others. The third wonderful film by Jason Reitman, after "Thank You for Smoking" and "Juno."
The White Ribbon. The subterranean and labyrinthine secret history of a German village in the years before World War One. A mysterious series of deaths descends like a vengeance. Michael Haneke's elegant b&w photography etches the rural community in striking portraits of sinister normality. We become familiar with the important villagers, we follow their stories, we comprehend everything hat happens -- but something else is happening, something unspoken, kept secret from them, among them, and from us. Infinitely tantalizing.
Now you are thinking, hey, what about "Avatar?" Faithful readers know of my annual Special Jury Prize. This year it goes to James Cameron's ground-breaking epic. No, that doesn't mean it's the best film of the year. It means it won the Special Jury Prize.
The Top Ten Independent Films
Departures. In Japan, a young man apprentices to the trade of "encoffinment," the preparation of corpses before their cremation. It is the only employment he can find, after he loses his job as a cellist in an orchestra that goes broke. The company owner approaches the job as a sacred vocation, and although the hero and his wife find the task unsettling, he slowly learns a new respect for himself through respect for the dead. A visually beautiful and poetic film by Yojiro Takita. Winner of the 2009 Academy Award as best foreign film.
Disgrace. A masterful performance by John Malkovich as a disgraced Cape Town English professor, forced to resign during the first years of Nelson Mandela's administration. He goes to live with his daughter (Jessica Haines) on her remote farm, where the manager (Eriq Ebouaney) seems to be establishing an independence of his own. The hard, ambiguous issues of the new South African world are squarely engaged in Steve Jacobs's film, based on the novel by Nobel winner J.M. Coetzee.
Everlasting Moments. The great Swedish filmmaker Jan Troell ("The Emigrants" and "The New Land") tells the story of the wife of an alcoholic dock worker in Malmo in 1911. He's not a bad man, except when he drinks. She wins a camera in a lottery and tries to pawn it, but the camera store owner develops the one photo she took, looks at it thoughtfully, and asks her to keep taking pictures. Her inner life is transformed by discovering that she has an artistic talent. A luminous performance by Maria Heiskanen.
Goodbye Solo. the third remarkable film by Ramin Bahrani, after "Man Push Cart" and "Chop Shop." In Winston-Salem, NC, a straight-talking man around 70 (onetime Elvis bodyguard Red West) gets into the taxi of an African immigrant (Souleymane Sy Savané, from the Ivory Coast). For $1,000, paid immediately, he wants to be driven in 10 days to the top of a mountain in Blowing Rock National Park, to a place so windy that the snow falls up. He says nothing about a return trip. As a friendship develops between them, the days tick inexorably away.
Julia. The most striking performance in Tilda Swinton's exciting career. Only poor marketing prevented this from succeeding as the thriller of the year. Swinton plays an alcoholic slut who agrees to help kidnap a child, and ends up with him on an odyssey in Mexico through a thorn thicket of people you do not want to meet. If there's one thing consistent about her behavior, it's how she lies to all of them. Directed by Erick Zonca.
Silent Light. A story of romance and conscience set among the Mennonites of Mexico. A happily married man falls in love with a single woman, and she with them, and they are both haunted by guilt. Their gravitas is a stark contrast to the casual attitude toward sex in most films; they are violating rules they respect, hurting people they love. Such matters are rarely taken so seriously in films. Carlos Reygadas tells his story with a clarity and attention worthy of Bresson.
Sin Nombre. Up through Mexico, those hopeful of entering the U.S. ride the top of a freight train. We meet a girl from Honduras with her father and uncle, and a young gang member fleeing for his life. The journey is difficult and dangerous, but also oddly lovely and epic. A parallel story involves a gang set up to rob the would-be immigrants, who often carry all their wealth with them. Written and directed by Cary Fukunaga, another of this year's remarkable debut filmmakers.
Skin. The Sandra Laing story obsessed South Africans in 1965. She was the daughter of white Afrikaners. She didn't look white. Her father fights to the Supreme Court to have her reclassified as white, and then when she falls in love with a black man she tries to have her classification changed. A wrenching dilemma, starring Sophie Okonedo ("Dirty Pretty Things") in a tricky and compelling role, and Sam Neill as her deeply conflicted father.
Trucker. Michelle Monaghan is remarkable as a truck driver who has just paid off her own rig. She's 30ish, hard-drinking, promiscuous, estranged from the father (Benjamin Bratt) of her 12-year-old son. In an emergency she has to take the boy back, and that leads from an arm's-length relationship to difficult personal discoveries. A powerful debut by writer-director James Mottern, who avoids the obvious gurns this story could take and follows the characters wih empathy.
You, the Living. In a sad world and a sad city, sad people lead sad lives and complain that they hate their jobs and nobody understands them. The result is in some ways a comedy with a twist of the knife, and in other ways a film like nobody else has ever made--except for its director, Roy Andersson of Sweden. Fifty vignettes, almost all shot with a static camera, in medium and long shot. You laugh to yourself, silently, although you're never quite sure why. Flawless in what it does, and we have no idea what that is.
No order and all that come to mind at the moment, my favorites so far in 2009
Inglorious Basterds
Moon
District 9
Shrink
Precious
Whatever Works
Star Trek
Honorable mention:
Surrogates - felt like an Isaac Asimov story, but fell short, still was cool and managed to be a thought provoking scenario even if it wasn't a thought provoking movie.
The fact that he liked "Knowing" and the other two at least have SOME taste?
Logan
Considering you don't even read EW, I'm not sure how you're qualified to make a determination on their taste.
If you have a problem with me or any of my posts, feel free to pm me. I've stated this multiple times but you have yet to do so. I'm pretty sure nobody on this site wants another thread to be ruined by your petty grievances against me. It completely detracts from the beauty that is this site and is unfair to other posters who just want to discuss film in a positive way.
Up
500 Days of Summer
Inglorious Basterds
Star Trek
Zombieland
District 9
Hurt Locker
Watchmen
Where the Wild things Are
Coraline
Drag Me To Hell
I Love You Man
Black Dynamite
Food, Inc.
The Hangover
Sunshine Cleaning
yet to see(but plan on seeing):
Precious
Avatar
A Single Man
A Serious man
The Air Up There
Fantastic Mr. Fox
Invictus
Moon
Last edited by CHERRYGARCIA; 12-24-2009 at 01:54 PM.
Reason: watched WTWTA last night...great film!
Considering you don't even read EW, I'm not sure how you're qualified to make a determination on their taste.
If you have a problem with me or any of my posts, feel free to pm me. I've stated this multiple times but you have yet to do so. I'm pretty sure nobody on this site wants another thread to be ruined by your petty grievances against me. It completely detracts from the beauty that is this site and is unfair to other posters who just want to discuss film in a positive way.
You responded TWICE to one of my posts on the same thread {right after one another I might add} and *I'M* the one that has a problem?
I don't have a grievance against you, I did not attack you in that post, nor did I mention you at all, {if you notice}. So in your two posts responding to me mentioning something about Ebert, did you actually reference MY post? No, you attempt {feebly} to insult me in the first one, and in the second one you get on a soap box about how I'm ruining the site for people.
You, OTOH are trying to blame stuff on me that was not even brought up, I brought up a point about YOUR POST, not you as a poster. There IS a difference, and it's a pity that you can't seem to fathom that.
I agree that Observe and Report shouldn't be on any top list and I have to question the credibility of any one who would put it on their top list. Just a downright stupid movie, and yes Robert I did "get" it. I would rather watch Paul Blart again.
I can't make a list at this time as there are still several I want to see.
Question the credibility??? People are just stating some movies they liked in 2009 - I think you are taking this "make your own list" thread a bit too seriously.
Quote:
Originally Posted by Elvis
I do know one thing I know I would never put something like Drag Me To Hell (I want my time back on that one...) or Star Trash (2009) would ever make any list of mine.
Hopefully, you've got that out of your system now and people can state they enjoyed the movie with a rant to follow. Sheeesh! (Seriously, everybody gets it - you didn't like it. )
If you have a problem with me or any of my posts, feel free to pm me. I've stated this multiple times but you have yet to do so. I'm pretty sure nobody on this site wants another thread to be ruined by your petty grievances against me. It completely detracts from the beauty that is this site and is unfair to other posters who just want to discuss film in a positive way.
Actually, this post should have been a PM, because It completely detracts from the beauty that is this site and is unfair to other posters who just want to discuss film in a positive way.
Yep.
The Road was a great example of dank filmmaking. I thought it was good, and any other year it would prob have made it onto the list, but there was just so much this year.
The Road and Inglorious are my two favorites thus far. Two totally different movies, but The Road just hit me in the gut emotionally and hit all the notes I was looking for from Hillcoat.
District 9 is also one of my favorites.
A Serious Man, Up, Observe and Report (It made Tarantino's top list as well), and Hunger.
Came out to blu this year, but was limited to theatres.. Tell No One (One of the best suspense movies in years) ,Let the Right One In (MASTERPIECE), Ballast (Poetry in motion).
I still need to see White Ribbon, Up in the Air, Fantastic Mr. Fox, Moon, Revanche, etc..
Big disappointments IMO
Drag Me To Hell
Terminator Salvation (Should've known)
All countries
Argentina
Austria
Belgium
Brazil
Bulgaria
Chile
China
Colombia
Cyprus
Czech Republic
Estonia
Denmark
Finland
Greece
Hong Kong
Hungary
Iceland
Indonesia
Ireland
Israel
India
Latvia
Lithuania
Malaysia
New Zealand
Norway
Philippines
Poland
Portugal
Romania
Russia
Singapore
South Africa
South Korea
Sweden
Switzerland
Taiwan
Thailand
Turkey
Ukraine
United Arab Emirates
People are just stating some movies they liked in 2009 - I think you are taking this "make your own list" thread a bit too seriously. 
Hopefully, you've got that out of your system now and people can state they enjoyed the movie with a rant to follow. Sheeesh! (Seriously, everybody gets it - you didn't like it. 
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