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#61 | |
Special Member
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#63 |
New Member
Dec 2010
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Too soon if they keep the black-face minstrel show in it. I remember watching it as a kid, then rewatched a few years back and was appalled at that bit. I know, some will say I'm too pc, carry too much white guilt, but that bit just ruins the movie for me, sorry.
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#64 |
New Member
Jan 2008
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The number remains in the Holiday Inn videos released these days.
Last edited by WarrenGrove; 12-13-2010 at 07:54 PM. Reason: Corrected my spelling. |
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#65 | |
New Member
Dec 2010
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This is a process where a single monaural soundtrack has subsonic or supersonic cue tones impregnated within it so that a built-in comparator can `steer' the monaural track to any one of three left, center or right speakers behind the screen. For the 4-track mag releases, all they did was retrieve the cue tones from the mono mix, run them through the comparator and record the sonically panned-and-scanned result onto their 4-track master they used to record the mag on the individual prints. Therefore, unlike for a lot of 4-track mag prints of the period, unfortunately for White Christmas or Silk Stockings or any other Perspecta Stereophonic production, they couldn't lift the stereo tracks from the few surviving magnetic-sound roadshow prints and restore that way because all you'd get from that is a panned-and-scanned mono soundtrack. After the original multitrack music recording session stems were destroyed in a vault fire in the 60's, several intact prints of the 4-track mag roadshow version were subsequently discovered, assembled and used for the home-video releases, however the sound had been blended back to mono. For the LaserDisc reissue of the film, an isolated music-only monaural magnetic master was unearthed along with the final optical composite of dialogue, music and effects. These were then synchronized so that even though the original mono optical sound composite was not of high fidelity, the additional mixing-in of the high-fidelity mono magnetic music master allowed for a higher-fidelity presentation overall than just using the straight mono DM&E optical composite. Similar to the 50th Anniversary Wizard of Oz, the film is presented on LaserDisc with the original optical composite mixed in with the high-fidelity magnetic mono music master on the left channel, and the isolated mono music track is presented by itself on the right channel (or everything on the digital and music only on the analog depending on which country the disc was pressed). For the Blu-Ray release, all they did was extract the high-fidelity monaural music-only master from the vaults, synthesize a multi-channel sound experience therefrom utilizing the million-dollar sonic tools available at restoration houses like Chace Productions, digitally remove hiss, hum and crackle, resynchronize it once again with the optical composite and mix back in so that the original mono optical composite plays through the center channel and the synthesized-surround music-only track plays through all the surrounds. Hope that clears it up. But if you get a chance, and they are doing it in your area, absolutely go....and drag whoever you can catch... to go see it on the Big Screen projected from real celluloid at a repertory/restoration theatre. It's totally worth it. Last edited by ndiamone; 12-16-2010 at 04:16 PM. |
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#66 | |
Blu-ray Samurai
May 2007
Indianapolis
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I grew up watching this every year with my family. My mom was a big BC fan. |
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#68 |
Blu-ray Samurai
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We had our annual "White Christmas" party recently, and I was impressed with the excellent restoration presented on BD. There were many comments regarding the picture quality. I am going to play it again this weekend for another one of our friends.
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#69 | |
Expert Member
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I thought I saw a few other scenes/shots here and there where the sharpness discernibly denigrated, then suddenly popped back into high def. Still, as you say, orders of magnitude above any previous releases. |
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#70 | |
New Member
Dec 2010
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So it's no surprise then that if the original camera negatives could not be found for the section containing the optical effect, that the IP, IN or even a release show print three generations down had to be used for the transitions and or other optical effects. Look at The Wizard of Oz and its' registration problems, especially in the scene where we find the Tin Man frozen in place. With it's re-created YCM seps (yellow-cyan-magenta black and white color band separation films used to re-assemble a color film after the original color negatives have faded to the point of unusability) the three reconstructed color strips never quite match due to different shrinkage amounts of the original elements. Or look at My Fair Lady or Lawrence of Arabia or the 1954 A Star is Born with Judy Garland. Look at and listen to any vintage film in High Definition real close. You'll find all kinds of artifacting in the video or audio because restorationists had to lift pieces from show prints or outtake reels or the soundtrack master the LP was made from or off a tired old acetate reference playback disc the artist used to practice their lip synching for shooting or whatever else was left and didn't get thrown in the dumpster after it was used to make the film. Studios in Hollywood's Golden Era didn't know in 50 years there was going to be all this money being able to be made off Blu-Ray and High Definition from home-cinephiles with more money than taste (WINK) who wanted everything in pristine sound and perfect video as if it was shot yesterday instead of 50 years ago. So they threw out a lot of things. I mean if you were some itty-bitty junior vault technician and your cubicle warrior bean counter boss at the studio was yelling at YOU to clean out storage space in Hollywood's Golden Age and YOUR crystal ball was busted so YOU couldn't know about Blu-Ray in 50 years, you'd do what you were told too if you wanted to keep your vault job and move up the food chain. Which is oftentimes why junior editors and production assistants and other people low on the totem pole take things home destined for the dumpster and report it as ``destroyed'' pay the cold storage on it out of their own pocket for 50 years and then when they declare bankruptcy or die, here's all these perfect-condition original production elements discovered in a pristine state just in time to make a studio a lot of money for Blu-Ray. Whereupon the ``hoarder'' who ``stole'' the materials out of the dumpster 50 years ago is now honored with a Special Academy Award for Film Preservation, honored on Turner Classic Movies, and gets their portrait hung up in the American Film Institute, none of which existed at the time. So, mebbe yinz can come daaaahn orf yer perfectionistic high horses and enjoy the fact that MOST of it was able to be sourced from pristine elements, and the rest was able to be cleaned up after weeks and weeks in the restoration computer and be glad you have what you have the way you have it. Last edited by ndiamone; 12-16-2010 at 11:56 PM. |
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#71 |
Blu-ray Guru
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I saw White Christmas about 20 years ago on vhs, and although I liked it, somehow it didn't quite come through in that pale shadow of VistaVision.
But this blu-ray is great! It really just pulls you right into the movie. Plus now I'm in my 40s, and I guess what they say about getting more sentimental as you get older is true, because this one is making me laugh as well as choke up a few times too. I should have bought this months ago. But I'm enjoying it now a lot with my 9 year old daughter. And she's laughing too. What amazing costumes by the great Edith Head! If anyone is on the fence on this one--buy it. Great pq and aq for a film of this era. |
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#73 | |
Trading Moderator
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You can buy the blu-ray version and DVD version and make our own combo pack ![]() |
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#74 |
New Member
Dec 2011
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I have a question, does anyone know if there is more than one version of White Christmas on blu ray? I ask because the copy I received from Amazon does not say "Anniversary Edition" anywhere on the cover as depicted in a picture above in another post. I also ask because my copy of this movie still has a lot of film dirt running throughout especially big pieces on people's faces. I also noticed that there is still some film flicker in some spots. The colors look good though. So that's why I'm wondering if I may have gotten a different version or something. I would appreciate it if someone can fill me in. Thanks.
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#76 |
Blu-ray Guru
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I own 560 Blu-rays and WHITE CHRISTMAS is my reference disc. Even if it's the middle of August, if people want to know about Blu-ray I will put WHITE CHRISTMAS in my player and tell them , "THIS is Blu-ray".
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#78 | |
Blu-ray Guru
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You should be absolutely delighted. Vera Ellen figures VERY prominently in this movie with several major production numbers. |
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#80 |
Banned
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She was great in it, so was Rosemary Clooney. Although I had heard some of her songs from back in the day, I had only ever known Clooney as a heavy-set older lady, so to see her in her youth was eye-opening. She was very alluring back in the day and in terms of the characters, she was the stand-out of the film for me. Vera-Ellen was the star of the musical numbers though, naturally as she was primarily a dancer. I found Crosby and Kaye to be kind of meh, I've never been big fans of either of them (as an actor for Crosby anyway, he was always a great crooner).
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