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#61 | |
Blu-ray Baron
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Thanks given by: | Ernest Rister (04-14-2016) |
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#62 | |
Blu-ray Baron
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#63 |
Senior Member
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Watched these for the first time last night. My wife and I had fun with these! So far, I’ve enjoyed these probably more than any of the other early live-action Walt Disney films I’ve seen. I’ve been surprised with how unrefined and shallow the live-action films seems to be, and with the level of quality, compared to the artistic and innovative stuff that was happening at the animation wing of the company at the time. Some of the quality goofs in this one just made us bust out laughing, though, like some of the very delayed death reactions in the first film hahaha! I even got emotional during Davy’s speech about the Indian Bill at congress.
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#65 |
Senior Member
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Re-watched both these movies over the weekend, only my second time since picking them up. When I first bought them, I watch King of the Wild Frontier first, but I realized it makes sense to watch the River Pirates first going forward, which I did this time.
I wouldn't mind seeing an updated telling of the life of Davy Crockett, maybe as a mini-series, since the films cover a lot in a short amount of time. Also, sort of surprised a couple of the other Alamo movies featuring Davy Crockett, including the one from the 1960's and the one from the 2000's still haven't had a blu-ray released. |
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Thanks given by: | Doc Moonlight (04-02-2023), Mayboy128 (04-02-2023) |
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#66 | |
Senior Member
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Thanks given by: | Doc Moonlight (04-02-2023), garyd97 (04-02-2023) |
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#67 |
Active Member
Oct 2020
@supergirlmaid (IG)
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https://.com/davycrockett50th.html
****** Though the posters boldly proclaimed the films as "Wide Screen," both King of the Wild Frontier and The River Pirates were edited from a show that was clearly shot for television. Thus, the 1.33:1 fullscreen aspect ratios in which they are presented on this DVD are correct, and preferred to the type of makeshift matting that was done theatrically to cater to demands for widescreen material. Good framing in Academy Ratio usually won't make for any terrible compositions when slightly matted, and there are some folks who will approve any questionable framing in the name of widescreen. Still, the Davy Crockett stories are doubtlessly intended to be seen as 4:3 full frame. ****** When Davy Crockett was released, Widescreen was really new, 1 year old... I just checked the Walt Disney Treasures DVDs, and the two compilations: From episodes 1-3 "Davy Crockett, King of the Wild Frontier" From episodes 4-5 "Davy Crockett and the River Pirates" And had the impression the Wide does not add anything to the sides, while crops the top/bottom (see this example: ![]() ![]() If that's the case, don't you think the 2 compilations could have been released in the OAR (which I assume to be 4:3) in Blu-ray? |
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Thanks given by: | WonkaBedknobs83 (01-29-2024) |
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#68 |
Power Member
Mar 2012
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#69 | |
Expert Member
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Disney did remake Davy Crockett in the 1980s when the anthology series briefly moved back to the old NBC time slot it occupied for 20 years, but they seemed to have forgotten that version along with the Harry Anderson version of The Absent-Minded Professor. The remake machine started almost as soon as Eisner joined the studio. Even Bette Midler's first film for Touchstone was a remake of a 1930s French film!
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If anything, it could be argued Walt took more gambles at a single time in the 1950s than he ever did during any other part of his career. It is here that he is staking his claim not only to television while other studios are largely still afraid of it, but a major tourist attraction while adapting new movie technologies such as widescreen, stereo sound, and even 3D to animation. Last edited by WonkaBedknobs83; 01-29-2024 at 09:30 PM. |
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#71 | |
Power Member
Feb 2016
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#72 |
Blu-ray Prince
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Might have been protected for both, but we're talking 1955...sorry, wish I could tell you definitively, but odds are it was shot in 4:3...20,000 Leagues Under the Sea was only the second 'Scope film ever shot, in 1954, so I doubt Walt would shoot a made-for-tv production like Davy Crockett in a wide-screen format. Color, sure. Color tv's were already in development, and Walt and Roy multi-purposed the heck out of things, so why not go shoot the Appalachians in color and cut everything into a feature for foreign markets...
Hey, you know what cranks my gears a little bit. It's so tiny and trivial, but my jaw clenched seeing it. The True-Life Adventure Secrets of Life is missing the sudden shifted aspect ratio to Scope in the concluding Hawaii volcano sequence on Disney+. It stays 4:3. Nobody who isn't in the know is gonna notice...but some of us do. Disney had to issue a disc replacement program to fix the error on their True-Life Adventures tins, you'd think maybe they'd know they're using a wrong master of the film. |
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#73 |
Expert Member
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Unlike movies, it was a few more years before TV producers thought of shooting with widescreen in mind. But it seems that Disney and Universal were the two studios that did the most to blur the lines between TV and movies. After Davy and all the westerns the studio produced in its wake, Disney in particular seemed convinced that whatever was good enough for Walt Disney's Wonderful World of Color (or whatever they're calling it on any given Sunday night) in terms of production value was good enough for movie theatres. It took them until the time of The Black Hole to shake them out of that mentality. As it is, it took them this long to start producing live-action content on a regular basis compared to 20 years earlier, or even 10 years earlier when the only live-action film content they created was in the service of cavorting with cartoon characters.
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