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Old 11-07-2019, 01:16 AM   #61
Geoff D Geoff D is online now
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Quote:
Originally Posted by steel_breeze View Post
Is the 5.1 on the UHD different than the 5.1 on the original Close Encounters BD? I thought they were identical.
The audio was restored as well when they did the 4K. They used a 70mm printmaster, as I think they did on the previous mix(es), so it's not going to fundamentally differ in terms of what goes where but it's 16-bit while the old one was 24-bit. Could that affect it?
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Old 11-07-2019, 03:07 AM   #62
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Quote:
Originally Posted by Geoff D View Post
The audio was restored as well when they did the 4K. They used a 70mm printmaster, as I think they did on the previous mix(es), so it's not going to fundamentally differ in terms of what goes where but it's 16-bit while the old one was 24-bit. Could that affect it?
Magnetic audio deteriorates super fast. After several decades, all of the high frequency ambient information has been wiped clean. No restoration can bring that back. The sound mixing culture has also drastically changed. Most new mixes have a more extended low end, but a much reduced midbass band. New mixes sound anemic. If you want good sound, stick to older laserdiscs. Criterion’s release of CEOTTK has the best sound quality out of any home video release.

Last edited by Noremac Mij; 11-07-2019 at 03:14 AM.
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Old 11-07-2019, 03:21 AM   #63
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As well as listing the movie, it might be useful to list what the original sound format was and how it's represented.

E.g. PREDATOR
Theatrical: 35mm: Dolby Stereo 4.0; 70mm: 5.1
UHD: DTS-HD MA 4.0; DTS-HD MA 5.1

Bolded being original mixes.
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Old 11-07-2019, 03:39 AM   #64
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Quote:
Originally Posted by Noremac Mij View Post
Criterion’s release of CEOTTK has the best sound quality out of any home video release.
The Criterion laserdisc audio was mastered from the 35mm mix, while the bluray and UHD were sourced from the 70mm printmaster mix. I would expect there to be some differences. Unfortunately the Criterion LD is a 4-2-4 matrix track vs being discrete, as I don't think home AC-3 / Dolby Digital was available at the time of that given Laserdisc release.

As Peter alluded to, the mono surround was given an occasional mild directional split surround enhancement for 5.1. But aside from that technically it's pretty faithful to the OG 70mm mix.
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Old 11-07-2019, 04:04 AM   #65
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Appreciating all these responses re: Close Encounters. So picking through all the info in the previous posts... and please excuse my ignorance... does it belong on the "original audio" list? And if so... does the older Blu-ray NOT qualify, or are they derived from the same source, as Geoff alluded to, thus making them BOTH "original audio"?

Still wondering about E.T. also. I'd never heard anywhere else that the UHD contains the original audio, yet it's on this list. Anyone know?

Sincere thanks to all the audio experts out there!
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Old 11-07-2019, 07:24 AM   #66
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Quote:
Originally Posted by Markgway View Post
As well as listing the movie, it might be useful to list what the original sound format was and how it's represented.

E.g. PREDATOR
Theatrical: 35mm: Dolby Stereo 4.0; 70mm: 5.1
UHD: DTS-HD MA 4.0; DTS-HD MA 5.1

Bolded being original mixes.
Just an example or the actual? Because Predator's 70MM mix was 4.2 - so like Close Encounters it's a slight upmix.
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Old 11-07-2019, 08:22 AM   #67
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Quote:
Originally Posted by PeterTHX View Post
Close Encounters is a slight remix from 4.2 (70MM) to 5.1
Remapping isn't always remixing
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Old 11-07-2019, 08:24 AM   #68
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Quote:
Originally Posted by PeterTHX View Post
Just an example or the actual? Because Predator's 70MM mix was 4.2 - so like Close Encounters it's a slight upmix.
I stand corrected. I saw 'six channels' and jumped to a conclusion. That's why this thread needs that kind of info from people (like yourself) in the know.

So I guess the UHD's 5.1 isn't the original 70mm audio, but something close.

I would have the listing read, thus:

PREDATOR
Theatrical: 35mm: Dolby Stereo 4.0; 70mm: 4.2
UHD: DTS-HD MA 4.0; DTS-HD MA 5.1

Better?
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Old 11-07-2019, 09:20 AM   #69
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Quote:
Originally Posted by steel_breeze View Post
Appreciating all these responses re: Close Encounters. So picking through all the info in the previous posts... and please excuse my ignorance... does it belong on the "original audio" list? And if so... does the older Blu-ray NOT qualify, or are they derived from the same source, as Geoff alluded to, thus making them BOTH "original audio"?

Still wondering about E.T. also. I'd never heard anywhere else that the UHD contains the original audio, yet it's on this list. Anyone know?

Sincere thanks to all the audio experts out there!
Yes ET has the 2.0 matrixed audio.
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Old 11-07-2019, 10:40 AM   #70
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Quote:
Originally Posted by Geoff D View Post
Yes ET has the 2.0 matrixed audio.
But it's a lossy one.
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Old 11-07-2019, 10:55 AM   #71
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Quote:
Originally Posted by Markgway View Post
As well as listing the movie, it might be useful to list what the original sound format was and how it's represented.

E.g. PREDATOR
Theatrical: 35mm: Dolby Stereo 4.0; 70mm: 5.1
UHD: DTS-HD MA 4.0; DTS-HD MA 5.1

Bolded being original mixes.
That's all included inside the BD link and then the IMDB link is within that link.
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Old 11-07-2019, 07:20 PM   #72
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Quote:
Originally Posted by jerclay View Post
But it's a lossy one.
Still counts for me.

Quote:
Originally Posted by HD Goofnut View Post
That's all included inside the BD link and then the IMDB link is within that link.
Just thought it would be nice to have all the relevant info in one place and allow for user corrections/clarification.
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Old 11-07-2019, 07:45 PM   #73
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Quote:
Originally Posted by Markgway View Post
Just thought it would be nice to have all the relevant info in one place and allow for user corrections/clarification.
If I did that I would have to change it to text instead of images or it's a blasted mess. It would look like the OOP BD thread then.
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Old 11-07-2019, 08:20 PM   #74
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The Bridge On The River Kwai UHD has elements of the original mono.

Originally released in mono, the films was re-released in 1991 on 70mm in 6 tracks stereo with added effects. For the first DVD release, Chace created a Dolby Digital 5.1 mix, combining elements from the original 1957 mix and the 1991 restoration. So DTS HD-MA 5.1, that is present on the UHD, contains elements of the original mono.

Not sure if that counts, but there you go.
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Old 11-07-2019, 08:43 PM   #75
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Quote:
Originally Posted by jerclay View Post
The Bridge On The River Kwai UHD has elements of the original mono.

Originally released in mono, the films was re-released in 1991 on 70mm in 6 tracks stereo with added effects. For the first DVD release, Chace created a Dolby Digital 5.1 mix, combining elements from the original 1957 mix and the 1991 restoration. So DTS HD-MA 5.1, that is present on the UHD, contains elements of the original mono.

Not sure if that counts, but there you go.
I wonder how much of it is the original mix.
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Old 11-07-2019, 08:57 PM   #76
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Quote:
Originally Posted by HD Goofnut View Post
I wonder how much of it is the original mix.
Not a whole lot
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Old 11-08-2019, 01:43 AM   #77
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If we're counting 21st century films, then Bad Boys 1 and 2 have the original 5.1 mixes in lossless DTS-HD MA in addition to Atmos remixes, as does Zombieland.



But honestly, this list is more helpful for films produced before the turn of the millennium.
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Old 11-08-2019, 02:16 AM   #78
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Quote:
Originally Posted by jerclay View Post
But it's a lossy one.
So? Thread title doesn't specify lossy or lossless. And as ET's 2.0 audio is DTS @ 448 kb/s then that's fine by me, considering that 20 years ago we had an entire 5.1 delivered at the same bitrate (or less!) in Dobly.
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Old 11-08-2019, 05:24 AM   #79
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The Bridge On The River Kwai is Cinemascope, so the original audio should be also in 4-Track Stereo?
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Old 11-08-2019, 07:31 AM   #80
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Quote:
Originally Posted by Geoff D View Post
So? Thread title doesn't specify lossy or lossless. And as ET's 2.0 audio is DTS @ 448 kb/s then that's fine by me, considering that 20 years ago we had an entire 5.1 delivered at the same bitrate (or less!) in Dobly.
Yes, but the AC-3 codec is much more efficient - think MPEG2 vs. AVC except for audio (DD+ even more so). There's a reason they use it for streaming and other formats.
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