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#61 |
Blu-ray Ninja
![]() Aug 2009
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It still pisses me off to this day that these asshat studios felt they needed to team Jackie Chan up with Chris ****ing Tucker because he wouldn't be enough of a box office draw on his own. This after Rumble in the Bronx brought in over $30mill on Chan's name alone. WTF the **** has Chris Tucker ever starred in as a leading man that made a fraction of that, before or since?
I mean, if they teamed him up with a Dave Chappelle or Eddie Murphy I could understand the reasoning and it would have been less insulting to JC, but Christ Tucker? And IIRC Chris Tucker demanded and got a bigger payday for Rush Hour 2 and was I think paid more money than Jackie! |
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Thanks given by: | slask (02-23-2020) |
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#62 | |
Blu-ray Baron
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None of which made Tucker less annoying: when I saw the trailer at the Cinerama Dome and someone in the audience cried out "Can't he just shut up for a ****ing second?" it got a round of applause. And worse than the payday was the way Ratner overindulged Tucker's tiresome motormouth shtick while sidelining and rushing Chan's action and physical comedy in the sequels. Last edited by Aclea; 02-14-2020 at 02:42 AM. |
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#64 | |
Blu-ray Knight
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However, I very much liked THE FOREIGNER. Excellent change of pace, and quite effective I thought. Last edited by WaverBoy; 02-14-2020 at 02:30 AM. |
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Thanks given by: | Aclea (02-14-2020) |
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#66 | |
Blu-ray Baron
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The fact that Chan's weaker 21st century films often do so well is probably down to the expansion of the Asian market - Kung Fu Yoga isn't a patch on Condor, but it took over a quarter of a billion US$ in China alone while Condor struggled to break even, Chinese Zodiac did $170m, Railroad Tigers $102m and Skiptrace $136m. By comparison, even inflation adjusted the local grosses for the classics he made at his peak look puny today. |
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#67 | |
Expert Member
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I do not recall if in the late 80's(1986), I was interested in his newer films via an article or a friend having access to PS/AOG-but, at that time there was no way for me to acquire these films. I was bewildered by my inability to see these films. Around 1990, record show "conventions" started to come to my area(bootleg CDs of bands live AND VHS tapes). At that time I was able to acquire many of Chan's, Hark's, Woo's, Lam's, and To's films YEARS prior to their release on VHS in the US. My initial statement was that Rumble was Chan's second attempt to break into the US market, which succeeded-after which his fantastic 80's HK films saw release in the US(legitimately licensed). I did not mean to have an argument, I respect your reviews and comments on many films. I did not intelligently state my opinion. |
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Thanks given by: | Aclea (02-14-2020) |
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#68 |
Blu-ray Champion
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#69 |
Blu-ray Baron
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No sweat: I was worried my comments may have come across too harshly.
Much of my introduction to Chan came through late night TV screenings (often TNT and TBS IIRC) until I hooked up with enough fans to score the good stuff as bootleg tapes with barely readable subtitles, but even in the US pre-New Line you could find some titles in video stores from legit or at least semi-legit indie labels - though you had to try quite a few stores to find them, which was the case with most non studio releases in the goldrush days of VHS. BCB and The Protector had created a VHS niche market for labels who presumably got them cheap. So there was awareness of him since the 80s, if only as that suicidal Chinese guy who was supposed to be the next big thing but wasn't - a sort of Colin Farrell or Clive Owen that the media and studios hyped up but who never sold tickets to the general public unless they were in a supporting role to a major star (though to be fair Brawl recouped its budget in the US and did well on VHS there). Mainstream and theatrical success eluded him, and even Rumble in the New York Mountains was pretty much a flash in the pan subsequent US retooled releases couldn't come close to (a bit like those one-off foreign hits Miramax would have like Cinema Paradiso or Il Postino only for the director and stars to never make another ripple at the US boxoffice) but I think to say he was unknown was an overstatement. I think his problem was far worse - he was known but written off as someone who never made it and never would as far as the US was concerned. Rumble put him briefly back in the spotlight the way Brawl had a decade and a half earlier, but without Rush Hour's surprise blockbuster success those declining lower Stateside grosses for the HK films would have sent his films straight to video. Last edited by Aclea; 02-14-2020 at 05:14 AM. |
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Thanks given by: | sonny gaunt (02-14-2020) |
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#70 |
Active Member
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There's that, but it's region A locked and i only have a couple of region B players (PS3 & PS4), so i'd love to have a nice UK release, although apparently that's a very long shot and is unlikely to happen. At some point i'll just have to invest into a region free player, but right now there are other things that take priority over it.
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#71 |
Power Member
May 2014
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#72 |
Blu-ray Ninja
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Would absolutely love a decent release of Police Story 3.
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Thanks given by: | grim_tales (02-14-2020), MasterWithOkFingers (02-15-2020), Spotty (02-15-2020), TarPot1 (02-14-2020) |
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#73 |
Power Member
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New sound effects...since when is that ever a good idea?!
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#74 |
Special Member
Oct 2016
Belfast, UK
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#75 |
Power Member
Jun 2018
West Midlands, UK
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Yeah the only release of PS3 I have is the Umbrella DVD from a few years ago.
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#76 |
Blu-ray Count
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Thanks given by: | slask (02-23-2020) |
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#77 | |
Expert Member
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#78 | |
Expert Member
![]() Jan 2012
Belgium
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especially the last blood, have two dvd versions but they do need an upgrade tiger on the beat i do have the hkl dvd and the HK blu-ray purple storm is also cool, still have the hkl dvd |
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#79 |
Special Member
Oct 2016
Belfast, UK
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Purple storm was good. There were lots of good HKL films like 2000 AD and the black sheep affair that I blind bought and enjoyed, but since selling all my HKL stuff I had totally forgotten they existed!
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#80 | |
Active Member
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