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View Poll Results: Rate the movie (after you have seen it) | |||
One Star |
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14 | 4.11% |
Two Stars |
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31 | 9.09% |
Three Stars |
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104 | 30.50% |
Four Stars |
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156 | 45.75% |
Five Stars |
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36 | 10.56% |
Voters: 341. You may not vote on this poll |
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Thread Tools | Display Modes |
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#81 |
Blu-ray Ninja
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To be fair, Mendes did a rock solid job as director. It's the writers that dropped the ball. I have no problems with Mendes returning as long as the writers are replaced or make great strides towards correcting the numerous problems with the script for Skyfall.
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#82 | |
Banned
Feb 2012
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Anyway, Neal Purvis and Robert Wade have finally been canned. They've been credited with the past 5 Bond screenplays but have always had their drafts rewritten (Bruce Feirstein, Paul Haggis, John Logan) because when left to their own devices, they're responsible for the cinematic masterpiece that is Die Another Day. John Logan will be writing Bond 24 & 25. |
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#83 | |
Senior Member
Feb 2008
SoCal
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The first one (the plane) could have been borrowed from Bond or the idea been born there but not sure it there was an intentional tribute. The second one is a variation of an actual quick extraction technique in use by today's military special forces. I'm no military expert, but I think the difference is that choppers are used in reality. The third one is a variation of a very common expression used for ages. "My mom told me not to get in a car with strangers", "My mom told me not to take candy from strangers"... and so on and so on. I would bet some variation of this line is in hundreds of movies. |
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#84 | |
Blu-ray Ninja
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Meh. The script was a huge step down from Casino Royale and felt slapped together. |
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#85 | |
Banned
Feb 2012
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#86 | |
Blu-ray Ninja
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#88 | |
Active Member
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The list was literally just to punish M. He probably didn't care about exposing agents at all, however what he did care about was making M feel like a failure and bringing her down emotionally before killing her. He was a sick sick man, as I am sure surviving months of torture would do to almost anyone and the fact that it was indeed M's betrayal that caused him to suffer so much made the extreme actions of such a sick and disturbed man all the better. Skyfall was a personal story, and as Silva said it was indeed "about you, me, and her". |
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#90 |
Banned
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I think I know why they introduced Eve in this movie and why they made her black.
They wanted Bond to die. Somebody had to shoot him. Said person mustn't be good at the job. Hence, a woman was cast. To make it more believable, they made her black. A the end, Eve decided to become a receptionist, a.k.a the office equivilent of working in a kitchen. if they made her Jewish, the name Moneypenny would have been a crude joke ![]() Yes, I'm kidding ![]() ![]() |
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#91 |
Blu-ray Samurai
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No, I'd be happy for him not to do it. I liked Skyfall but i still think CR is the better film.
SM is a good director no doubt,but it would be better if another director took the reigns. If SM does come back then so be it, it wouldn't be a disaster,he would make a solid film. The thing that I prefer between CR and SF is the music. Arnold can handle a Bond soundtrack, Newman is not as good in the Bond stakes. Arnold's had heart and excitement where as Newman's was quite bland and boring. Just my opinion though. |
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#92 |
Blu-ray Ninja
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As far as choice of directors go, I'd be happy to have Sam Mendes back for no. 24. I prefer Casino Royale to Skyfall, but he did a very good job with it. I also imagine Bond 24 will need to take a very different approach to the character, especially seeing as how Mendes essentially setup a throwback to the '60s films. Martin Campbell did a great job with Goldeneye and Casino Royale. He seems to understand the style of the character. I'm just worried because his post-Casino Royale films have been kind of bad (Edge of Darkness, Green Lantern). I do feel the next one should open things up a big more as far as the exotic locales go.
I agree that I missed David Arnold in Skyfall. Newman did a good job, but I felt the Bond theme cues seemed lazy and out of place. Arnold really hit CR out of the park, creating a perfect Bond score that didn't even use the Bond theme until the end. |
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#93 | |
Blu-ray Ninja
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I'd love for MC to return, but he seems to be the guy to call when there is a new Bond actor, so I'm not sure if he'll do another DC Bond. |
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#94 | |
Banned
Feb 2012
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#96 | ||
Blu-ray Ninja
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Hopefully they can tempt him back for Craig's final Bond film. Be a great way to send him off. |
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#97 |
Blu-ray Guru
Feb 2011
London, UK
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It's no disaster. Mendes is not a particularly interesting director. He's a "safe pair of hands", producing consistently competent but unremarkable work, which is why producers (and critics) love him so. SKYFALL benefited hugely from following the wretched QOS, but it doesn't look so great when set beside CR.
Bond has traditionally hired competent but anonymous directors. Partly, this was because they were amenable to the very hands-on, highly controlling role of the producers. They were also directors who were happy to focus on the actors rather than the stunt-work, which was essentially left to the second-unit. The nadir of this approach was John Glen's run, as Glen was pretty much a "yes-man", with very little visual flair. He was also saddled with an aging Roger Moore and some of the worst screenplays in the series' history. The producing team, frankly, has shown no signs of being particularly good at script development over the years. Martin Campbell is a very good Bond director because he's rigorous on script and has just enough of a visual style to distinguish himself. The success of CR (and Daniel Craig's influence) seemed to embolden the producers to hand over a little more creative control to a more individualistic director but they chose wrong, and the result was horrible. In Mendes they found a director who is naturally conservative, had a genuine love of the movies and who is very collegiate in nature (look how skilfully he plays the PR game). He is attentive to script (although not THAT attentive, imo) and even better, he's one of those guys that just gets a "free pass" from critics ie they never review him very badly. So he was a decent choice but far from the only choice. I daresay it's true that Mendes is under some pressure from his other employers to pay them some attention. It may also be true that things were not quite as rosy in the garden as they appeared to be (not that he'd ever say such a thing). Mendes was probably uncomfortable with just how much control was exerted. And anyway, he's achieved his goal - he needed a hit of some sort and he's certainly got that. His slightly fading cinema career has been revived. The important thing is the screenplay. SKYFALL did at least continue some character development for Bond, and that's the key to its success. Otherwise, there are plenty of directors out there who could do a good job. The only problem is that one can never be quite sure if Broccoli and Wilson will choose wisely. Their track record is erratic. |
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