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#122 | |
Expert Member
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#123 | |
Blu-ray Guru
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#125 |
Active Member
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I am willing to bet the amazon UK listing is incorrect when it comes to the amount of discs listed since they list the new Charlton Heston documentary in the bonus feature section. It also says its region free. I am willing to bet it has the three BD's in a regular 3 disc Blu-ray case.
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#126 | |
Blu-ray Samurai
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http://www.nxtbook.com/nxtbooks/ques...988145TBN/#/20 Last edited by bluskies; 06-27-2011 at 07:43 PM. |
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#127 | |
Blu-ray Guru
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That's entirely different than *re recording* bran-new content... audio or video. Is this really a serious discussion given the tenants of this forum? |
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#128 | |
Senior Member
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Unless you have a very large screen, sit much closer than most people usually do for most films, because the 2.75:1 aspect ratio will reduce the height of your screen and the power and impact. If you have a good sound system, go ahead and crank it up. The original 6 channel stereo soundtrack was magnificent, as was Dr. Rozsa's score. Last edited by garyrc; 06-28-2011 at 08:30 PM. |
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#129 | |
Blu-ray Ninja
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I do have a large screen and great audio setup ![]() |
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#130 | |
Power Member
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#131 | |
Senior Member
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IMO Ben-Hur, made from a somewhat liberal point of view, and The Ten Commandments, made from a somewhat conservative point of view are two films that express religious sentiment without stirring too much polarization, and are more effective for doing so. It seems to me that people could see, understand and make films about an opposing point of view a little better back then. Manny Farber pointed out that The Maltese Falcon is a story with a conservative point of view with a liberal director, and The Grapes of Wrath is liberal material with a conservative director -- and both films are marvelous! Last edited by garyrc; 06-29-2011 at 10:20 PM. |
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#132 | |
Senior Member
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It's always seemed odd to me that it was subtitled "a Tale of the Christ." But nevertheless, the movie's about a friendship between a skeptic and a guy who has a strong faith. And the amazing paths that their beliefs take them on. It's completely plausible and a very real story in that sense. It's only set during the time of Jesus, who does appear briefly. Of course, many find it faith affirming, but not the way you think. Faith, and the lack their of, have their price. This movie's bad-azz. |
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#133 |
Blu-ray Ninja
Jun 2011
London
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One fault all these films share is that the second half is never as good as the first. Ben-Hur gets round this by having that fantastic chariot race in the second half. It's films like this & Mutiny On The Bounty (62) where Blu-ray really shines (& I'll have them both by Christmas!).
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#134 | |
Senior Member
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As to The Duke's objection to Christian imagery, I need to say that my friends of both 1959/60 and 1968 (the dates of the two 70 mm releases) were atheists, agnostics, Jews, Christians of the Left, Middle, & Right varieties, and, out of about 25 +, all but two loved the film, and talked about it for years to come.* One of the two who disliked it was a Catholic, and the other was a very fundamentalist Protestant. *All had the good taste to see it in 70 mm; at UC, director Wyler -- even though he had just one good ear -- indicated that it would be inappropriate to experience it in 35 mm mono optical, and I agree. The loss of the dynamics in the sound, especially, would suck some of the power out of the film. Fortunately, those of us with good audio systems will have a chance to at least hear it right in Blu-ray, if they don't compress the dynamic range. Last edited by garyrc; 07-14-2011 at 09:50 PM. |
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#135 |
Senior Member
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Oh man, that soundtrack!! I can hear it now in my head: Da-da-daaaaa!! It has the potential to sound absolutely incredible in hi-res! That alone will make this a worthy upgrade. Throw in an extensive, 2-year, million-dollar, 8k restoration...
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#137 | |
Senior Member
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So....there's room to grow. ![]() |
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#139 | |
Senior Member
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Being careful to avoid spoilers, I'll report that certain sound effects were loud enough to make people jump, or shift in their seats (it was great watching this happen!), and one effect was so strong that it created a breeze in the theater that the people toward the front could feel on their faces (every time; this was no fluke). The recording, as reproduced on the theater's Ampex/JBL system (originally installed for 70 mm Todd-AO, but willingly used by Camera 65, and other 70 mm processes) is the only one I have heard to this day that adequately reproduced the exciting sound of massed strings almost, but not quite, playing in perfect unison. I was used to hearing this sound when I played in several orchestras over the years, but never before or since in a film, or on a CD, Lp, or SACD. Finally, it is hard to imagine a more appropriate composer to score Ben-Hur than Dr. Rozsa. |
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