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#168761 |
Power Member
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New Mexico, USA
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I don't know about you guys, but I put the blame on Mame.
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Thanks given by: | The Great Owl (09-26-2017) |
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#168762 |
Blu-ray Samurai
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shamdy.. let's take you back to the Good Ol' Days!
1) Turn on your Blu-ray player, go to settings > select to output 480p 2) Buy a HDMI to analog cable 3) Take out your CRT telly from the attic, retirement's over for that old fart. 4) Connect, calibrate & set sharpness to 100, that'll produce some excellent compression artifacts So there you go.. you're now officially back in the 90s... Enjoy. |
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Thanks given by: | natureboy (09-25-2017) |
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#168763 | |
Banned
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Thanks given by: | jedidarrick (09-25-2017), pedromvu (09-26-2017), RCRochester (09-25-2017), StarDestroyer52 (09-25-2017) |
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#168764 |
Blu-ray Samurai
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I respectfully disagree that classic films look better on DVD. It's not even close, in my opinion. A blu-ray issue, with properly executed post-production processing, with will look better than the DVD ever could, even with upscaling.
Take a film like Casablanca. I still have the original issue DVD, and the blu-ray with its 4k scan. ![]() Again, a properly-handled release, where the color timing is not borked, and there's not egregious noise reduction that destroys the natural film grain inherent with the source material, will look better than the DVD every time. Are there blu-ray releases where the color timing is off? Yes, certainly. Are there blu-rays where the noise reduction was done to a ridiculous extent, and the picture quality suffered as a result? Again, yes. But that's not the format's fault. Blame that on those that oversaw the individual problematic release. |
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#168765 |
Active Member
Sep 2013
NYC
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re: WB and Criterion - there are two words that I can't repeat enough --
THE DEVILS. |
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Thanks given by: | jedidarrick (09-25-2017) |
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#168766 |
Power Member
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Could be his local theater projects DVDs and he thinks it's 35mm. If so, then DVDs are more accurate to his theatrical experience. Still, I don't see how anyone can deny Blu-ray's superiority over DVD.
Last edited by CinemaBlu; 09-25-2017 at 07:14 PM. |
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#168767 |
Banned
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The word is that one of the guys who runs the show at Warner is a devout Catholic who finds THE DEVILS to be an attack on Catholicism that should be buried forever. BFI must have offered a lot of money to get the rights for their DVD release several years ago. I guess the only hope for the film is if the Warner exec who is blocking THE DEVILS becomes an atheist. A shame, because it really is a great film, and in my opinion is Ken Russell's magnum opus.
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#168768 |
Blu-ray Guru
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I bought the 2012 BFI 2-disc PAL DVD edition of THE DEVILS because I'd never seen the movie and as a serious film buff I thought I should own it.
Not sure I needed to bother. That is one strange movie. I love Ollie Reed, but that is one hard movie to warm up to. And I'm an atheist, by the way. Last edited by Rory; 09-25-2017 at 07:47 PM. |
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#168769 | |
Senior Member
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#168771 |
Blu-ray Samurai
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The dude who posted about subtitles and the BD format in general posted a similar post 3 or 4 months ago. It's like some guy who posts, "I'm having trouble getting it up and it's destroying my life, blah, blah, blah..."
People go, "Okay, man, not sure how to respond to that. You do you." Then he goes, "I posted this a few months ago, but I'm still having trouble getting it up, blah, blah, blah..." |
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#168772 | |
Blu-ray Emperor
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#168773 |
Banned
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#168774 |
Power Member
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#168775 |
Blu-ray Samurai
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Forget the Viagra. He's a classic film lover. Tell him to put on his blu-ray of Gilda. If Rita Hayworth slinking around in glorious high definition doesn't do the trick, a little blue pill certainly won't.
![]() I love when she does that shit with her hair. |
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Thanks given by: | eddyw78 (09-26-2017), StarDestroyer52 (09-26-2017) |
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#168776 | |
Blu-ray Samurai
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It's too bad, too. He has a really nice collection started. I have 70 of the 153 issues in his Criterion collection, and after the Flash Sale, I'll likely have half. I've watched a great many of them, and I've not seen a single release that looked anything like he described.
In fact, I recall a few of them--Bergman's Persona, Mackendrick's Sweet Smell of Success, Kubrick's Paths of Glory, and Chaplin's The Kid--that I'd consider examples of reference quality video. The source material for these films are fifty or sixty years old, and in the case of the Chaplin masterpiece, we're talking almost a full century since the movie was shot. They beautifully demonstrate what is possible with high definition when you have competent artists handling post production. When done correctly, these iconic films will look as good as they ever did in the theaters, if not better. And don't even get me started on what high definition makes possible from a sonic perspective. The dynamic audible range possible shames anything you could get from a DVD playback. I'd estimate I've invested at least $12k in the last few years on my blu-ray collection, if not more. Certainly the Criterion issues, as well as releases from other boutique labels like Kino and Twilight Time, raise the average cost. If you ask me, it's one of the smartest investments I've ever made. I will always have these wonderful works of art at my fingertips. I'm not subjected to the whims of online providers, or technical issues with my ISP. I can watch any scene, or any film, over and over, whenever I please, and nobody can take them away from me. Even if I ignore, for a moment, the quantum leap in quality that blu-ray has made possible, the additional storage inherent with these discs have exponentially enhanced my love of film. The documentaries, the director commentaries, cast and crew interviews, etc are sublime. I watched Lawrence of Arabia again a few nights ago, with the graphic track enabled. I love watching a scene, and being able to read additional information germane to what I am viewing. Quote:
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#168777 |
Blu-ray Samurai
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Yeah, it seems like a personal issue he's having with the blu-ray format in general. I'm not really sure how one responds to that when almost no one else seems to have those same issues. I'm not dismissing his problem with the format, but it's difficult to really understand an issue that seems very personal.
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Thanks given by: | theater dreamer (09-26-2017) |
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#168778 | |
Blu-ray Samurai
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I'm puzzled, as well. He references how these blu-rays, through digital manipulation, alter the integrity of the filmmaker's vision. A lot of the discs the Criterion Collection issues are remastered with the approval of, and often direct oversight from the very directors, or cinematographers, who were responsible for the film.
I'm not looking to dismiss his problem, either. I just don't understand it. There are people who frequent our thread with a more discerning eye than I will ever have. While, occasionally, they will take issue with things like incorrect aspect ratios (ie The Last Emperor from the Criterion Collection, or Eight Men Out, issued by Olive Films), or issue-specific problems like black crush, or color timing (think of the Studio Canal issue of Akira Kurosawa's Ran, discussed with several screen caps here) , the format as a whole is pretty much universally celebrated. Quote:
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Thanks given by: | GenPion (09-26-2017) |
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#168779 | |
Power Member
Dec 2016
Gentrification Central
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#168780 |
Blu-ray Samurai
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