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#161 | |
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Part 2 comes out in January. Part 3 hasn't been filmed, it seems like the box office of 1 and 2 will determine whether they make 3, which is concerning. |
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#164 |
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For a movie with a MASSIVE budget that was aimed at a global audience, that ending is a bonkers choice, because it's a pop culture reference that only Brits will get.
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#166 |
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I have no issues with the ending either. It's simply a cliffhanger for the sequel. Maybe people were not expecting that going in. If the sequel is not good, I suppose it could affect how I feel about the ending, but I still feel like 28 Years Later was a great movie with some very wild and interesting sequences. Even though Danny Boyle is not directing the sequel, Alex Garland is writing the script. I trust him to tell a good story.
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Thanks given by: | Jay H. (Yesterday) |
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#167 | |
Blu-ray Count
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It's [Show spoiler] It's also [Show spoiler]
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#168 | |
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I'm looking forward to getting my steelbook copy delivered Tuesday or Wednesday. I hope its not dinged. |
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Thanks given by: | Jay H. (Yesterday) |
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#169 |
Blu-ray Champion
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I watched this last night on Netflix and was underwhelmed. To be fair, I was tired and I might have to give it another chance. I liked the look of the film and some of the cinematography floored me. But it felt overly long and would’ve been better if they’d not ended with the circus act (if that’s where the trilogy is headed, no thanks). Nothing can hold a candle to the first IMO.
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Thanks given by: | sojrner (Today) |
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#170 |
Blu-ray Count
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It’s the first spoiler above that is the real issue. Non-UK viewers not understanding the pop culture reference doesn’t take anything away from those viewers’ ability to understand the film’s ending; it just means there’s an extra layer of nuance reserved for those in the UK. But what’s mentioned in the first spoiler is what caused many of us to leave the theater with no small measure of cognitive dissonance. I enjoyed the film, I’m buying the film, I’m cautiously optimistic about THE BONE TEMPLE, but I have to admit 28 YEARS LATER is the only film I’ve seen at the theater this year (and I’ve seen every single one on my personal watch list) that let me down a bit, and it was 95% because of that ending.
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Thanks given by: | DaylightsEnd (Yesterday), James Luckard (Yesterday) |
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#171 |
Blu-ray Knight
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Can you elaborate for me? I didn't mind the ending but everything I've looked up when I come across the references, I just can't really put two and two together.
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#172 | ||
Blu-ray Knight
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Thanks given by: | Disciple of Vedder (Yesterday) |
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#173 | |
Blu-ray Knight
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But I'll go one further. It's not the first time mentioning this and it won't be the last....I absolutely despise despise despise despise despise all the tacky, irritating, highly-distracting, awful, wannabe videogame-simulation cgi effects and terrible gaming-perspective rubbish that completely chokes out and ruins all of the action scenes. Literally, another bad cartoon. It absolutely and irreversibly takes me out of the film entirely. The freeze-frame trash editing used to stuff weak minds full of jerky multiple-angle views of every single fake arrow striking every single infected, while fake cgi blood spurts and splatters in the fakest, most physics-defying possible manner, again from multiple angles every time, is some of the worst gaming-parody tripe I've ever seen. Even the Resident Evil films aren't this contrived, pathetic and cheesy in their action scenes. Those films are actually trying to BE video games, but do it quite well by comparison. I mean, that was fine and all....12+ years ago when it almost might've been novel. [Show spoiler] Worse yet, The infected are no longer savage, brutal, loathsome and scary. They're just goofy and silly....bad caricatures or parodies of what was created in the prior films. 28 Weeks contains some of the most vicious, inescapable, relentless, fearsome high-speed infected ever put to tape. It's practically claustrophobic, and palpably so. In this case, [Show spoiler] It's many steps backward from what the first two films had achieved in this regard. Anyhoo, yeah I own the uhd disc which looks solid, so...I'll keep it but won't rewatch it anytime soon. A fan edit with all the bad cgi bloodspray and really bad, jerky multi-angle videogame attack sequences completely cut out would be very useful for this flick someday down the road. God, I just hope this horrendous trend of turning every single action scene in every single new film into a lousy rendition of a first- or third-person shooter video game eventually ends, because I'm past my limit with this gimmicky horseshit. Make a movie, or make a video game. One or the other. [Show spoiler]
Last edited by DaylightsEnd; Yesterday at 08:29 PM. |
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#175 |
Blu-ray Knight
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Me too. Have you seen their driving lately? They sail right through all the red lights at busy intersections whilst playing "28 Videogames later: Attack of the giant infectedkoks" on their MePhones.
![]() ![]() I'm still wishing out of all this that the right folks will feel greedy pangs and be arsed enough by current franchise activity to tag along, ride the marketing wave, and put 28 Weeks Later on 4k uhd. But....not holding up much hope for such a thing. Last edited by DaylightsEnd; Yesterday at 04:40 PM. |
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#177 |
Blu-ray Knight
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I'm a very harsh critic when something ticks my personal peeves, as this did. But you may dig it. So be sure to watch and judge for yourself. Fortunately the uhd disc has no issues, for fans of the flick. I love the first two films for their rawness and brutality, which made this extra disappointing for me. I also have zero interest in computer animated monsters. Millions of kids out there love the shit and can't get enough of it.
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#178 | |
Blu-ray Samurai
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No worries, mate! ![]() |
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Thanks given by: | DaylightsEnd (Yesterday) |
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#179 |
Member
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A few things...
Ralph Fiennes was extremely good in this. He elevated it beyond the typical horror stuff. His philosophy about life and death gave this movie some real emotional depth. Without Fiennes' character, it would've been just another horror movie. And that kid Alfie Williams, wow...I doubt he will, but I think it would be cool if he got some serious consideration around awards season. It's even more impressive when you consider that this was his first feature film, and he's in just about every scene. The special forces soldier was really funny. I thought the violence was appropriately hardcore and ferocious. And that sequence when they are running back to the village being chased by that Alpha was amazing. It was interesting though how the filmmakers added some evolution to the infected people. If the infected had carried on in the same way (Constantly running around like Olympic sprinters, and what did they eat? They weren't cannibals) like in the first two movies, I think they would've all died off very quickly and we wouldn't have anymore movies. They kind of looked like they were starting to die off at they end of the first movie. LoL. |
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#180 | |
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[Show spoiler] This plays into a whole motif running through the film of what England is in memory and how it's changed or how it hasn't. A few more examples: - the movie very briefly features the iconic Sycamore Gap tree, memorably featured in Robin Hood: Prince of Thieves, as still standing. It was famously cut down by drunken morons in 2023, but in this alternate world, it still exists, so in a weird way, the zombie pandemic has spared this icon of old Britain - the townsfolk on the island still have affinity for the Queen, they have her portrait up in the town hall, even though she's certainly long dead - the movie has frequent montages of footage from Olivier's Henry V, a movie about Britain at war that was itself made as a propaganda film to rouse the nation during Britain's existential battle for survival in WWII. - that footage is intercut with old newsreel footage of British troops going off to fight in WWI - the Kipling poem from the trailer and the film is a paean to the troops lost fighting for Britain in the Boer War Boyle and Garland both said in interviews that the film is meant to be a metaphor for Brexit, and Britain's internal battle between wanting to be part of Europe and wanting to be a self-sufficient fortress island. There's a ton going on here for a summer movie, and a lot of it is culturally specific to the UK, nothing more so than the [Show spoiler] references on which the film ends.
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