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#182 |
Blu-ray Samurai
Jun 2007
Singapore
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#183 | |
Blu-ray Count
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If yes, then there is no need for an update. It's just like a hardware player in that regard. Atmos must be bitstreamed to an Atmos capable receiver or pre-amp. |
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#184 |
Blu-ray Knight
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My point was that it is hard enough to get a seamless left to right and front to back handoff between channels with 5:1. I can't imagine how hard it will be to properly balance 9:1:4 to create a unified sound field. No matter how big or small the room is, that is going to be a very delicate balance.
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#185 | |
Blu-ray Knight
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I'm interested in trying to pull this one off, but I'm not so sure I want to start mixing speakers that aren't from the same line, and I'm not looking to replace a complete matched set that I am satisfied with. |
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#186 | |
Blu-ray Knight
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Last edited by Brian81; 06-28-2014 at 09:04 PM. |
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#189 |
Blu-ray Baron
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That sucks. It'd be nice to have both options. Plus, IMO, Auro is better than Atmos. It provides more of a surrounding experience while Atmos just adds more speakers around you and tons of overhead speakers instead of adding wide range height speakers. Am I alone on this?
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#190 | |
Blu-ray Count
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At CE Week one of the demos supposedly used proof-of-concept Triad speaker models that were Atmos ready. Last edited by FilmFreakosaurus; 06-28-2014 at 10:15 PM. |
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#191 | |
Blu-ray Baron
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#192 | |
Blu-ray Count
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They have to take commercial theater speakers made for Atmos and tailor them for the consumer and enthusiast markets. It takes time. Current speakers for the ceiling may not have the dispersal pattern recommended for object based surround. It's different. Just look at the Dolby Atmos white papers. |
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#193 | |
Blu-ray Baron
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#194 | |
Blu-ray Prince
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wake me up when they rerelease 'Gravity' closing mirroring the fantastic Atmos mix or at least 7.1 |
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#195 | |
Blu-ray Count
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It's not hard to do, it just hasn't happened yet. Some in the industry were caught completely off guard by home Atmos. They weren't paying attention. |
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#196 |
Blu-ray Count
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Auro3D is DOA as far as I'm concerned. They're even switching over to object based rendering with DTS MDA for the cinema using the Auro speaker layout. Oh, the occasional Lionsgate film might have a disc with it included. But I think, for the most part it will be Atmos or possibly DTS-UHD. DTS and Auro's backer, Barco, are partners, so they may back off and allow DTS-UHD some wiggle room.
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#197 | |
Blu-ray Duke
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![]() Atmos is a discrete object based system, Auro is matrixed and that is a step backwards to the old Dolby Pro-Logic days. Another forum has had people compare the experience with the same exact film in each format and Atmos pretty much comes out on top every time. Auro will probably be like SDDS as far as home use goes. |
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#198 | |
Blu-ray Count
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#199 | |
Blu-ray Prince
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since SDDS has been mentioned - I'm surprised Dolby hasn't enacted a request for mixers to encode films with the five front channels with discrete sound sourcing, since it's mentioned in Dolby literature that adding a Left Center and Right center speakers is recommended for these newer larger (and wider screens) where filing in the missing gaps is key to panning sound more effectively. This is actually also integrated into standard DCI compliant audio processing - adding the additional channels and [hint, hint] archiving pre-1979 70mm/6-track (and 8-channel SDDS) films that used five front sound would be most ideal. Last edited by Dubstar; 06-28-2014 at 11:05 PM. |
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#200 | |
Blu-ray Ninja
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As part of the calibration process (and I assume that this will need to be included with any Dolby Atmos home receiver), you run test tones so that the Atmos processor understands where the speaker locations are. Then, in live time, when it "sees" an audio object, it sends it to the speaker location closest to where it's intended. This is why theaters can implement Atmos with a variety of speaker configurations. The more speakers you have, the more accurate and distinct the location. Having said that, if your room is relatively small and the speakers are spaced closely together, I don't believe it's going to provide much distinction. Unless you have a very strangely shaped room, you can't have a wide that's wider than the surrounds or the overhead channels, so I don't see the point of the wide channels - they were really just matrixed gimmicks for those people who wanted "more" channels. While in 11.1, they're not matrixed, they're not quite as effective. As just one example, from what I've read, people who saw Gravity in both IMAX and Atmos preferred the audio on the Atmos version. Having said all that and even though I really like Atmos theatrically, with the possible exception of those Wall Street bonus babies who have a $million home theatre, there aren't actually that many consumers who even have 5.1 in the home, never mind 7.1, 9.1, 11.1 or the up to 64 channels that Atmos can provide in the theatre (I'm still unclear as to how many channels Atmos can provide in the home). Most consumers, if they have anything at all besides the TV's own speakers, have a sound bar. IMO, this is going to be a very limited market. One other note: once you start adding lots of additional speakers, it's not going to be very practical if they have to be hardwired. If Atmos and systems like it are going to succeed beyond the Pioneer implementation (of simply adding upward facing speakers to the tops of the front and rear speakers), I believe the system has to move to wireless active speakers for all the extra channels. Eventually there probably will be chips that handle both Atmos and Auro and you'll be able to choose. It looks to me like the 2014 implementations have been rushed (especially since they won't be available until the end of the year). I think 2015 will be a better year to start looking at these systems. Meanwhile, there's no content yet anyway. Last edited by ZoetMB; 06-28-2014 at 11:44 PM. |
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