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#562 | |||||
Banned
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Last edited by slimdude; 09-27-2014 at 04:52 AM. |
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#563 | |
Blu-ray Samurai
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What's "better" - Atmos or Auro? I'd hate to find out after spending several thousand on one, or the other, then have to argue all night about having bought the "winner". I think we've had enough "wars" about technology. |
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#564 | |
Blu-ray Samurai
Jun 2007
Singapore
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At least Dolby has been very active in trying to make Atmos a success. They've even gone as far as designing the new upfiring speakers as an alternative for home theater owners who may not want to fix ceiling speakers. And now two Hollywood Blu-rays are on their way, possibly much more in the near future. Auro has done nothing. And DTS/Datasat has a very long way to go to catch up with Dolby. Having the technology is one thing, but whether we can enjoy the technology as consumers is another point to consider. |
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#565 | |
Blu-ray Count
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It's too early in the immersive audio game to know for certain how things will shake out. Auro's Van Baelen says studio Blu-rays with Auro encodings are on the way and are being compressed using DTS Master Audio lossless. He also says that Denon and other manufacturers are interested in adding their decoder. Denon/Marantz does say their upper level receivers and pre-amps with four processor chips will have an update for Auro, though it will have a fee associated with it. A DTS-UHD update would be free, but the ability to add it to first gen. upper models is not yet known. At CEDIA I heard both Atmos and Auro. They each have strengths and weaknesses. Atmos does have more scalability and the potential for far more precision due to its added use of metadata controlled objects. Auro, at present, can only do up to 13.1 channels (using a 7.1 channel base with four more embedded, bit depth reduced height channels), but there is no indication as to whether Auro3D 9.1 or 13.1 will be in the consumer market (or both). At-home Atmos can do up to 24 mains, 10 overheads, and one LFE output (24.1.10 or 34.1) on each and every Atmos soundtrack release to the home. I heard a 9.1 Auro demo and did not like the mono overhead speaker, which called attention to itself with some massive audio hotspotting above the listener during hard pans over the listener. A couple outdoor ambient recordings (non-synthetic), which Dolby did not utilize to demo their format (a shame), sounded great and quite realistic. However, the busy movie soundtracks Auro employed were lousy examples as you could not localize sounds very easily. Much like T4 in Atmos. Believe it or not, it takes subtlety in the mix in order for either format to really shine. Jam it full of sounds going every which way and the 3D effect collapses. The engineers behind Gravity's Atmos mix knew what they were doing. There may be more announcements as far as DTS-UHD and Auro (besides Atmos) towards CES. Last edited by FilmFreakosaurus; 09-27-2014 at 04:37 AM. |
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#566 | ||||
Banned
Mar 2013
Capua
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[quote=slimdude;9792831]You've just answered your own question!{/quote]
You said D-Box was dead. It's not dead. It's still around. It's just uber elite. There's a difference. VHS is dead. HD-DVD is dead. Quote:
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But I guess a home theater enthusiast such as yourself doesn't have a sub to provide earth moving bass, huh? I mean you want to 'feel' the audio then go to a concert, right? ![]() Now why don't you go troll someplace else? |
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#567 | |
Banned
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Last edited by slimdude; 09-29-2014 at 02:13 AM. |
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#568 | |
Blu-ray Samurai
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OK, so the current score is 2-0 for Dolby. I remember when high def sound first came along for Blu, and DTS had nothing - it was all Dolby. Things have really changed. I had to get a new player for the latest movies, that would play DTS lossless. I had a perfectly good player that did Dolby just fine. That's how it works when these "wars" start. |
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#569 |
Blu-ray Samurai
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Anyway, D-Box is dead. It really is. It is a horrible tragedy, and we all lament, but the damned thing is dead, and we all know it.
Even worse, nobody killed it with a post to this forum. It is a self-inflicted tragedy. It could have gone into the mass market, at affordable prices, but it was set up as an oddball novelty - like having a room in you house dedicated to antique pinball machines, or hiring the local football team's mascot to come over for every child's birthday party. The relative value of D-Box is irrelevant. You may like the idea, or you may not. It has never succeeded in the marketplace, any more than ButtKicker attachment to various furniture, and for the same reason: it's embarrassing self-indulgence, and not shareable amongst several people. It's a "throne" device, for just the person in the seat. If you have the money, no one else should care. But it is not a viable marketplace item, and never will be. It is dead in the same way a toothless zombie is dead. It's there; it's moving; it isn't hurting anything; but no one wants it moving into their home, and sitting in a chair when the movie starts. Last edited by quirkmanly; 09-27-2014 at 06:53 PM. |
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Thanks given by: | Retrofit (10-04-2014) |
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#570 | |
Blu-ray Grand Duke
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In Theaters. Blu-rays with the encode. |
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#571 | |
Blu-ray Samurai
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Yeah, I know it's still out there, staggering around, with a gold chain around it's neck. It bangs on the front door, staggers in groaning, and takes the best seat in the house. As a percentage of the population, it has a real number - a decimal point, then a heck of a lot of zeros, and then a digit. I was looking into it. You could buy a chair already set up for it, for around $4K. The chair looked like crap, but you could get it. Two would have run me about $8K. This was around the time "I, Robot" came out in Blu-Ray, so that was the time frame. So I wanted to see if I could retrofit some existing furniture, came to about the same price. It made less than no sense at all. I just blew it off. It's out there, for anybody that actually wants it. I don't think many people do, but I'm not stopping them. Maybe professional athletes, or movie stars, or successful dope dealers, I don't know the demographic. Or rich zombies. Or Dr. Frankenstein, shouting and giggling, "It's ALIVE! IT'S ALIVE!" with his eyes all bugged out. I won't argue with those guys. |
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#573 |
Active Member
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The last time I went to the theater, they tried really hard to sell me a special D-BOX seat (in a single row at the very back) for a couple of extra dollars. And the cashier pointed out three times that I could get my money back at the end of the movie if I didn't like the experience.
I took the latter as an indication of its dubious popularity with moviegoers and declined. Maybe the Koreans like bowel-shaking seats and air blasts to the face (their version of D-BOX), but it doesn't seem to be taking off here. Last edited by posthaste; 09-28-2014 at 04:49 PM. |
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#574 | |
Blu-ray Ninja
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I can sort of see use of it in a theatre for those movies that are primarily popcorn action movies. Aren't people who are so proud about having 5 high powered subwoofers in their home theatre pretty much trying to accomplish the same thing? In first run theaters, the 1959 William Castle movie "The Tingler" had some seats wired with vibrators. Whenever the "tingler" got loose they'd vibrate some of the seats. Supposedly this generated lots of screaming in the audience. I saw the movie when I was a kid before I understood the difference between first run and local theaters. So when I got to my local theatre, I tried to peek under the seats to look for wiring, but didn't see any (because there wasn't any in my theatre). I was really disappointed. But it was just a gimmick, just as D-Box is. I think the issue with systems like this is that they're fun the first time you watch a film on them. Maybe the second. But I think the effect gets real old real fast. I think that's why systems like Sensurround didn't last very long (also, because it actually did cause structural damage in some theaters.) And there was always the legend that when very high powered, very low frequency systems first appeared in discos, that initial blast of low frequencies was reputed to have caused "disco dump" in some people - where you lose bowel control (but maybe only in people who were heavily drunk and drugged). ----- Dolby Atmos vs. Auro: I think it's unfair for anyone to judge them unit they've heard them. And since the home systems are so different than the theatrical, those have to be heard as well. While I have a personal bias in favor of object oriented systems, the proof is in the hearing. Theatrically, there's lots more to Atmos than the height speakers so I feel like the initial home systems are lacking in that regard. But I also think that adding many more speakers is impractical for most setups other than dedicated home theaters owned by people who have LOTS of money. But you can spend a fortune even for 2-channel systems. I was at the NY Audio Show the other day and most of the speaker systems cost between $15 and $30K per pair! While there have been many more Atmos films released (77 released in the U.S. by my count through the end of 2014), I count 24 Auro films, which isn't bad. Frankly, I'm surprised there's been even that many. I'm surprised that the studios have been willing to mix for both (or even either), since production schedules have become so tight and those formats are currently available in relatively few theaters. My personal feeling is that anyone other than people who have more money than they know what to do with should not buy the first generation of receivers that support one or more of these formats. Dolby has already said that future receivers are going to support far more than the 7.1.4 that this first generation supports. With new 4K standards also on the way, I think it pays to wait. Last edited by ZoetMB; 09-28-2014 at 12:19 AM. |
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#575 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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I think there might be many reasons that someone might not buy a d-box seat (other than experience) - for example one of my friends was unemployed this summer and she managed to get twice a d-box seat for the early (cheaper) showings, while, like I said before it is almost impossible to do the same when I go and it is full price. For me that indicates that, at least here, when people don't choose d-box (when it is available) it has more to do with frugality than the experience the seats give (i.e. people going when seats are cheap are less likely to put in a bit more to upgrade the experience while people that don't care as much about the cost do buy the more expensive d-box seat). So in the end the cheapness of everyone else in the time and place you go to watch a film will definitely affect the popularity just because of the price differential. - just looking at you and Zoet (for example), from your posts it does not appear that you have tried watching a D-box film, but both of you have already pre-judged that experience based on your assumptions or pre-conceptions. So willingness to try something new could also play a role. |
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#576 | |||||
Blu-ray Count
Jul 2007
Montreal, Canada
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Dolby Atmos vs. Auro: I think it's unfair for anyone to judge them unit they've heard them. And since the home systems are so different than the theatrical, those have to be heard as well. While I have a personal bias in favor of object oriented systems, the proof is in the hearing. Quote:
On the other hand I don't agree with your second part you don't need lots of money to have a HT (I don't like the word dedicated since I don't know or care what other stuff people do in their HT, is it less of an HT because in back of the motorized screen my friend has a murphy bed and so it can also double as a spare bedroom?). You can buy a 1080p 3D projector for under 1k, and surround sound for less then that ( ou can get a 5.1 set-up that can pass 3d for under 500$). Now obviously you can go much more than that but I am sure there are people out there that paid less for their HT than others for their TV in their living room. |
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#577 | |
Blu-ray Ninja
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So it seems to me that AMC-Loews, Regal-United Artists, City Cinemas, Landmark, IFC and the BowTie chains as well as ALL of the independents have decided that this isn't worth installing. That's not a single one out of 55 NYC theaters and 431 screens. Now it may be because in a crowded place like NYC, they don't want customers fighting over who gets the special seat and it's too expensive to install very many of them, but they've obviously decided that they can't make money with D-Box. And this is in a place where most of the theaters play just about continuously from noon to midnight - not this one afternoon show and one night show that you see in smaller regions. |
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#578 |
Blu-ray Samurai
Jun 2007
Singapore
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Not a fan of D-Box. The only D-Box cinema in Singapore sucks. And the MFX can be a little distracting. A good projection and sound system is far more important to me in the overall experience.
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#579 |
Banned
Mar 2013
Capua
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No idea how this thread became a D-Box debate from one simple comment exuding the future completion of a home theater project but WTH?
[Show spoiler] Now maybe we should be discussing Atmos? |
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Thanks given by: | FilmFreakosaurus (09-29-2014), Retrofit (10-04-2014) |
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#580 | |
Blu-ray Champion
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[quote=Lentulus Batiatus;9796149]
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