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#201 | |
Active Member
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#202 | |
Blu-ray Knight
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The low common-denominator consumer is ruining how films should look, because they think they ALL have to be bright and sooth and video-game looking, but they certainly aren't film fans at all, or they would want them presented accurately and with respect to the art. |
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#203 | |
Active Member
Jan 2011
New York
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*cough* French Connection *cough* Last edited by Stationary Explorer; 04-24-2018 at 08:11 PM. |
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#204 |
Blu-ray Baron
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#205 | |
Blu-ray Samurai
Feb 2014
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That being said, I like film grain - in some cases. For example, I felt that the 2011 Taxi Driver Blu-ray was brilliant; the PQ was clear, with the appropriate amount of grain. This whole argument began because I stated that the green/teal tint on the MC Criterion Blu-ray print looks like crap. And, yes - if unecessary green tint in a film is representing the "artist's vision", then the artist is an idiot. Another example: I'm a huge Star Wars fan, and, like many others, hated some (though not all) of the changes that George Lucas made to the original Star Wars films. I.e., "Greedo shoots first" in the '97 SW SE was one of the stupidest modifications ever made to any film. And, because it was the "artist's vision" I'm supposed to like it?! No way. I will not blindly follow the "rest of the sheep" and like something just because it's what the artist wanted/intended. Last edited by AnamorphicWidescreen; 04-25-2018 at 03:57 AM. |
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#206 | |
Blu-ray Prince
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#207 | |
Power Member
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![]() I've said it before but these shots with a large green tint are in areas where practical fluorescent lights are being used and those photograph with a green hue depending on your camera settings. It's like the parking garage in All The President's Men. The other scenes people are showing just look to me like a more balanced image and in no way have a "tint." Criterion is better than the MGM simple as that |
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#208 |
Blu-ray Guru
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Sometimes you have situation where two completely different looking transfers have been approved by directors and/or cinematographers. Take Do The Right Thing as an example. The yellow tint/filter was removed for the blu-ray release. Supposedly the director or cinematographer approved of it. I have a hard time believing that Spike approved of that since it played theatrically with the yellow, but I've been given the opposite impression.
The Star Wars example is a bit extreme to me. That wasn't a case of a director messing with the look of the film. He went much further. |
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#209 |
Blu-ray Ninja
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A lot of times, the DP or director isn't necessarily comparing it to other prior releases, but just making sure it is internally consistent and never gets too dark to see or too bright to reveal anything which should be obscured. They aren't necessarily disc experts who immediately hone in on flaws that are common to specific labels but are consistently applied to the entire film. That is a lot easier to spot for a person who is aware of the label specifically, rather than for people who are looking at just that one film.
I was gonna bring up "Halloween", but honestly I can't remember off-hand whether the situation is that Cundey and Carpenter disagree or that Cundey himself has flip-flopped from the '70's to the '90's to today; I think it's the latter. |
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#210 |
Blu-ray Guru
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With Deep Discount's current 15% off sale, Midnight Cowboy's price came down to $22.94.
After using Pay Pal w/my Chase card linked, price dropped to $21.79. A nickel cheaper than it would cost me if I waited until July for the 50% B & N sale. |
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#211 | |
Blu-ray Baron
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#213 |
Blu-ray Guru
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You're making excuses. Criterion have the funds to make changes to what they are given if it isn't adequate.
If Arrow can do it, Criterion can too. Just compare their releases of The Tree of Wooden Clogs. People need to stop giving Criterion an automatic pass because of their status in the game. The time for that is up. |
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Thanks given by: | dancerslegs (05-15-2018), jackinbox (05-15-2018), JohnCarpenterLives (05-18-2018), PowellPressburger (05-15-2018), sperezmore (04-20-2023), TheOneWithThePrize (05-15-2018), zepol (05-23-2018) |
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#214 |
Blu-ray Baron
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I call bull$hit on the Criterion works with what they are given comment.
If that is the issue then how come other MGM transfers look correct and the Criterions contain the revisionism? The criterion booklets credit colorists etc. I agree Criterion need to start being held accountable for ruining transfers. So many labels out there begging for their Blu-Rays to be purchased and Criterion does get a pass by many, but once you break the trust of the consumer time and time again with this hideous revisionism they become more cautious wait for reviews and decline adding a release to their library. |
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Thanks given by: | AnamorphicWidescreen (05-18-2018), Hilliard (02-24-2022), jackinbox (07-07-2018), sperezmore (04-20-2023), TheOneWithThePrize (05-15-2018), zepol (05-23-2018) |
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#215 | |
Blu-ray Baron
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Thanks given by: | KCota15 (05-18-2018) |
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#216 |
Blu-ray Baron
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#217 |
Banned
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20180517_153438[1].jpg
Aaayy, look what I picked up today! (dont bother asking how) Now I get to swoop in and ease some minds and shit all over people who are trash talking/over exaggerating the "green tint" on this release without having seen a single minute of the disc. After doing a skip through I can happily say that some of the screenshots with green are in fact due to fluorescent lighting (main example being the dishwasher in the beginning) or a lot less prevalent than screenshots might have you believe. Skintones, whites, blacks and colours all look very natural (and some look very rich and beautiful) and in line with the style/time period of the film. Skies look pretty spot on too from what I've seen so far. Damage from the previous print appears to be non-existent which was a big plus and theres a nice heavy grain field on the disc, it looks very nice. I've taken a couple of photos on my phone that I'm going to attach below. I dont have a laptop that can take proper screenshots with, sadly, so this is best I can do. After watching the supplement on the visual style, the cinematographer also mentions how they overexposed all of the flash backs/dream sequences to get a certain look to them which may also give a certain look to the colours. The only thing that seemed outright off to me was that the black and white sequences are now that cold blue look similar to how Solaris now looks. All in all I'm very pleased with this disc and would probably peg it at a 4.5/5. |
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Thanks given by: | Dailyan (05-18-2018), RCRochester (05-17-2018) |
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#218 |
Banned
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Sorry I cant do better than this! The blown out whites dont really help to show the opening scene but it at least shows that they are in fact white.
Another thing I noticed is that the screenshots attached to the review are a little darker than whats on disc, so that would also make that "blue" or "green" look you people are talking about seem more severe. [Show spoiler] [Show spoiler] [Show spoiler]
Last edited by JoeBuck; 05-18-2018 at 12:03 AM. |
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#220 |
Blu-ray Baron
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But Joe, why should I believe what Adam Holender says when CLEARLY this is revisionism nonsense! THERE’S NO SUCH THING AS GREENISH SEA WATER. Altered colors!
I’m only kidding. |
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