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#21 | |
Active Member
Dec 2012
Santa Lucia, Malta
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i found a good deal on the Sony VPL-XW7000ES. They offered me the same price as the JVC NZ7. Can you give your opinion and suggestion please? |
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#22 | |
Blu-ray Knight
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The $27,999.99 Sony VPL-XW7000ES has a 3,200 lumens native 4K light engine with standard HDR10. However the JVC DLA-NZ9 and JVC DLA-ES4100 for $25,999.95 are better projectors with a better picture quality. The JVC DLA-NZ9 and JVC DLA-ES4100 are JVC’s flagship models with 3,000 lumens, HDR10+ and deep black levels with a contrast ratio of 100,000:1. Plus native 8K input with native 4K with 8K e-shift. The only real advantage of the Sony VPL-WV7000ES is the 3,200 lumens output over the JVC 3,000 lumens output. https://www.jvc.com/usa/projectors/procision/dla-nz9/ For LCOS projectors under $30,000 the JVC models are better then the Sony. But when it comes to projectors where one needs 10,000 lumens output like the $80,000 Sony VPL-GTZ380 or 5,000 lumens Sony VPL-VW5000ES for $60,000 (on sale for $45,000), then Sony is the best since JVC is not able to offer models with that much brightness. So Sony is King of LCOS projectors over $30,000 if one needs a lot of lumens output but JVC is King for LCOS picture quality when it comes to better HDR, deeper blacks and higher contrast ratio. It is too bad no Sony projector offers Dolby Vision HDR or HDR10+, since those high-end Sony models would be ideal with better HDR modes. If you can get a new or used Sony VPL-XW7000ES for around $10,999.95 instead of $27,999.99, then that is a excellent deal. That might be a clearance price since that model might be out of production as Sony introduces newer models this year. Last edited by HDTV1080P; 03-30-2023 at 09:24 PM. |
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#23 | |
Active Member
Dec 2012
Santa Lucia, Malta
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If it was you grab the Sony at that price? Is the contrast and black levels as good as the nz7? Also do you recommend pure shite or slate for projection screen in a dark room and 130” screen? |
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#24 | |
Blu-ray Knight
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When it comes to screen technologies, you will have to research that issue, since at the moment I am not up to date with the latest screen technologies. |
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#25 | |
Active Member
Dec 2012
Santa Lucia, Malta
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#27 |
Active Member
Dec 2012
Santa Lucia, Malta
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#28 | |
Blu-ray Knight
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https://www.soundandvision.com/conte...ojector-review https://www.soundandvision.com/conte...ojector-review https://www.soundandvision.com/conte...mizer-function |
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#29 |
Blu-ray Knight
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I just looked at the Value Electronics shootout evaluation for projectors, and the higher end Sony does have better black levels when compared to the lower end JVC, but when comparing similar models at similar price points the JVC is better. It is a little confusing, but one chart shows the JVC having deeper blacks with the DLA-NZ7 being a 8.8 and the Sony VPL-XW7000ES only being 8.7. But another chart shows the Sony being 9 for black level and the JVC 8.5.
You could also send Robert at Value Electronics a private message for more details. Overall the higher end Sony is better quality then the lower end JVC thanks to Sony’s brighter laser output. https://valueelectronics.com/tv-proj...ut-evaluation/ |
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Thanks given by: | Robert Zohn (03-31-2023) |
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#30 | |
Blu-ray Baron
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Sonys also have a haunted history of panel degradation. The new Sonys haven't been out long enough to see if the issue is fixed, but that will take a lot of time and involves a lot of risk If you absolutely need more brightness, the Sony would be suitable, but I would try to work on room treatments and screen first. |
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#31 | |
Blu-ray Baron
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Thanks given by: | HDTV1080P (03-31-2023) |
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#32 | ||
Active Member
Dec 2012
Santa Lucia, Malta
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#33 | |
Active Member
Dec 2012
Santa Lucia, Malta
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#34 |
Blu-ray Baron
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Thanks given by: | Robert Zohn (03-31-2023) |
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#35 | |
Blu-ray Baron
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#36 |
Active Member
Dec 2012
Santa Lucia, Malta
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Thanks given by: | Robert Zohn (03-31-2023) |
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#37 | |
Blu-ray Knight
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It is awesome that consumers have choices with both JVC and Sony making projectors. While I am knowledgeable about projector’s and have setup some projectors for people many years ago, I do not own a projector and do not have the everyday hands-on experience that some people have. This is not a user forum for JVC or Sony, and people like Robert at Value Electronics that sells projectors everyday and people that own and use a projector everyday will generally be more knowledgeable about projectors. But on the other hand I have the electronic knowledge ro repair and engineer a projector at the component level and also a degree in computer programming to write firmware updates. I just have never owned a projector myself, but that might change in a few years. |
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#38 | |
Blu-ray Knight
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#39 | |
Blu-ray Baron
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LED TVs often put out more light than OLEDs, yet many prefer OLEDs because of their infinite contrast ratios. So blacks become the key part of an image. Now, it's true, one needs a sufficient amount of light based on screen size, gain, room, and personal preference. It's generally recommended to get at least 30 ftL for HDR. Dynamic tone mapping (on the JVC) can allow one to get a brighter image versus static mapping (on the Sony). Dynamic tone mapping is a much more "intelligent" way to tone map and it analyzes each frame and how much brightness is available to form the gamma curve. As alluded, the NP5 will also be close to 30,000:1 native contrast and that Sony 7000 is closer to 10,000:1. This is a MASSIVE different. 3X. These were measured by Kris Deering in a shootout that was performed last year. Objective numbers are important because they take out biases. This will result in notably deeper black levels on the JVC. Kris Deering is widely considered one of the very top calibrators. But I know of other calibrators who have measured similarly. The NP5 will also have a wider P3 color gamut vs the Sony 7000. Now, the NP5 is a lamp-based unit. The NZ7 is laser based and basically the same projector otherwise at $11K. The 7000 will have a better lens, but from regular seating distances with moving content, it may be very tough to discern as JVCs have very good lenses. I would take the NP5 over the Sony - UNLESS - one NEEDS all of that Sony brightness. And quite frankly, if someone buys the Sony then they should just consider buying a Lumagen or Envy for dynamic tone mapping. If they can afford the Sony 7000, then the Lumagen is pretty cheap really. The Sonys are very, very overpriced and have been for a loooong time. They are much cheaper in Europe. And all of the Sonys have suffered from engine block deterioration and Kris Deering and other calibrators have talked about this over at AVS. It remains to be seen if it's fixed on new units, but I'm skeptical until proven otherwise. Every calibrator I've talked to considers JVC at #1 with Sony a distant #2 followed by Epson at #3. With long throw DLP's only around 1,000:1 native contrast, it's hard to consider (especially since most show rainbow effects)...unless we're talking super high end Christies which run over $100,000. Last edited by HeavyHitter; 03-31-2023 at 09:12 PM. |
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#40 | |
Active Member
Dec 2012
Santa Lucia, Malta
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Thanks given by: | HeavyHitter (03-31-2023) |
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