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#1081 |
Blu-ray Knight
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Fox will release them one at a time. They won't release them in groups until the entire series has been released. Fox had packaged and repackaged the DVD sets several times before they repackaged them a final time with that slipcase packaging and they released those at 3 seasons per run.
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#1082 | |
Senior Member
Oct 2008
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#1083 | |
Member
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#1084 | ||
Blu-ray Grand Duke
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Triangle was a great episode! |
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#1085 | |
Banned
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#1086 |
Blu-ray Ninja
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That's why walkabout said it would be the worst looking episode on Blu-ray. The footage can be cleaned up a bit, but if it was shot on video, the resolution will be no higher than it already is on DVD.
Last edited by bsweetness; 08-30-2013 at 12:42 AM. |
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#1087 | |
Special Member
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#1090 |
Expert Member
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But there's a difference between actually composing shots for 16:9 and just "protecting" for 16:9 (so they won't look obviously wrong if showed that way)...for example, a lot of movies during the 1:1.33 television era were done in "matted" widescreen where they were protected for TV proportions but the top and bottom were meant to be matted off in theaters, and the directors were primarily framing the shots with the matted proportions in mind (which is why they're typically shown with theatrical proportions on DVD/blu ray). Do you remember whether the DP made any comments to suggest he or she was actually framing the shots with 16:9 in mind or just protecting for that ratio?
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#1091 | |
Special Member
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"We shot The X Files in Super 35 format and framed for 4:3. We protected for 16:9, because we knew it was coming." So they were framing for 4:3, meaning that's where their focus was. He doesn't say exactly when they started protecting for 16:9, but the implication is that it began when he was hired, on the first episode after the pilot, "Deep Throat." |
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#1092 | |
Expert Member
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#1095 | |
Blu-ray Ninja
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Personally, I'd like to see them in widescreen if they were protected for that, but I'll buy them either way. |
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#1097 | |
Blu-ray Guru
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fitprod |
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#1098 |
Blu-ray Guru
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Generally speaking, the mass public will do what they've always done with 4:3 shows on their widescreen tv's, even recent 4:3 shows on tv: just stretch the image to make it fill the widescreen screen. Sure, all the people look fat and it's all distorted that way, but it doesn't seem to bother Joe SixPack. They never really understood widescreen movies and why there were black bars on old CRT's, and now that they have widescreen tv's, they just like that it's wide, and don't care that everything is stretched. Any retailer, bank, airport or wherever that has widescreen tv displays, it almost never fails any 4:3 image being shown is stretched horizontally to fill the screen. And no one seems to care or even notice.
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#1099 | |
Special Member
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![]() The middle one labeled "Common Top" was more prevalent in the early days of trying to protect for 16:9 while framing for 4:3. The other two are more common today for productions that originate on 35mm film. LOST was shot 3-Perf, for example. This is how each of those above examples would look like placed over the 35mm film: [Show spoiler]
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#1100 | |
Banned
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