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#21 | |
Power Member
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Anyway worth a try. Funny thing is now my Cinema mode for 2D to 3D conversion on my 65C6P uses depth 15, viewpoint +10 that started like 3 days ago. The day before it was 15 depth and -3 viewpoint. It didn't upgrade FW either? * |
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#22 |
Special Member
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The thing is, if you are watching a 3d movie and you tweak the settings for more depth, whilst it is still as the director intended, the added separation still makes the telly have to "fill in the gaps" per se. So, it has to bring down the quality some-what I imagine.
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#23 | |
Blu-ray Ninja
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To avoid any confusion, the above settings are for 2D to 3D Conversion only. This is not intended for director intended Native 3D media that enthusiasts can also adjust the settings on and only becomes available when setup is activated while a native 3D source automatically senses and activates the Native-3D mode feature on screen. |
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#24 |
Power Member
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Granted, I just wanted to know what the presets were and plug them in to the manual setting for 3-D. The cinema settings work extremely well for native 3D except for a bit of ghosting with a white object against a dark object due to the image separation. With older films the separation is far more prevalent and even with the auto settings of 10 depth 0 viewpoint I do see it from time to time generally with older films.
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Thanks given by: | Paul H (11-07-2016) |
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#25 | |
Blu-ray Ninja
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![]() When native-3D is in activation: 3D-Depth @ 20, gives 100% depth of the 3D image where it looks like it should be on a real-world scale, for example the similarity matches what I see when watching 1953's Dial M For Murder in 3D. When 3D depth is set @ 20, 3D-Viewpoint needs to be set @ -6 (negative 6) to keep the increased depth centered at the same place on screen as if it were viewed with settings @ default... (Updated Edit: Also, using "The Hobbit" 3D trilogy's beginning title-credits for visual 3D placement verification.) For image clarity when viewing the 3D, I've also activated the customized calibration settings > Picture Mode > "Expert 1", but changed "Super Resolution" in "Expert Control" from OFF to High. This seems to be working successfully, - giving great results including Spears & Munsil's stereo calibration patterns. For those concerned, when I evaluate new movie releases, all settings are returned to default positions. ![]() Last edited by Paul H; 11-08-2016 at 07:37 PM. |
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Thanks given by: | infiniteCR (11-09-2016) |
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#26 | |
Blu-ray Ninja
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Resolution increases on a digital scale and can be observed as High Definition images. 3D-Depth increases on a digital scale and can be observed as native-3D quality from an increase in 3rd dimensional (real-world) space, as long as the information is present in the source. As the quality is increased, flaws at a higher resolution in detail can become noticeable, and the same can happen for 3D and the same for passive 3D. Ghosting artifacts can develop as the display's efficiency limits are taxed, even on ghosting resistant OLED's, which can mildly manifest ghosting when 3D is fully-resolved. Last edited by Paul H; 11-14-2016 at 03:51 PM. |
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#27 |
Blu-ray Ninja
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The following statements are taken from several posts of mine from several threads:
Thinking of 3D Depth having Digital 3D increments on a digital scale makes it easier to understand how object separation is processed. A good example is found from using the 3D depth scale from 3D NVIDIA industry hardware/software. The industry adjustment scale for "3D Depth" goes from the minimum of 1% to a maximum of 100%. The Default is set @ 15% which has become initially the "digital-age" standard for both Digital consumer and theatrical 3D processing equipment. It is the 3D CPU process that encompasses todays digital cameras, projectors and displays. Today all analog 3D films are transferred to the digital realm before exhibition. It's easier to understand how we now arrive to describe 3D as "weak", "medium" and "strong". The equipment standard becomes the LG display default setting: When the "3D Depth" feature is set at the default setting of 10, the 3D looks just like all the rest of theatrical 3D exhibitions today, the depth not being developed fully for a purpose and we now need to add descriptions of "weak", "medium" or "strong" to the visual 3D strength description. Obviously the reason 3D encodes today are resolved at a weaker default level is because of the industry's decision to lower the level of physical resistance complaints of ghosting, eyestrain, and medical vision conditions that affect a number of people in the population. Again, these are my observations only, as I'm only a 3D enthusiast, not an industry insider. |
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#29 | |
Blu-ray Ninja
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#30 | |
Blu-ray Baron
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Sent from my SAMSUNG-SM-J320A using Tapatalk |
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#31 |
Blu-ray Ninja
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#32 |
Blu-ray Baron
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My C6 has same exact features. I tried toying with depth before but never with viewpoint simultaneously.
How do we know that the corresponding viewpoint for depth 20 is - 6? Sent from my SAMSUNG-SM-J320A using Tapatalk |
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#33 |
Blu-ray Ninja
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Viewpoint settings are a judgement I made observing screen-depth feature title credits with the settings at default and then 3D-Depth @ 20. Also using the negative 3D stereoscopic calibration evaluation pattern from Spears & Munsil HD Benchmark 2nd Edition. The squares at screen depth and plus signs at variable pop-out levels.
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#34 | |
Blu-ray Baron
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#35 | |
Blu-ray Ninja
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I just used the Cinema 3D conversion setting (Cinema = 15 depth -3 viewpoint) values that became visible when in manual mode, as a starting point for Cinema experimentation in native 3D mode @ 20. Last edited by Paul H; 11-16-2016 at 04:39 PM. |
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#36 | |
Blu-ray Baron
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Sent from my SAMSUNG-SM-J320A using Tapatalk |
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#37 |
Blu-ray Ninja
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#38 | |
Blu-ray Baron
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#39 |
Power Member
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I found those settings from 2013 LG commercials for the 2D to 3D conversion. You are right on newer models the settings are not visible.
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#40 |
Blu-ray Baron
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