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#941 |
Senior Member
Dec 2010
France
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Yeah, I love to watch Chosen in widescreen, Hush and Primeval work really well too. But there's only a handful of episodes where the 16:9 frame is actually looking better (and that's only certain scenes). The vast majority of the episodes don't have huge battles and special effects, most of them feel rather intimate and the dead space on the side can be very distracting.
That's why I would love both aspect ratios on Blu-ray, but will always pick 4:3 if I can only have one. Because many shots would have to be zoomed-in to hide the "goofs" in widescreen, so cropping the sides won't make it true 4:3. That's why I'm wondering how they can offer both formats. EDIT : If they really won't give us both aspect ratios, and choose widescreen, I still think a 1.66 frame would work nicely for Buffy. Not as good as 1.33, but it would be an acceptable compromise, and they wouldn't need to crop as much picture to hide the "goofs". Last edited by Nico Darko; 09-05-2014 at 06:43 AM. |
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#942 |
Blu-ray Ninja
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For me, I'd rather have extra footage with nothing going on than have no footage at all on the left and right side. That's more distracting to me, even more so when I know that what I'm watching has more footage on the sides of the frame. I'm more accepting with movies/shows that are 4:3 when that's the only way they can be viewed.
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#943 |
Senior Member
Dec 2010
France
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The problem is that it's not always extra space with nothing going on. Very often stuff are happening on the sides that you shouldn't see, or that are simply catching my eye and distracting me. You have all those bad obvious "goofs" (the cheese man in 4x22, the various lighting equipment, members of the crew...) but you also have many many shots with continuity errors. Most people won't notice them, but they really bother me. And there are so many that I doubt Fox will take the time to remove them.
In many cases there's technically no error but the framing is wrong, as you can see half a nose, or a hand on the right side on the frame, or other things that aren't "goofs" but still shouldn't be in the frame. |
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#944 | ||
Blu-ray Ninja
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Agreed. Vigilance in necessary to fight the good fight and save OAR. No different to the DVD crusades. If we remain silent, this battle will have been in vain. |
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#946 |
Blu-ray Ninja
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Unless it was a crew member or camera in the shot, I didn't notice a lot of the goofs in the 16:9 versions. Even after finding out about the ones I didn't notice, I still don't notice them while I'm watching the 16:9 versions. This talk about goofs in the 16:9 versions has me thinking about two major goofs that I noticed when these two episodes first aired. The crew member walking with a boom mic in "This Year's Girl" and the wire that pulls the door open in "Showtime".
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#949 | |
Expert Member
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![]() Last edited by Buffdale; 09-05-2014 at 08:08 AM. |
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#951 |
Expert Member
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Ok. Beaucoup plus simple pour moi ! :P
Cela dit, ce n'est pas une fois que tes Blu-Ray seront dans ton salon que tu pourras te plaindre [si la qualité est mauvaise] ^^. La diffusion étant ce qu'elle est, il faut mieux prévenir que guérir. Si rien n'est corrigé, il va falloir attendre combien de temps encore pour une nouvelle remasterisation ? :/ |
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#952 |
Senior Member
Dec 2010
France
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Here, I just made this comparison out of curiosity. The 1.33 frame is still the best, but 1.66 would be better than 1.78. You would have slightly less dead space, the "goofs" would be less obvious, or easier to fix by a small zoom-in. It would still be widescreen, and I'm sure most people wouldn't mind having those small black bars on the sides (they wouldn't even appear with the overscan). All in all, 1.66 could be an okay compromise.
![]() Last edited by Nico Darko; 09-05-2014 at 08:23 AM. |
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Thanks given by: | Buffdale (09-05-2014) |
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#954 | |
Senior Member
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Ce qui me dérange aussi, c'est le débat sur l'OAR: il est évident que la Fox a adopté une position assez claire sur le format 16:9 en Europe. Le fait que certains y soit si véhément opposés en est agaçant à la longue, surtout quand la Fox a tendance à différencier ses bonus et ses formats selon les régions. |
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#955 |
Banned
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What some people fail to seem to understand is that many of us have been watching seasons 4-7 in widescreen for over a decade. For us, that IS the right version. And aside for about two instances, I've never seen the slightest thing wrong with it and it looks great. I still fear the "right" ratio will make it look unnecessarily cramped and just plain weird.
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#956 | ||
Senior Member
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Last edited by slainery; 09-05-2014 at 08:35 AM. |
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#957 | |
Expert Member
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Pour le débat disons que y a l'opposition Whedon/Public voulant une série conforme aux "normes actuelles". Ce qui d'ailleurs n'est pas une obligation m'enfin bon... Chacun à le droit bien sûr d'avoir son avis. De toute manière, ultimement, c'est Fox qui aura le dernier mot... |
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#958 |
Senior Member
Dec 2010
France
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English please, posting in French is a little rude to the others members, don't you think ?
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#959 |
Blu-ray Ninja
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From what I've seen over the years ever since the widescreen versions became available, I've seen just as many people say they want the show in 16:9 as people who want it in OAR. This is from reading comments on Joss Whedon forums, Buffy forums, Amazon, iTunes and many other sites. I think it's 50/50, you can't just go by what people think on one site.
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