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#721 |
Blu-ray Samurai
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I had a question about 4K "future-proofing" so I figured this was the place to ask.
I am looking at a new receiver and I've settled on the Marantz SR 5007. It has 4k pass-through and up-sampling capabilities. The 4K support for this receiver is based on the HDMI 1.4 specification, correct? HDMI 1.4 supports both 3840 x 2160 and 4096 x 2160 resolutions so should I be able to use this receiver when 4K comes out? I know the spec hasn't been completely standardized but I imagine that's a codec/content delivery issue and whatever comes out in the future will use HDMI 1.4 for transmission? http://www.hdmi.org/manufacturer/hdmi_1_4/4K.aspx http://us.marantz.com/us/Products/Pa...oductId=SR5007 Thanks! Last edited by singhcr; 01-21-2013 at 03:35 AM. |
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#722 | |
Blu-ray Ninja
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#723 | |
Retired Hollywood Insider
Apr 2007
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As far as future proofing with higher video timing, you might get a better handle on that, i.e. the data transfer limitations of HDMI 1.4 (currently capped at 8 Gb/s with overhead and 10.2 Gb/s with overhead removed) and how it relates practically to the demands of future advanced, efficient codecs like .RED and HEVC) if you can at least wait to find out from owners/users if the REDRAY player can provide 4K 60fps through one HDMI 1.4 connection….or, whether it will require more than one simultaneous HDMI 1.4 path. |
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#724 | |
Retired Hollywood Insider
Apr 2007
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Of course, there is always a ‘next’ in the entertainment business….be it a 4K master of the original, or next one and next one, ![]() http://www.nbc.com/saturday-night-li...obbit/1429006/ |
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#725 |
Retired Hollywood Insider
Apr 2007
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#726 |
Blu-ray Samurai
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Thanks for the info Penton. In that case I think I'll wait as I don't need to get a new receiver right away. It would be rather silly to spend $700+ on a new piece of gear and then have to replace it whenever the 4K home delivery system comes out. I know standards change all the time but as I'm planning my purchases around the 4K spec it makes sense to wait until that is a bit more standardized.
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#727 | |
Retired Hollywood Insider
Apr 2007
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![]() You never really know about ‘future proofing’ for the really long term future…it’s all relative. For example, JCT-VC is scheduled to work on range extensions for the Main HEVC profile (such as Chroma formats beyond 4:2:0 and bit depths beyond 10 bits) throughout the course of 2013, after a preliminary study report from last autumn… http://phenix.int-evry.fr/jct/doc_en...nt.php?id=6775 I’m not saying that these range extensions will become a part of the impending ‘consumer 4K standard’, if you will….hardly, just that ‘future proofing’ is a tricky topic. Plus, the journey to achieve the highest efficacy possible is a worthwhile endeavor for productive minds in their respective fields…and should be recognized for the effort. ![]() |
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#728 |
Retired Hollywood Insider
Apr 2007
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Sticker Shock!
![]() ![]() “the least expensive ones will cost $8,000.” And that’s not adjusted for inflation since 1998 ![]() http://www.nytimes.com/1998/08/20/te...ted=all&src=pm |
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#729 |
Blu-ray Duke
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I'd say 4k is at where HDTV was at circa the late '90s. A standard, some experiments in transmission, but nothing as far as scheduled broadcasts and playback formats. It was years after HDTV was widely available did we get Blu-ray (and the "other" format). I think the talk about RedRay and having playback formats is premature until 4K itself is widely available. Standards have to be nailed down before the market fragments and every company is going to start offering their own box that offers a different method.
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#730 | |
Retired Hollywood Insider
Apr 2007
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I must say that with all the hype in December from the RED team leading up to the promise that there would be some content announcements from RED’s distribution partner, ODEMAX and the fact that none have been forthcoming at Sundance Film Festival, especially given the 4K panel yesterday….mark me as disappointed.
![]() I guess all we’re left with this January is CES 2013, the Toshiba booth and ‘TED from RED’… Interesting aside about The Hobbit (not mentioned by Ted and honestly, probably not known by him) is that worldwide, after the digital projector upgrades (which varied in expense), just about 3,800 auditoriums were capable of projecting the 3D HFR version….and only about 1,200 – 1500 actually were sent the DCPs in order to do so. I guess that was to ‘protect’ the format. I mean the last thing that you want when you run an experiment is to have more input. ![]() Last edited by Penton-Man; 04-15-2013 at 04:41 PM. Reason: two typos |
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#731 | ||
Retired Hollywood Insider
Apr 2007
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![]() I rather think that this thread has high accurate information to speculative-opinion ratio, which cuts down on the nonsensical ‘debates’ which are essentially back-and-forth arguments, a feature (the ratio) which, at least I, find to be rather pleasing. We could have a commercial listening break though… Last edited by Penton-Man; 01-23-2013 at 01:28 AM. |
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#732 | |
Blu-ray Samurai
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#733 | |
Senior Member
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#734 |
Blu-ray Count
Jul 2007
Montreal, Canada
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#735 |
Retired Hollywood Insider
Apr 2007
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Honestly, I’m a little surprised that nada...nothing...zilch....zero came out of ODEMAX at Sundance on Monday, as contributing something…anything, on the day of the 4K panel would have been a natural tie-in. Given the lead-up RED hype, I did expect at least some ambiguous marketing vagaries presented as to the distribution platform, etc., sort of like the technical vagaries mentioned on the RED forum in regards to how their laser projectors (pro model) would handle DCP packages…http://www.sintel.org/
Well anyway, Sundance isn’t over yet, so I guess they still have time to redeem themselves. As to Ted’s claim about how popular RED cameras are, on an artistic note, it might be interesting for people to check out what cameras were used for this year’s Academy Awards Best Picture nominations….. http://www.imdb.com/oscars/nominations/ or, for that matter, the ASC noms….http://www.theasc.com/asc_news/News_...s/News_446.php |
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#736 | |
Retired Hollywood Insider
Apr 2007
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#737 |
Retired Hollywood Insider
Apr 2007
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Reminds me. I may have to apologize
![]() See this for background….https://forum.blu-ray.com/showthread...ma#post4906051 P.S. Actually, come to think of it, I may still be speaking prematurely about Blu-ray to this day because I’m not sure all the mastering suites all over the world have implemented the now standardized gamma, i.e. EOTF in ITU Rec.1886 . ^ Just teasing my soccer buddy with good humored banter. ![]() |
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#738 |
Blu-ray Samurai
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#739 | |
Retired Hollywood Insider
Apr 2007
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#740 | |
Blu-ray Duke
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They had a 110" 4K TV right in front of that one on the CES floor! I saw it. Made the 85" one look small in comparison. The article writer needs to be bopped in the back of the head! |
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