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#2 |
Blu-ray Count
Jul 2007
Montreal, Canada
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that is not true, lossy loses a lot of sounds that can be heard, it does not discriminate between can and can't be heard, it has a max bit bucket and everything must fit.
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#3 | |
Blu-ray Samurai
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Then there are those who think they can hear the difference, but it's really placebo more than them actually sensing the difference. Their hearing just isn't as sharp as they'd like to think it is, but because of the placebo effect they still "can hear" how much "better" it sounds to have high resolution lossless audio. I would think people who legitimately could tell the difference unaided and with complete accuracy is a very small group of the total population. That's not to say that lossless audio isn't something we should all want to have, it's just that for many persons can't REALLY tell the difference on their own (especially average people, not the audiophiles or technically minded people here). Notice also that hearing is a sense for which people aren't rewarded in normal life for having extra acuity. For vision, sharper eyesight can be extremely useful and very helpful in everyday life, but being able to hear so finely that higher resolution audio becomes apparent isn't a talent that will help a person in real life (nor is it something which can be "fixed" with something like glasses or corrective surgery). But hey, the whole point of higher quality digital media is to push the boundary to the point where a human can no longer tell that it's digital media. I'm glad audio is to that point. ps of the compression which does differentiate between "can be heard" and "cannot be heard", even that's not perfect. For a person with decent hearing, try playing a lower bitrate MP3 on a higher volume and you'll notice a lot of the places where sounds are missing due to compression. |
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#4 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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true, but the issue is if you can't compare the two you can't know what is missing. Let me ask you this, before you saw your first BD you watched movies on DVD right? where you saying "man there is all this detail and richness I am missing in the PQ because of the way over compressed SD image". You where probably enjoying what you had oblivious to how much better it could look. Same here. Ignorance should not be the measure of anything. There have been tests with people conducted, not only is there a measurable difference between lossy and lossless but there have been people that can identify the difference between the two tracks. Anything else is just garbage from people with agendas (i.e. less BW is good enough because you can fit more songs on a CD/HDD, very lossy music is good enough because then the DL will need less BW. her said lossy tracks just get rid of what can't be heard, now if the person is deaf then that is true but for the rest it is wrong. Studios dont go around recording dog whistles and that is not the difference between lossy and lossless encodes. |
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#5 | |
Active Member
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This debate also remind me of the "EXPERTS" who have no background in audio/video at a professional level, but call everything "snake oil" that cost more than $9.99. Makes me think of the ignorant people that believe the Measles vaccine is "snake oil". I will agree that Monster Cable is a rip-off , but you take that cheap 12AWG Monoprice speaker wire (which is stranded just like Monster) and A & B it against the 16AWG Audioquest Type 2 which is their entry level solid-core speaker wire. The solid-core wire will have more detail and I have proven this at the store I work at with an easy demo on a stereo receiver with two pairs of the same model speaker and switch between the A & B speaker outputs. The ONLY variable is the speaker wire. I will give credit to Monster Cable in that before them speakers were hooked up with lamp cord, so they did start the better built/sounding interconnect industry. |
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#7 | |||||
Blu-ray Samurai
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And finally, no, I'm not saying it's snake oil. It's an absolutely good thing to preserve master level quality, it's just that the difference observed is often influenced by placebo heavily (or in the case of someone without particularly good hearing, entirely). |
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#8 |
Blu-ray Guru
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Lossless audio is amazingly better - detail, clarity, open, natural sound - but that's just my opinion.
![]() I think it all lies in whether a person actually cares about the differences. After all, there are still scores of people who feel standard-definition DVD video is just fine. |
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#9 | |
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#10 | |
Moderator
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#11 | |
Blu-ray Samurai
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The difference here is that the additional lens over a person's eye redirects the light to properly hit the healthy cornea. With hearing and ears, the sensory organ themselves isn't functioning at full capacity, so an electronic device digitally amplifies and boosts volume to a point of being more registrable in the person's ear (worth noticing that it probably reduces fidelity of the sound, sacrificing quality so that the person can simply hear at all). It's not that the sound "misses" the ear in the way light "misses" the cornea in poor vision. Totally different things. |
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#12 | |
Power Member
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#13 | |
Moderator
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#14 | |
Blu-ray Guru
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It's more about the quality. Which sure, with lossy might "erase/destroy" some of the things you can barely hear. But it's not about that, the quality and sound in general would just be more clear and detailed. For example, lossy might also sound a lot more muffled, dull or "messy". That's not always the case, but sometimes it just causes such issues. Besides that, it also depends on the recording. Like some really old or low-budget ones might not even benefit from a lossless transfer. But honestly, people are flaming you here and there, don't you just want a quality that's more like/than CD-quality rather than more towards MP3-quality? I know many people don't even care about music (for example) being MP3-compressed. Like myself, I do care for music, because that is all about the audio, but sóme films I'm not quality-obsessed enough for to care if it's lossy or lossless. Just depends how well the transfer is period and what type of film it is too. Only, it obviously is just best to go with the least compression as possible. That's the best way to get the best and closest to original transfer. After all, that's what it's about, and too much compression doesn't help with that... |
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#15 |
Junior Member
May 2008
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Will using the latest HDMI cable Vers 1.3a connecting a Blu-ray player (HDMI vers 1.3 with onboard decoding for True HD etc...) to a Receiver with HDMI vers.1.2 pass all the lossless compressed digital audio formats through the Receiver?
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#16 |
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