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#1 |
Blu-ray Jedi
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For the longest time, Disney made excellent animated features but there's quite a gap between the last one and Bolt...doubt Princess and the Frog would be considered excellent by most, haven't seen it though. It's almost like something changed inside Disney and they stopped focusing on making excellent animated movies and just let Pixar do it instead.
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#2 |
Expert Member
Dec 2009
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Haven't seen it yet, but The Princess and the Frog looks like the best thing Disney has done in ages. I eagerly await the blu-ray. A return to the musical style of the days before 3D is welcomed.
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#4 | |
Blu-ray Samurai
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And Wolverine, Bolt was released in 2008 and The Princess and the Frog in 2009 ![]() |
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#5 |
Blu-ray Jedi
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Huh yeah I mean I'm not sure when the last time Disney released a great animated film was, maybe Mulan? I meant the gap between that movie and Bolt is quite large and I'm wondering what happened inside Disney to cause that gap.
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#7 |
Blu-ray Prince
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I will agree that Disney's focus seems to have shifted from animation to other fields; they did produce "Pirates of the Caribbean" and "National Treasure" within this decade, they have been producing some of the best Blu-Rays on the market (like "Kill Bill" or "Sin City"), and they have produced some ususual DVDs before (like the Hayo Miyazaki movies). I wouldn't doubt that these ventures were made because, like you said, there hasn't been any great animation produced, and they had to expand in some way to make money.
But with this "Princess and the Frog" movie coming out, they're going to give animation another stab, maybe? ![]() |
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#8 | |
Blu-ray Ninja
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I think there is a thread on here somewhere that shows the tiers of "classic" under which Disney releases their titles... Platinum, Gold, etc. I agree that we need more films like the ones made during Walt Disney's days. But The Princess and the Frog is a step in that direction, so at the moment, we can't complain ![]() |
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#9 |
Power Member
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#12 | |
Power Member
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#14 |
Blu-ray Knight
Jun 2007
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They're 'in the vault'
Logan |
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#15 | |
Blu-ray Samurai
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#16 | |
Banned
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![]() When Michael Eisner got so panicky of Shrek2's success and Atlantis's failure, shut down the 2-D animated studio, and fired the directors, those that stayed were told to change their output to the Rise of CGI or leave. John Musker & Ron Clements (of Mermaid and Frog) were working on a CGI piece, "Scaredy Cat", that never quite gelled, and found themselves kicked out after "Treasure Planet" made the studio look bad before the Stockholders' meeting. Glen Keane, meanwhile, figured out a way to convert his in-progress "Rapunzel" to a new CGI format, and kept his job experimenting on that one all throughout the Last Days of Eisner. "Atlantis" made Beauty/Hunchback's Gary Trousdale & Kirk Wise look bad, so toss two more directors on the unemployment line. Rob Minkoff of "Lion King" already had his own sweet gig directing the Stuart Little movies for Sony, so it wasn't like we were going to see him back again after his one-shot. (Chris "Lilo & Stitch" Sanders being fired off of his loopy original ideas for "Bolt" and snapped up by the Dreamworks dragon only came later, after John Lasseter had arrived.) At the same time as Eisner's tantrum, we had the Pixar Wars; Pixar believed that they wouldn't survive if they were cut off on their own, and most of the ship-jumping animators found work with the "wannabe" CGI studios, most of them at Sony. Ex-"Aladdin" writer and "Lion" co-director Roger Allers stayed to direct "Open Season" with most of the ex-Toy Story crew. As for "where are they" today, Musker & Clements were specifically welcomed back to the studio to direct their old hits, Trousdale was last seen directing Shrek holiday specials (no word of Wise), "Rapunzel" is getting good advance word but Keane's working on other projects after delaying too long, and Allers still hasn't heard that it's okay to come back home out of refugee status, to the new peaceful regime. ![]() Last edited by EricJ; 01-26-2010 at 05:15 PM. |
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#17 |
Active Member
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They really were on a downward slide for awhile there... I'd say the last excellent hand-drawn disney movie was Mulan (maybe Tarzan or Lilo & Stitch, depending on your tastes). Atlantis was a disappointment, Treasure Planet wasn't very good at all, Brother Bear was really disappointing, and Home On The Range was terrible. I think The Emperor's New Groove was in there someplace, and it was just okay.
BUT I did go to see The Princess & The Frog because I'm ever a Disney optimistic, and it's pretty fantastic. I'm not a big fan of New Orleans-related stuff, or princess movies, or movies involving cooking, and even though this movie is all of those, I STILL liked it. The animation is so gorgeous, and the characters actually developed, that it far exceeded my expectations. |
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#18 |
Blu-ray Guru
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Ironically, the savior of traditional hand drawn animation at Disney, is John Lasseter, the former head of Pixar. Disney had effectively abandoned traditional animation in favor of CG before the Pixar deal. That acquisition made Lasseter the head of Disney animation and, as someone who had worked for Disney back in the 80s and had seen the sad state of Disney animation back then, he set about to revive the hand-drawn animation department.
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#19 |
Blu-ray Samurai
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I wonder if The Princess and the Frog is actually great or if it just feels great because it's the first cell animated movie in a long, long time.
Personally, I thought the cell animated sections of Enchanted were pretty darn good, but I think it's really because I missed the medium. |
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#20 |
Blu-ray Samurai
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Hopefully it is a sign of things to come. Like Toefer pointed out, hand-drawn animation suffered a setback beginning in the 60's (because of the predominance of TV?). I don't know it it is a resurgence, but it's nice to see something as well-done as The Princess and the Frog to be released.
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