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#21 |
Blu-ray Samurai
Aug 2008
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can they just release the OG Jungle Book on Blu-ray? jesus!
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#22 | |
Blu-ray Knight
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I think both hand drawn and computer animated (when warranted) can be given the same appreciation. Both came from a creative soul, technical know-how and hard work. |
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#23 |
Blu-ray Samurai
Aug 2008
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yeah there is definitely room for both.
choosing one over the other is like asking me if I prefer a tight rear or a killer rack ![]() |
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#24 | |
Banned
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![]() When Michael Eisner got so panicky of Shrek2's success and Atlantis's failure, shut down the 2-D animated studio, and fired the directors, those that stayed were told to change their output to the Rise of CGI or leave. John Musker & Ron Clements (of Mermaid and Frog) were working on a CGI piece, "Scaredy Cat", that never quite gelled, and found themselves kicked out after "Treasure Planet" made the studio look bad before the Stockholders' meeting. Glen Keane, meanwhile, figured out a way to convert his in-progress "Rapunzel" to a new CGI format, and kept his job experimenting on that one all throughout the Last Days of Eisner. "Atlantis" made Beauty/Hunchback's Gary Trousdale & Kirk Wise look bad, so toss two more directors on the unemployment line. Rob Minkoff of "Lion King" already had his own sweet gig directing the Stuart Little movies for Sony, so it wasn't like we were going to see him back again after his one-shot. (Chris "Lilo & Stitch" Sanders being fired off of his loopy original ideas for "Bolt" and snapped up by the Dreamworks dragon only came later, after John Lasseter had arrived.) At the same time as Eisner's tantrum, we had the Pixar Wars; Pixar believed that they wouldn't survive if they were cut off on their own, and most of the ship-jumping animators found work with the "wannabe" CGI studios, most of them at Sony. Ex-"Aladdin" writer and "Lion" co-director Roger Allers stayed to direct "Open Season" with most of the ex-Toy Story crew. As for "where are they" today, Musker & Clements were specifically welcomed back to the studio to direct their old hits, Trousdale was last seen directing Shrek holiday specials (no word of Wise), "Rapunzel" is getting good advance word but Keane's working on other projects after delaying too long, and Allers still hasn't heard that it's okay to come back home out of refugee status, to the new peaceful regime. ![]() Last edited by EricJ; 01-26-2010 at 05:15 PM. |
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#25 |
Active Member
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They really were on a downward slide for awhile there... I'd say the last excellent hand-drawn disney movie was Mulan (maybe Tarzan or Lilo & Stitch, depending on your tastes). Atlantis was a disappointment, Treasure Planet wasn't very good at all, Brother Bear was really disappointing, and Home On The Range was terrible. I think The Emperor's New Groove was in there someplace, and it was just okay.
BUT I did go to see The Princess & The Frog because I'm ever a Disney optimistic, and it's pretty fantastic. I'm not a big fan of New Orleans-related stuff, or princess movies, or movies involving cooking, and even though this movie is all of those, I STILL liked it. The animation is so gorgeous, and the characters actually developed, that it far exceeded my expectations. |
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#26 |
Blu-ray Guru
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Ironically, the savior of traditional hand drawn animation at Disney, is John Lasseter, the former head of Pixar. Disney had effectively abandoned traditional animation in favor of CG before the Pixar deal. That acquisition made Lasseter the head of Disney animation and, as someone who had worked for Disney back in the 80s and had seen the sad state of Disney animation back then, he set about to revive the hand-drawn animation department.
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#27 |
Blu-ray Samurai
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I wonder if The Princess and the Frog is actually great or if it just feels great because it's the first cell animated movie in a long, long time.
Personally, I thought the cell animated sections of Enchanted were pretty darn good, but I think it's really because I missed the medium. |
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#28 |
Blu-ray Samurai
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Hopefully it is a sign of things to come. Like Toefer pointed out, hand-drawn animation suffered a setback beginning in the 60's (because of the predominance of TV?). I don't know it it is a resurgence, but it's nice to see something as well-done as The Princess and the Frog to be released.
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#29 |
Senior Member
Jan 2010
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As I mentioned in another thread. Disney 2D movies haven’t done well at the box office in years. I think the last hit was in 1999 or 2000 for Tarzan. The rest have range from somewhat good to flops at the box office.
I think Eisner made a great business decision to shut it down, and I wouldn’t be surprise if they decide to go back in that direction. Especially after spending 4 billion on Marvel, and with Princess and the Frog not doing well at theaters. Of course the final judgement will be the next animation movie. I love this type of animation, but the mainstream isn’t interested in it anymore, especially this new generation who have grown up on Pixar and DreamWorks Animation movies. Last edited by Kizzo; 01-27-2010 at 03:49 PM. |
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#31 | |
Blu-ray Ninja
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I think there is a thread on here somewhere that shows the tiers of "classic" under which Disney releases their titles... Platinum, Gold, etc. I agree that we need more films like the ones made during Walt Disney's days. But The Princess and the Frog is a step in that direction, so at the moment, we can't complain ![]() |
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#33 | |
Special Member
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#34 | |
Blu-ray Guru
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#35 |
Power Member
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I saw something on TV a few years ago asking the same question - where is the hand-drawn animation? (again, this was a few years ago when Dreamworks was really hitting it big with Shrek and Pixar had turned out a few good CGI movies as well)
I think it was John Lasseter (sp?) who said that Pixar inadvertently destroyed Disney's hand drawn animation studio because the CGI movies were so popular that Disney and other companies were pumping money into those areas and then the CGI companies were hiring former drawers to do storyboards and such. So, that coupled with the lack of a hand-drawn Disney hit, really put the death nail into hand-drawn features. I'm all for Disney to make a comeback with a hand drawn animation - however the stories better be good, or else it might never come back. |
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#36 | |
Blu-ray Guru
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#39 |
Blu-ray Samurai
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I'm not sure if there are any other studios that have the resources to produce and market a hand-drawn animated film other than Disney.
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