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#1 |
Active Member
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After amassing 2000+ DVD's, i've finally upgraded my equipment and gone blu. On the whole i'm over the moon with the technology, especially as many discs are coming to market region free.
Yay, everyone gets the same, no need to buy assorted different copies of your movies to get the best version/features..... WRONG!!!!! This was alway irritating when collecting DVD's, more so with movies of the horror and action genres, often cut or edited, different soundtracks etc, etc. After searching out some of my favourite films and buying on Bluray, i find its happening again! "Arrrgghh"!!! I only have about 20 blurays so far, but nearly half of them have got issues! Terminator 2 for example: US gets theatrical cut, lossy sound.. UK gets directors cut, DTS HD Master ![]() US Rambo trilogy box set gets commentrys, trivia, and documentrys applicable to each movie. UK version gets no features at all, save for the same short featurette on each disc. These are just two examples of the baffling way that movies are continuing to be released to home viewers. I could go on... ![]() Can distributors not get together so we can have a global release of some kind, with the best of all these seperate versions? Its not like Blurays are strapped for space to contain different soundtracks and subtitles. And why are some classic movies like Predator for example not getting any features? I've bought the disc now, but i know i'm going to have to shell out again when a "decent" version comes out. ![]() I luuurve my movies and i like to get the best out of them, but i'm nearly always left disapointed by the studios mean, greedy and piss-taking attitude towards its customers. I'll shut up now, but i thought with Blurays prices and the studios and manufacturers keeness to promote the technology, they'd stop stabbing us all in the back...... again ![]() |
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#2 |
Special Member
Jan 2007
Tennessee
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This really doesn't have anything to do with Blu-ray as a format. A given title may not be owned by the same studio in any given country i.e. the rights to a Fox title in the US might be owned by Warner in the UK etc. Not really a whole lot you can do in that situation. Even if it's the same studio, that doesn't necessarily mean that the title was mastered in the same location, or even that the same master might have been used to produce the BD.
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#3 | |
Banned
May 2007
Brussels, Belgium
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#4 | |
Senior Member
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One of the reason the studio B paid a good amount of money, or even as investor of that movie. So, it got the partial of distribution right of the movie. |
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#5 |
Special Member
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well, i think his point was that this new format provided an opportunity for the studios to coordinate their releases with consistent global quality, but they didn't do that. it's not a very valid point, given the way the home video industry works, but i do at least see the connection of his rant to Blu-ray specifically.
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#6 | |
Expert Member
Oct 2006
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Marek |
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#7 |
Banned
May 2007
Brussels, Belgium
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I don't get it. If studio B is willing to give a certain amount of money for the rights of movie X then it's cause studio B reckons it will make more money than it had to pay for those rights, so Studio A is losing money by selling rights to studio B, since studio A could be getting all the money of the sales.
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#8 | |
Blu-ray Ninja
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Obviously.
Quote:
Another reason for selling those rights could be how certain movies are tied to other projects. If Studio A wants a lucrative share on a high profile movie starring Neil Patrick Harris from Studio B, then they also have to buy shares for a lower-profile movie directed by Uwe Boll from Studio B. fuad |
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#9 | |
Blu-ray Samurai
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If you want to make this a pissing match you can always boycott the movie title. But I firmly believe boycotting doesn't punish the studio, it punishes me. I am a big Terminator fan and have yet to buy the blu-rays because they are of questionable quality. I am waiting for the hopefull re-release next fall after the new movie. Disney delivers the goods with PQ and AQ the FIRST time around. But then, you have to wait for it to come out of the vault every 7 years as you can't just pick it up at any time. The other studios will jerk around the consumer as much as possible. I recall a quote from an article in an AD dating back up to 10 years. The reporter asked an HP rep how they determine what prices to charge for toner for their printers. The HP rep merely laughed in response, "OH, we just charge what the market can bear." ![]() Much as "A rose is a rose is a rose." Business is business, is business. ![]() |
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#10 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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Let's say a movie costs 120M to produce, and A and B think it might do well but are not sure if it will be a block buster or a bust. They might make an agreement where A pays 70M and B pays 50M and A gets the rights for one area and B for an other. Now if the movie bombs A only paid 70M (so much less then 120M), if it is a Blockbuster it does lose profit (from other regions) but still makes a lot of $ WRT the 70M. It helps take the risk from more iffy movies. The deal happens long before anyone knows for sure. If B was that certain then they might have bought the rights to it from the start, on deals like this (usually) none of the studios involved have the warm fuzzies on it |
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#11 | |
Senior Member
Sep 2007
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