In the preceding few months, Neff had heard rumblings in his Google group of film programmers that Disney was about to start treating older Fox titles as they do older Disney titles — making them mostly unavailable to for-profit theaters. More and more film programmers and theater managers were reporting that they had suddenly and cryptically been told by their studio contacts that Fox’s back catalogue was no longer available to show. Some got calls informing them that an existing booking had been revoked.
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The economic effects could be especially devastating for neighborhood landmarks like the Plaza in Atlanta — the oldest and last remaining independent theater in the city. Its owner, Christopher Escobar, also the executive director of the Atlanta Film Society, estimates that 25 percent of the Plaza’s yearly revenue comes from Fox titles. Half that take is The Rocky Horror Picture Show, which they’re still permitted to screen; but once they lose other guaranteed Fox moneymakers like Alien, Fight Club, and The Sound of Music, he estimates they’ll lose 10 to 12 percent of their yearly income.