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#4961 | |
Retired Hollywood Insider
Apr 2007
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![]() Well I wouldn’t feel toooo much buyer’s remorse as the dam isn’t about to imminently break open with refined HDR content (it’s still a learning process for most everyone from acquisition thru color grading) on quality 4K HDR-capable flat panels at attractive pricing. Plus, by the time there is plenty of content to choose from and the signal delivery to signal display process is hardware/software elegant, you’ll probably be ready for your 2nd 4K tv ![]() |
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#4962 | ||
Retired Hollywood Insider
Apr 2007
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Well Ray, see, there you go, just another reason to advance your hobby (the promotion of OLED flat panels) to the unwashed masses. As I can eyes-on (without fatigue) assure you that the Sony 4K HDR capable (1000 nits) OLED master monitor demoed at the last SMPTE Tech conference showing ‘Carnival’ content graded for 1000 nits….looked superb. ![]() Something that other readers should be aware of, who haven’t seen well graded HDR on an ~ 800–1000 nit capable TV, is that the main component of the image (in terms of luminance) isn’t skyrocketing to 1000 nits – it’s just the highlight that gets extended… rather than clipped. In fact, don’t be surprised if by using windows and keys during the color grading of the HDR versions that the operator decreases the light level of certain areas of the frame in scenes that otherwise worked perfectly in standard dynamic range. With experience, should come content creator skill, in consistently hitting that sweet spot between underutilizing and overutilizing dynamic range. Quote:
![]() Does that mean John suffers from benign paroxysmal positional vertigo? (just kidding, thought for once we'd give some attention to dem ears rather dem eyes). Not too bad for a journo, who this time around appears to have increased the quality of his reporting and editorializing since – https://forum.blu-ray.com/showpost.p...postcount=4230 To nitpick, in the first paragraph of his piece on HDR, perhaps for reporter/blogger types attending consumer electronics shows, where he says HDR “only really started to ‘bubble under’ at the IFA 2014 Show in Berlin", but I’d assert that it was the demo showing off the capabilities of the Alexa at the Arri booth using a Dolby monitor at IBC 2013 where HDR first turned the heads and opened the eyes of professionals as to what lie ahead. |
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#4963 | |
Retired Hollywood Insider
Apr 2007
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![]() Peter, don't forget to set your DVR for May 30th and Arsenal for the win. ![]() http://www.wembleystadium.com/Events...l/FA-Cup-Final |
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#4964 |
Blu-ray Samurai
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I was watching Skyfall last night in a low ambient light environment on my Sony Bravia HX800. Anyone remember the scene at Skyfall when the helicopter turns on the brilliant spotlight that pans across the screen?
That spotlight is around 130 nits on my set. Do I really need more? It seems to me that whatever the HDR standard settled on, part of the map to display capability should include sensing the viewing environment and adjusting the contrast accordingly. |
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#4965 | |
Blu-ray Knight
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he also incorrectly states that until today consumers had to chose between 4K and OLED. So apparently the only OLED available in 2014 was LG's 1080p? that's interesting, because it's completely and utterly wrong. |
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#4966 | |
Blu-ray Emperor
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Thanks given by: | dvdmike (04-23-2015) |
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#4967 |
Retired Hollywood Insider
Apr 2007
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It’s L0%king….http://www.rottentomatoes.com/m/paul_blart_mall_cop_2/
Critic-proof ![]() And esp. good, given its budget. |
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#4968 | ||
Senior Member
Oct 2007
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#4969 |
Retired Hollywood Insider
Apr 2007
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Carolyn (for THR) scooping at CinemaCon….Star Wars and HDR (Dolby Vision) - http://www.hollywoodreporter.com/beh...awakens-790757
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#4970 |
Retired Hollywood Insider
Apr 2007
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#4971 | |
Blu-ray Champion
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#4972 | |
Banned
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#4973 |
Blu-ray Samurai
Jun 2007
Singapore
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Ang Lee shooting his next movie in 4K, 120 frames per second. Using Sony F65. Good luck trying to project this in cinemas.
http://www.slashfilm.com/ang-lee-120-frames/ |
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#4974 |
Blu-ray Emperor
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Well, the great thing about 120 is that it divides cleanly into multiples of 24, so depending on what shutter angle they're using they should still be able to extract a good looking 24fps version from it for regular projection. But yeah, 120fps projection might be a wee bit tricky...
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#4975 | |
Blu-ray Knight
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#4976 |
Blu-ray Emperor
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Not sure what 35mm has to do with it. One format may be dying and the other (120fps) is only just starting out, but the point remains: getting 120fps out of anything other than a bespoke theater install is going to be troublesome. Even Barco's baddest bad boy of a cinema projector will only give you 60fps. They have 120fps listed for 3D, i.e. 60fps per eye, so clearly they've got enough processing throughput to handle it but would need a firmware upgrade to do 120fps 2D. Peter Jackson had enough clout to get the 48fps upgrades out there (although not in a huge amount of cinemas, not in the UK anyway) but I think Ang Lee might have a bit more trouble with convincing theater owners to indulge this latest format.
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#4977 | |
Banned
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#4978 | |
Blu-ray Knight
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#4980 | |
Retired Hollywood Insider
Apr 2007
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![]() Improved in the sense of your comments for instance further up on this page - https://forum.blu-ray.com/showthread...e#post10510334 .....which is why I was trying to understand ![]() |
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