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Old 01-14-2013, 02:39 AM   #59481
Scottie Scottie is offline
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Quote:
Originally Posted by jrmac2000 View Post
For all the Tiny Furniture fans, Lena Dunham just took home the Golden Globe for Girls.
I don't like her.
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Old 01-14-2013, 02:47 AM   #59482
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Originally Posted by The Great Owl View Post
Rocking out the spoiler tags to answer this Caché question...

[Show spoiler]For me, Caché has a rather ambiguous final scene that I never really "figured out", but that seemed beside the point. It was the best movie I've ever seen as far as critiquing our culture of cameras and surveillance. It's almost a voyeuristic thrill where the tables are suddenly turned on the viewer. I love how virtually every angle of the movie could be footage from a hidden camera. It's an icy, unsettling affair, but brilliantly done. One of the best Hitchcock films that Hitchcock never made.

At any rate, I'm glad that I'll be watching the final scene in high definition now, because it demands that sort of viewing.
With all the Lynch talk, it's funny that Cache is based off the first act of Lost Highway. Well, that's where Haneke borrowed the idea from. Maybe someone already posted that.

What about that one scene did you never "figure out"? I mean, there's no clear answer, but the implications are pretty interesting.

And you really should see Amour. Best film of 2012 by a mile.
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Old 01-14-2013, 03:09 AM   #59483
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And you really should see Amour. Best film of 2012 by a mile.
So far, In Another Country and Tabu (along with Tsai's short film Walker) are my favorites of 2012. Still need to see Kiarostami's Like Someone in Love.
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Old 01-14-2013, 03:19 AM   #59484
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Actually, The Avengers is better than all of those.
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Old 01-14-2013, 03:35 AM   #59485
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Originally Posted by Debbie Downer View Post
Actually, The Avengers is better than all of those.
cool.
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Old 01-14-2013, 04:24 AM   #59486
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Quote:
Originally Posted by SpiderBaby View Post
cool.
Massive

...

I need to see Like Someone in Love too. It was my most-anticipated 2012 film until it wasn't released in 2012.
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Old 01-14-2013, 04:27 AM   #59487
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Quote:
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Are there any other fans of Touchez Pas Au Grisbi here? This movie completely and utterly rocks my face. It's probably one of my top ten Criterion flicks.
YES!
Masterpiece!
The scene where Max takes Riton to his hidden apartment is so great.
A bottle of champagne, crackers and pate, and some tough love and hard truths for Riton.
Love it
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Old 01-14-2013, 04:30 AM   #59488
KrugerIndustrial KrugerIndustrial is offline
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Quote:
Originally Posted by octagon View Post
Desperately? He directed what? Thirteen features?

They've already released four and they're all but certain to release Le Samourai at some point.

I would love to see them upgrade Bob le Flambeur and Le Doulos. I'd also like to see a US release of Le Silence de la Mer.

But we're not in exactly in a drought.

Dammit: you deleted the desperately while I was typing this...or did I imagine it?
Four? I'm only aware of three Melville films that Criterion has released on blu? Bob is out of print so I doubt we'll see an upgrade anytime soon, but I'd be a happy camper if they'd release at least Le Deuxième Souffle, Le Doulos and Le Samouraï. He may not have directed that many films but it's all about quality.

Quote:
Originally Posted by The Great Owl View Post
Preach on, brother!

I love my Blu-rays of Army of Shadows and Le Cercle Rouge, and an upgrade of my Leon Morin, Priest DVD is forthcoming. Still, I'm going to keep harping on them until they release Blu-rays of the others. Especially Le Samourai.

We need more French gangster stuff on Blu, period.
Rififi, yes please.
Classe Tous Risques, yes please.
Are there any other fans of Touchez Pas Au Grisbi here? This movie completely and utterly rocks my face. It's probably one of my top ten Criterion flicks.
Yes, yes and hell yes. Three fantastic films right there. I regret not picking up Touchez Pas Au Grisbi while it was still in print.
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Old 01-14-2013, 04:32 AM   #59489
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Quote:
Originally Posted by CoopFilm View Post
Massive

...

I need to see Like Someone in Love too. It was my most-anticipated 2012 film until it wasn't released in 2012.
Yeah, Feb 15th it will be on IFC on demand and theaters.
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Old 01-14-2013, 04:41 AM   #59490
Opunity Opunity is offline
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Does anyone know if the rights to La Dolce Vita have been settled yet? It kills me that Criterion was never able to release this in any format.
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Old 01-14-2013, 04:59 AM   #59491
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I can't contain my excitement for the April announcements.
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Old 01-14-2013, 05:12 AM   #59492
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Quote:
Originally Posted by SpiderBaby View Post
Yeah, Feb 15th it will be on IFC on demand and theaters.
Soooooo looking forward to it.

Quote:
Originally Posted by iScottie View Post
I can't contain my excitement for the April announcements.
I can...it's just more stuff to buy
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Old 01-14-2013, 05:46 AM   #59493
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Quote:
Originally Posted by KrugerIndustrial View Post
Four? I'm only aware of three Melville films that Criterion has released on blu? Bob is out of print so I doubt we'll see an upgrade anytime soon, but I'd be a happy camper if they'd release at least Le Deuxième Souffle, Le Doulos and Le Samouraï. He may not have directed that many films but it's all about quality.
You're right, three. I had Au Revoir Les Enfants and Les Enfants Terribles crossed up.

(I always try to give Melville Elevator to the Gallows too for some reason)
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Old 01-14-2013, 11:14 AM   #59494
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I saw Mulholland Dr. for the first time on Saturday. Excellent film! I would love for Criterion to put it out, but would they be able to since Studio Canal did the film?

Also, when are the April announcements suppose to be made?
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Old 01-14-2013, 11:21 AM   #59495
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Quote:
Originally Posted by SpiderBaby View Post
So far, In Another Country and Tabu (along with Tsai's short film Walker) are my favorites of 2012. Still need to see Kiarostami's Like Someone in Love.
Going to see it next weekend. Looks good.
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Old 01-14-2013, 11:35 AM   #59496
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Quote:
Originally Posted by retablo View Post
With all the Lynch talk, it's funny that Cache is based off the first act of Lost Highway. Well, that's where Haneke borrowed the idea from. Maybe someone already posted that.

What about that one scene did you never "figure out"? I mean, there's no clear answer, but the implications are pretty interesting.

And you really should see Amour. Best film of 2012 by a mile.
"I don't want to call too much attention to this issue, because I don't want the film to be regarded primarily in that light at Cannes. It's only an element which supplies a framework. During preparations before shooting Cache I learned about this massacre in a documentary on Arte, it took place in Paris in 1961, and about 200 Arabs were shot or thrown into the Seine, and it wasn't mentioned for four decades. I made use of this incident because it fits in a horrible way. You could find a similar story in any country, even though it took place at a different time. There's always a collective guilt which can be connected to a personal story, and that's how I want this film to be understood." - Haneke
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Old 01-14-2013, 11:45 AM   #59497
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Quote:
Originally Posted by jrmac2000 View Post
For all the Tiny Furniture fans, Lena Dunham just took home the Golden Globe for Girls.
That's awesome! Girls is a fantastic show!
Looking forward to season 2...
I suppose her win will unleash another torrent of hate, in this forum and on the internet in general.
I still don't understand the animosity towards her.
Her show is hysterical and she's a fearless actress.
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Old 01-14-2013, 11:47 AM   #59498
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Quote:
Originally Posted by SpiderBaby View Post
So far, In Another Country and Tabu (along with Tsai's short film Walker) are my favorites of 2012. Still need to see Kiarostami's Like Someone in Love.
I've seen so much praise for those two, but neither really did much for me.

My favorites were Holy Motors, The Master, and Keep The Lights On. Found 2012 to have an overwhelming amount of great films.
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Old 01-14-2013, 11:48 AM   #59499
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who told Lena Dunham to wear heels last night? The girl cant walk in them
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Old 01-14-2013, 11:55 AM   #59500
duggie walker duggie walker is offline
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I spoke to the guy who ran Tartan films a few years ago and he'd talked to Lynch's co-writer on LOST HIGHWAY. According to him, the main inspiration for the film was the OJ Simpson case; which makes sense of a lot of things, imo.
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