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#1121 | |
Banned
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Just because you have a region-free player doesn't mean you have to re-buy Thief, or any title. But it opens up a lot of better versions the UK or other countries get that the US doesn't. It IS another hole to dive down, when you open up the possibilities of having ANY disc from anywhere. But there's so many good versions of films the US doesn't get. |
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#1122 | |
Blu-ray Grand Duke
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And yes everything will be digital in 20 years, but that doesn't mean I won't still want to watch my discs, just like my father listens to his records today. Backing up 1,000+ discs without further compressing them sounds like a pipe-dream at this point. |
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#1123 |
Blu-ray King
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I don't have any region free players, but am able to play region B/C locked titles on my PC. I have a program that removes the region coding and then my monitor also supports PAL (50fps) content. Once I figured I could do this I saved money by not buying region free players.
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#1124 |
Blu-ray Emperor
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Been multi-region since '99 and I'm gonna keep it that way. But aside from a handful of region locked Shout! & Criterion titles many of my imported US Blu-rays are region free anyway.
Region coding hasn't been as big of a deal on Blu as it was with DVD in the UK, partly because the British censors started lightening up, partly because we stopped getting stiffed on extras (mostly), partly because we tend to get insanely cheap prices on BD boxsets for some reason, and partly because the move to 1080p24 for all territories (localised 50Hz stuff aside) means that studios are increasingly using the Warners 'one size fits all' business model (only without as much filtering to their video encodes ![]() Last edited by Geoff D; 04-10-2015 at 08:52 PM. |
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#1125 |
Blu-ray Samurai
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Added new DE disc:
Saw III US - MPEG-2 1.78:1 (open matte) 16.68 Mbps, DTS-HD HR 6.1 24-bit 3039 kbps, unrated at 113 min, English subs (Region A locked) US (Complete Movie Collection) - MPEG-2 1.78:1 (open matte) 16682 kbps, DD 5.1-EX 640 kbps, unrated at 113 min, English subs (Region free) UK - MPEG-2 1.78:1, DTS-HD HR 6.1, unrated at 113 min, English subs (Region B locked) FR - VC-1 24896 kbps, DTS-HD MA 6.1 2639 Kbps 16-bit, extreme director's cut at 120 min, no English subs (Region B locked) DE - VC-1 1.85:1 19474 kbps, DTS-HD HR 7.1 3018 kbps 16-bit, Unrated at 103 min, no English subs (Region free) DE new - AVC 1.85:1 25991 kbps, DTS-HD MA 7.1 2998 kbps 16-bit, extreme director´s cut at 120 min, no English subs JP - AVC 32820 kbps 1.85:1, Dolby TrueHD 6.1 2061 kbps 16-bit, unrated at 113 min, English subs (Region free) |
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#1126 | |
Blu-ray King
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#1127 | |
Power Member
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The bottom line though is that I can choose the best picture quality and features, and I don't have to wait when a disc is available months or years before Region A. The thing that really amazes me is that for a certain number of people who say they would never import blu-rays, the real reason when you get down to it is straight up xenophobia. People are actually averse to owning a blu-ray with a different language on the case, or the very fact that it comes from a different country. It sounds insane, but it's the only conclusion I can come to from some of the comments I read on this board. |
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#1128 | |
Blu-ray Grand Duke
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#1129 | ||
Banned
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What most I enjoy about importing any title I'm interested in is that it's a research game and whether or not certain releases fit my exact criteria for a purchase or not. Because HD Goofnuts threads including this one, DVDCompare.net, Caps-a-Holic and of course this forums users are my major go to sites whenever deciding on wanting to get a specific title or more. Easier choosing exactly which release(s) to buy, sometimes I prefer doing compilations, compared to actually getting around to buying them. I love being 110% multi-region capable. ![]() |
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#1130 |
Banned
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I participate in the "Pick a title from the above users collection that you want to own" thread sometimes, and based on my observations (in that thread and others) there is some truth to it. U.S titles only make up roughly 1/5 of my 1650 collection, however the majority of the time only U.S titles are the ones that get picked, personally I think that goes beyond being anal retentive. When an international title I own is actually picked, if it's also available in the U.S, often members will post up the U.S cover rather than the cover of the version I own. For some this will be due to being anal collectors (though IMO if they were true collectors, they would import from all over the world. Same goes for anal retentiveness, if they were truly anal you would think that they also fuss over P/AQ and therefore would import) however I believe it's more than that for many.
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#1131 | |
Expert Member
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#1132 | |
Blu-ray Champion
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#1133 | |
Expert Member
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Just stumbled upon this post, didn't know that before.
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#1134 |
Senior Member
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For me, PQ/AQ/features has the most weight when deciding which release to get, then price, then language/territory. I will admit it's a little off-putting to have the packaging in a foreign language, even moreso for the in-movie titles. I was a little disappointed to find the French Silent Hill had French titles and credits, despite being hands down the best release in every other way. If two releases are about equal in content and price, but one is from an English territory (i.e. US, UK, Canada, Australia), I would go with the English release. If they're both English but one is from the US, I'd default to the US as some things become difficult or costly when you purchase from outside your market, e.g. if you need customer support for returns or recalls, or if you want to resell at some point.
Last edited by cyborgLIS; 04-11-2015 at 10:05 PM. |
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Thanks given by: | PuppetMasterBlu (04-12-2015) |
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#1135 |
Blu-ray King
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Just thought I should make a note of this. I did some research on No Country for Old Men and here's what I discovered. The 2 disc collector's set from 2009 is the one to get if you can find it for a good price. Not only does it have all of the extras, but it also has a DTS-HD MA 5.1 track that is 24-bit instead of the LPCM 16-bit found on the 2008 Disney release and also on the 2011 Lionsgate release. So, the 2008 Disney release and the 2011 Lionsgate discs are identical. Here's where it gets interesting. I have the CA steelbook and it has the DTS-HD MA 5.1 24-bit found on the 2009 2 disc U.S. set and it also has all of the extras that are found on disc 1 of that set. So, if you don't care about extras get the CA disc as it's probably cheaper than the 2 disc U.S. set since the CA disc does have the upgraded audio. The standard CA disc has the 24-bit audio as well in LPCM form. I will type out a listing below if you got confused.
2008 Disney & 2011 Lionsgate - LPCM 5.1 16-bit 2009 Disney 2 Disc Set - DTS-HD MA 5.1 24-bit (most extras) 2009 Canadian - LPCM 5.1 24-bit 2010 Canadian Steelbook - DTS-HD MA 5.1 24-bit Last edited by HD Goofnut; 04-12-2015 at 03:11 PM. |
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Thanks given by: | welcometothepartypal (04-12-2015) |
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#1136 | |
Expert Member
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#1137 | |
Blu-ray Ninja
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https://www.blu-ray.com/movies/No-Co...-Blu-ray/2117/ |
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Thanks given by: | HD Goofnut (04-12-2015) |
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#1139 |
Expert Member
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Compared them, there's in fact no noticeable difference at all, not even on zoomed stills. Both a straight 10/10 reference, it's a blessing they did such a great job on this one!
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