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#204801 |
Active Member
Apr 2021
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Because the infatuated storyline is the only thing that works. The other subplots (angsty daughter, gay neighbor, cheating wife) are corny and soap opera-ish. He should’ve stuck with the infatuation, like Lolita and Death in Venice. Instead, he gave us a dark sitcom family drama. Gilliam would’ve made it work
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#204802 |
Blu-ray Guru
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Saw a Criterion "born on this day" tweet for Satyajit Ray. I've read many posts here over the years on The Apu Trilogy, and also praise for The Music Room - but I've yet to see any of his films.
Is there a "best" place to start, or can one just dive in? Reading some synopses, The Hero sounds of particular interest. |
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#204805 | |
Power Member
Nov 2016
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I'd recommend The Music Room or The Hero as both fantastic places to start. |
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Thanks given by: | Reddington (05-03-2021) |
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#204806 | |
Blu-ray Baron
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Charulata aka The Housewife is a brilliant introduction to Ray, and the film he himself felt was the "least flawed" of his work. The Big City is an excellent modern day (for its time) urban social drama. The Hero is a decent film with some nice dream imagery, but it's also a little didactic (actor feeling corrupted by cinema compared to his more pure theater days) compared to the bulk of Ray's work. |
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Thanks given by: | Reddington (05-03-2021) |
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#204807 | |
Special Member
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Thanks given by: | gorobei (05-03-2021), Reddington (05-03-2021) |
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#204808 | |
Power Member
May 2017
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Mon Oncle Antoine isn’t even the most depressing Canadian holiday film-that would be Lies My Father Told Me I love Cronenberg to death, but I’m not sure if I’d put one of his films above The Apprenticeship of Duddy Kravitz, The Decline of the American Empire, Kamouraska, Les Ordres, My Winnipeg, or 23 Short Films About Glenn Gould |
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#204809 | |
Power Member
May 2017
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The Adversary is my absolute favourite film by Ray. Incredibly innovative filmmaking, and it’s story about the anxiety of entering the working world/adult sphere really resonated with me when I first saw it. The AMPAS’ restorations of his oeuvre is just a stunning achievement |
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Thanks given by: | Reddington (05-03-2021) |
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#204810 | |
Power Member
May 2017
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Sayles owns the home video rights to his early features, and he even retains the original camera negatives like Jim Jarmusch |
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#204811 |
Active Member
Apr 2021
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They did the birthday thing for Chaplin too, so I think it’s a common thing they do, unless they’ve hinted at a box set before. I actually want a Chaplin box set myself
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Thanks given by: | moviebuffed (05-03-2021) |
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#204812 |
Expert Member
Jun 2019
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Gave the extended version of Criterion's It's a Mad, Mad, Mad, Mad World a whirl last night. A pretty commendable effort given the fact that some of the extra footage lasts only a fraction of a second, and by most would've been dismissed otherwise, but there it it is inserted in an effort to replicate the original vision intended regardless of the quality of the surviving elements.
Still prefer the general release but hey more Phil Silvers and Dick Shawn ain't bad either. |
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#204813 | |
Power Member
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Thanks given by: | Reddington (05-03-2021) |
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#204814 | |
Blu-ray Samurai
Jul 2012
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Absolutely timeless and hasn't aged a day. The three, taken together, form one of the greatest masterpieces in film, IMHO. |
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#204817 | |
Blu-ray Ninja
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Good for racking up some more points at Criterion if you were just going to buy stuff normally. |
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Thanks given by: | dkelly26666 (05-03-2021), Gacivory (05-03-2021) |
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#204818 |
Senior Member
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#204819 | |
Special Member
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