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Old 04-15-2013, 08:31 PM   #68501
Hawkguy Hawkguy is offline
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Quote:
Originally Posted by Abdrewes View Post
Deep End should be a must have, right?
Huge must-have.
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Old 04-15-2013, 08:31 PM   #68502
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Quote:
Welcome randomzombie! Anyone who capitalizes their 'I's and can use preternatural in a sentence is a welcome addition! and lurking is always quite acceptable. Be interesting to hear more of you comments on Léon...
Thanks for the welcome!

I have a lot of complicated feelings about Leon Morin, Priest. I know very little about the Catholic church, I attended a southern baptist church when I was a child and have grown into an atheist. Religion fascinates me though, so the theological debates/discussions between Barny and Morin were intriguing on their own. Add in the setting of the film, WW2, and the film is a complex, steaming gumbo of religion, latent sexual desire and existential angst. Random, long winded thoughts behind the cut -

[Show spoiler]A lot of the shots were so beautifully choreographed. The repetition of the crane shot when Barny climbs the stairs to visit Morin's room could be seen as trying to evoke Barny ascending to a higher spiritual place. A place where she can, for a little while, focus on her spiritual self amid the constant chaos that lurks on the streets outside and below. What's most interesting about this to me, is that the more she does this, the less content she becomes. Her quest for spiritual understanding (and eventually her quest for Morin himself) becomes an exercise in selfishness.

Morin himself is equally to blame for this. He at times treats Barny roughly, shoving her out of the way in church and grabbing an axe from her in her home in such a way that he practically drapes himself over Barny. He makes himself a tangible man instead of a figure of purely intellectual and spirtual intention. The film seems to suggest he does this on purpose with all women. We are never shown a man coming to visit him and his congregation appears to be mostly female.

So what did I get from all this? I'm still not entirely sure. Lol. I've read that the Catholic Church at the time of Leon Morin, Priest's theatrical release approved of it greatly. I find this puzzling because if anything, Morin, while a nice example of a freer thinking priest, does organized religion no favors here. His convert isn't converting for the sake of Catholicism, she's converting for lack of anything else that she sees as better. It's not conversion, it's resignation.


I loved that this film gave me so much to think about and could be read with multiple meanings. Good stuff.
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Old 04-15-2013, 08:35 PM   #68503
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Originally Posted by Abdrewes View Post
There's no such thing as a perfectly fine DVD.
[Show spoiler]
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Old 04-15-2013, 08:40 PM   #68504
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Quote:
Originally Posted by Abdrewes View Post
When Pink Flamingos gets a spine, get back to me.
You don't appreciate the fine art of John Waters?
[Show spoiler]The act of Divine eating dog shit is a very important message to society


Actually, I can't watch the film without feeling ill. Call me a candy ass, but the ending is what gets me, especially knowing that it's not fake.
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Old 04-15-2013, 08:40 PM   #68505
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Originally Posted by Abdrewes View Post
Deep End should be a must have, right?

I blind bought about 9 titles on Friday, so I'm right there with you.

Deep End is a good movie, just watched that one a few days ago.
and there is over an hour of making of and other stuff.
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Old 04-15-2013, 08:41 PM   #68506
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Here is the (at least) one-page paper I had to write about Fish Tank. I don't think it's to the best of my abilities because I was struggling with remembering and connecting things with one another. I honestly hate writing about films that I enjoy, especially when I have some type of questions provided to me ahead of time to think about in the paper. It's supposed to relate to sex and gender, hence why I was referring to males and females quite often in the paper. Anyway, here it is.

[Show spoiler]Andrea Arnold’s 2009 British drama, Fish Tank, offers the viewer a harsh reality of how hard life can be, especially for individuals struggling with finding themselves. Fish Tank throws the audience into the life of a lonely fifteen-year-old girl named Mia Williams. Mia is a socially awkward girl who resides in Essex with her single mother, Joanne, and her young sister, Tyler. Nothing seems to make Mia happy except for her passion for hip-hop dancing. It is the only positive thing that she has going in her life. Mia’s home life consists of poverty, drugs, and unacceptable sexual behavior on behalf of the adults in her life. Her mother spends the majority of her time partying with friends and dealing with hangovers. Her younger sister tends to keep to herself, smoking cigarettes with friends and cussing like a sailor. One day Mia’s mother decides to bring home an Irishman by the name of Connor O’Reilly, and from that point forward, everything seemed to change for the better of both Mia and her family. Mia looks up to Connor, as he is the only positive (male) role model that she has ever had in her life. She trusts him and feels comfortable around him because he encourages her to pursue her dream of dancing and helps her to adjust to this new and confusing world surrounding her. Not everything is what it seems, though, as Connor has his own demons hidden away from the public’s view. Fish Tank is one of the more modern films of this current generation that explores such concepts as gender and sexuality. While there are numerous examples throughout the film, the most significant, in my opinion, is through the character of Mia Williams. From the very beginning of the film, we recognize that Mia is very different from all of the girls she hangs around with. She resembles a tomboy in many aspects because of her attitude, the way she dresses, and the tough exterior that she displays out in public. She has no real friends and has a hard time opening up to anybody in her life. Her only forms of communication are through name-calling, degrading, and shouting obscenities. The one thing that interests Mia the most in life is hip-hop dancing, which is a predominately male activity. When she is not walking around Essex or fighting with her family members, she is training and practicing in hopes of being a hip-hop dancer someday. The only thing that Mia is truly lacking, however, is confidence, which Connor eventually helps her attain. Part of the reason for her uneasiness, in my opinion, is due to puberty, while the other part is due to being a nonconformist. The age of fifteen is a critical point in everybody’s life because the body is changing and feelings of sexuality begin to emerge. This is often accompanied with feelings of confusion because she is now seeing the world from a new perspective. Because of her poor socioeconomic background, the absence of positive role models in her life, and her body changing due to puberty, Mia is a lost soul who is struggling to find herself. On the other hand, Mia has always been a nonconformist and gone against the grain for all of her life. Mia dropped out of school and refused to take anybody’s advice or guidance. It is not until Connor O’Reilly comes into the picture that she learns to live. He guides her to the best of his abilities, tries to make her come to her senses and drop this chip that has constantly been on her shoulder all of her life, and inspires her to go out and make something out of herself. Andrea Arnold’s Fish Tank is more than just a lesson on life, love, and relationships. Rather, it is about being a unique individual and not conforming to society’s expectations for us. From the moment we are born, until the moment we die, society labels and ascribes various gender roles onto us, which we are then expected to live up to. Fish Tank challenges these notions and does so in an excellent way by shifting the focus from what society wants us to be to what we as a unique individual want ourselves to be. One could argue that Mia Williams is a “fish” that is trapped in this “fish tank” of Essex. She’s looking to be her own unique personality, but her home life and her lack of self-confidence, among other things, are continually holding her back. It is not until after she meets Connor that she can actually break free out of the “tank” and move on with her life. All in all, Fish Tank is a very relatable film because there is some point in every one of our lives where we want to be ourselves without conforming to the roles and expectations that are assigned to us at birth.

Last edited by Scottie; 04-15-2013 at 08:45 PM.
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Old 04-15-2013, 08:43 PM   #68507
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Haven't seen the Devil's Backbone. What is the overall view of this film? I really like creepy, atmospheric horror films.
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Old 04-15-2013, 08:44 PM   #68508
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Quote:
Originally Posted by octagon View Post
[Show spoiler]
...for a movie you love.
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Old 04-15-2013, 08:48 PM   #68509
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Quote:
Originally Posted by Arkadin View Post
hmmm.......kind of meh for me overall.
was really hoping for some more UA films.
but the 2 upgrades are welcome news, and Babette's Feast is a nice choice.
the wait for Eraserhead is becoming frustrating at this point.
I would think Eraserhead will be the October "horror" film for this year. (even though I don't see the film as such)

Nice month, I have always loved The Devil's Backbone and will jump at picking up The Life of Oharu. The title I am really salivating for is Marketa Lazarova.
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Old 04-15-2013, 08:50 PM   #68510
Hawkguy Hawkguy is offline
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Originally Posted by Monty70 View Post
I would think Eraserhead will be the October "horror" film for this year. (even though I don't see the film as such)
I wouldn't mind an all-horror slate at one point, actually.
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Old 04-15-2013, 08:51 PM   #68511
Mansinthe Mansinthe is offline
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Quote:
Originally Posted by Robinh View Post
Haven't seen the Devil's Backbone. What is the overall view of this film? I really like creepy, atmospheric horror films.

i did not like it very much. kinda boring most of the time, found chronos and pans labyrinth way better.
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Old 04-15-2013, 08:53 PM   #68512
randomzombie randomzombie is offline
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Originally Posted by ROclockCK View Post
Lord of the Flies is my early nominee for best cover of of the year.
Agreed. It's gorgeous.
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Old 04-15-2013, 08:56 PM   #68513
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Yeah, I'm starting to think Eraserhead will be an October release. I don't know if I can wait that long though!

I'm glad to see The Devil's Backbone is coming out and it's about time The Ice Storm gets a Criterion Blu-Ray.
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Old 04-15-2013, 08:57 PM   #68514
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Nice Marketa Lazarova now The Life of Oharu 2 months in a row.
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Old 04-15-2013, 09:01 PM   #68515
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Quote:
Originally Posted by retablo View Post
If DVDs are "perfectly fine", why do you even buy blu-rays?
I think very few titles should be re-released on blu-ray unless they contain a wealth of new supplements.
There are far too many deserving great films that have awful barebone releases on DVD that need to be upgraded before we get all the Criterion Re-releases that just disgust me. Oh well it saves me money I guess . I cant fathom spending even $20 to get a title I currently have with nothing new but great picture and sound. No way in hell.; I just bought the Ice Storm like 6 years ago on Criterion DVD and they want another $40 for it with nothing added. They can GTFO. Just reprehensible behavior IMO when so many great films deserve fulll special edition treatment. Have Criterion just gotten cheap? Can they not afford supplements and great Audio and Video quality/
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Old 04-15-2013, 09:03 PM   #68516
octagon octagon is offline
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Quote:
Originally Posted by chris_sc77 View Post
I think very few titles should be re-released on blu-ray unless they contain a wealth of new supplements.
There are far too many deserving great films that have awful barebone releases on DVD that need to be upgraded before we get all the Criterion Re-releases that just disgust me. Oh well it saves me money I guess . I cant fathom spending even $20 to get a title I currently have with nothing new but great picture and sound. No way in hell.; I just bought the Ice Storm like 6 years ago on Criterion DVD and they want another $40 for it with nothing added. They can GTFO. Just reprehensible behavior IMO when so many great films deserve fulll special edition treatment. Have Criterion just gotten cheap? Can they not afford supplements and great Audio and Video quality/
I'm not going to lie...you actually had me going for a minute there...
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Old 04-15-2013, 09:04 PM   #68517
chris_sc77 chris_sc77 is offline
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Or can they just not afford to license new (other) films? that is what it is really starting to seem like.
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Old 04-15-2013, 09:06 PM   #68518
octagon octagon is offline
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Quote:
Originally Posted by Abdrewes View Post
...for a movie you love.
Yeah, I knew what you meant. Fawlty Towers is just my poster child for 'sometimes a good DVD release is as good as it gets'.
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Old 04-15-2013, 09:09 PM   #68519
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Quote:
Originally Posted by chris_sc77 View Post
Or can they just not afford to license new (other) films? that is what it is really starting to seem like.
This month had 3 new spine numbers. Criterion has a very large catalogue that is always growing, patience is a virtue here.
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Old 04-15-2013, 09:12 PM   #68520
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FINAL PRESS SHEET:



Quote:
THE LIFE OF OHARU – Blu-ray

A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society throughout its history, Kenji Mizoguchi (Ugetsu) had already been directing movies for decades when he made The Life of Oharu in 1952. But this epic portrait of an inexorable fall from grace, starring the incredibly talented Kinuyo Tanaka (The Ballad of Narayama) as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained its director international attention, ushering in a new golden period for him.

1952 • 137 minutes • Black & White • Monaural • In Japanese with English subtitles • 1.37:1 aspect ratio

SPECIAL EDITION FEATURES
• New high-definition digital film restoration, with uncompressed monaural soundtrack on the Blu-ray edition
• Introductory commentary by scholar Dudley Andrew
• Mizoguchi’s Art and the Demimonde, an illustrated audio essay featuring Andrew
• Kinuyo Tanaka’s New Departure, a 2009 film by Koko Kajiyama documenting the actor’s 1949 goodwill tour of the United States
• New English subtitle translation
• PLUS: A booklet featuring an essay by film scholar Gilberto Perez

TITLE: The Life of Oharu (BLU-RAY EDITION)
CAT. NO: CC2275BD
UPC: 7-15515-10731-0
ISBN: 978-1-60465-738-8
SRP: $39.95
STREET: 7/9/13

LORD OF THE FLIES – Blu-ray

In the hands of the renowned experimental theater director Peter Brook, William Golding’s legendary novel on the primitivism lurking beneath civilization becomes a film as raw and ragged as the lost boys at its center. Taking an innovative documentary-like approach, Brook shot Lord of the Flies with an off-the-cuff naturalism, seeming to record a spontaneous eruption of its characters’ ids. The result is a rattling masterpiece, as provocative as its source material.

1963 • 90 minutes • Black & White • Monaural • 1.37:1 aspect ratio

SPECIAL EDITION FEATURES
• New, restored 4K digital film transfer, supervised by cameraman and editor Gerald Feil, with uncompressed monaural soundtrack on the Blu-ray edition
• Audio commentary featuring director Peter Brook, producer Lewis Allen, director of photography Tom Hollyman, and Feil
• Audio recordings of William Golding reading from his novel Lord of the Flies, accompanied by the corresponding scenes from the film
• Deleted scene, with optional commentary and reading by Golding
• Interview with Brook from 2008
• Collection of behind-the-scenes material, featuring home movies, screen tests, outtakes, and stills
• New interview with Feil
• Excerpt from Feil’s 1972 documentary The Empty Space, showcasing Brook’s theater methods
• Something Queer in the Warehouse, a piece composed of never-before-seen footage shot by the boy actors during production, with new voice-over by Tom Gaman, who played Simon
• Trailer
• PLUS: A booklet featuring an essay by film critic Geoffrey Macnab and an excerpt from Brook’s book The Shifting Point

TITLE: Lord of the Flies (BLU-RAY EDITION)
CAT. NO: CC2290BD
UPC: 7-15515-10821-8
ISBN: 978-1-60465-753-1
SRP: $39.95
STREET: 7/16/13


BABETTE’S FEAST – Blu-ray

At once a rousing paean to artistic creation, a delicate evocation of divine grace, and the ultimate film about food, the Oscar-winning Babette’s Feast is a deeply beloved cinematic treasure. Directed by Gabriel Axel and adapted from a story by Isak Dinesen, this is the layered tale of a French housekeeper with a mysterious past who brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late nineteenth-century Denmark. Babette’s Feast combines earthiness and reverence in an indescribably moving depiction of pleasure that goes to your head like fine champagne.

1987 • 103 minutes • Color • 2.0 surround • In Danish, French, and Swedish with English subtitles • 1.66:1 aspect ratio

SPECIAL EDITION FEATURES
• New 2K digital film restoration, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-ray edition
• New interview with actor Stéphane Audran
• Karen Blixen: Storyteller, a 1995 documentary about the author of the film’s source story, who wrote under the pen name Isak Dinesen
• New visual essay by filmmaker Michael Almereyda
• New interview with sociologist Priscilla Parkhurst Ferguson about the significance of cuisine in French culture
• Trailer
• PLUS: A booklet featuring an essay by film scholar Mark Le Fanu and Dinesen’s 1950 story

TITLE: Babette’s Feast (BLU-RAY EDITION)
CAT. NO: CC2277BD
UPC: 7-15515-10751-8
ISBN: 978-1-60465-740-1
SRP: $39.95
STREET: 7/23/13


THE ICE STORM – Blu-ray

Suburban Connecticut, 1973. While Richard Nixon’s “I am not a crook” speech drones from the TV, the Hood and Carver families try to navigate a Thanksgiving break simmering with unspoken resentment, sexual tension, and cultural confusion. With clarity, subtlety, and a dose of wicked humor, Academy Award–winning director Ang Lee (Life of Pi) renders Rick Moody’s acclaimed novel of upper-middle-class American malaise as a trenchant, tragic cinematic portrait of lost souls. Featuring a tremendous cast of established actors (Kevin Kline, Joan Allen, Sigourney Weaver) and rising stars (Tobey Maguire, Christina Ricci, Elijah Wood, Katie Holmes) The Ice Storm is among the finest films of the 1990s.

1997 • 113 minutes • Color • 2.0 surround • 1.85:1 aspect ratio

DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES
• Restored high-definition digital film transfer, supervised and approved by director Ang Lee and director of photography Frederick Elmes, with 2.0 surround DTS-HD Master Audio soundtrack
• Audio commentary featuring Lee and producer-screenwriter James Schamus
• Documentary featuring interviews with actors Joan Allen, Kevin Kline, Tobey Maguire, Christina Ricci, Sigourney Weaver, and Elijah Wood
• Interview with novelist Rick Moody
• Deleted scenes
• Footage from a 2007 event honoring Lee and Schamus at New York’s Museum of the Moving Image
• Visual essays featuring interviews with the film’s cinematographer and production and costume designers
• Theatrical trailer
• PLUS: An essay by critic Bill Krohn

TITLE: The Ice Storm (BLU-RAY EDITION)
CAT. NO: CC2281BD
UPC: 7-15515-10791-4
ISBN: 978-1-60465-744-9
SRP: $39.95
STREET: 7/23/13


THE DEVIL'S BACKBONE – Blu-ray

The most personal film by Guillermo del Toro (Cronos) is also among his most frightening and emotionally layered. Set during the final week of the Spanish Civil War, The Devil’s Backbone tells the tale of a ten-year-old boy who, after his freedom-fighting father is killed, is sent to a haunted rural orphanage full of terrible secrets. Del Toro effectively combines gothic ghost story, murder mystery, and historical melodrama in a stylish concoction that reminds us—as would his later Pan’s Labyrinth—that the scariest monsters are often the human ones.

2001 • 108 minutes • Color • 5.1 surround • In Spanish with English subtitles • 1.85:1 aspect ratio

DIRECTOR-APPROVED SPECIAL EDITION FEATURES
• New 2K digital film restoration, approved by director Guillermo del Toro and cinematographer Guillermo Navarro, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray edition
• Audio commentary featuring Del Toro
• Video introduction by Del Toro from 2010
• New interviews with Del Toro about the process of creating the ghost Santi and the drawings and designs made in preparation for the film
• ¿Que es un fantasma?, a 2004 making-of documentary
• Spanish Gothic, a 2010 interview with Del Toro about the genre and its influence on his work
• Interactive director’s notebook, with Del Toro’s drawings and handwritten notes, along with interviews with the filmmaker
• Four deleted scenes, with optional commentary
• New featurette about the Spanish Civil War as evoked in the film
• Program comparing Del Toro’s thumbnail sketches and Carlos Giménez’s storyboards with the final film
• Selected on-screen presentation of Del Toro’s thumbnail sketches alongside the sections of the final film they represent (Blu-ray edition only)
• Trailer
• New English subtitle translation
• PLUS: A booklet featuring an essay by critic Mark Kermode

TITLE: The Devil’s Backbone (BLU-RAY EDITION)
CAT. NO: CC2279BD
UPC: 7-15515-10771-6
ISBN: 978-1-60465-742-5
SRP: $39.95
STREET: 7/30/13


Attention Canada: All July Titles Are Available in All Canada.
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