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Old 08-01-2015, 06:02 AM   #131221
oildude oildude is offline
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Quote:
Originally Posted by Will G View Post
Don't Look, Bach = Don't Look Back
Yep, that's it.

No Kubrick after all and I am suddenly reminded I need to re-watch Barry Lyndon.

Last edited by oildude; 08-01-2015 at 06:19 AM.
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Old 08-01-2015, 06:09 AM   #131222
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Quote:
Originally Posted by oildude View Post
He is wearing an 18th Century powdered wig and dress, has a fake mole painted onto his left cheek as well as what would seem to be pancake or makeup.......this looks a lot like the aristocratic dude from Barry Lyndon who is an Irish Jacobite diplomat serving the French king Louis XV. He rescues Barry and takes him in as his apprentice, and Barry begins dressing like him. It has been a long time since I have seen that movie, but I remember the foppish makeup and wigs. I don't recall if there is a blindfold (did they play a game of some sort?)
I mentioned Barry Lyndon earlier...

And I thought the same thing... oildude, we think alike.
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Old 08-01-2015, 08:17 AM   #131223
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Quote:
Originally Posted by Page14 View Post
Hmmm, ya think? (except Bach's forehead is a little higher)

Attachment 120726
WOW, it certainly looks like Bach, and maybe they used the very same photo to draw it!
Look at the nose, the chin, the mouth!
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Old 08-01-2015, 09:06 AM   #131224
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Making final selections on my last B&N sale order and was curious about Naked Lunch. I would consider myself a Cronenberg fan (not to the point I need his complete filmography though lol) and I tend to like slightly weird films this however looks bats*it crazy.

To those who have seen it -
Yes or no?

Last edited by tisdivine; 08-01-2015 at 09:11 AM.
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Old 08-01-2015, 09:27 AM   #131225
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^It is crazy. I personally didn't feel the need to revisit, but your mileage may vary.
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Old 08-01-2015, 10:38 AM   #131226
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Quote:
Originally Posted by tisdivine View Post
Making final selections on my last B&N sale order and was curious about Naked Lunch. I would consider myself a Cronenberg fan (not to the point I need his complete filmography though lol) and I tend to like slightly weird films this however looks bats*it crazy.

To those who have seen it -
Yes or no?
A resounding YES... That is if you're prepared to "extinguish all rational thought". I personally love the film and find it to be a successful adaptation of a brilliantly original novel that seems, frankly, unadaptable. Like Clockwork Orange, a big part of this success was staying true to Burroughs knack for language and linguistic invention. Definitely recommended if you enjoy weird films, as you say but this one is not just slightly weird. It is not "slightly" anything.
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Old 08-01-2015, 10:46 AM   #131227
duggie walker duggie walker is offline
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Quote:
Originally Posted by jw007 View Post
I mentioned Barry Lyndon earlier...

And I thought the same thing... oildude, we think alike.
Doesn't Barry Lyndon have to wear a blindfold when he's trying to retrieve that key from his cousin's decolletage?

But sadly, it's not Barry Lyndon. It'd be nice to get some extras for that film. WB have re-released it 3 or 4 times and still never given it the treatment it deserves.

And it's in the wrong aspect ratio, too.
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Old 08-01-2015, 11:11 AM   #131228
duggie walker duggie walker is offline
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double post. and it was hardly worth the first one.
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Old 08-01-2015, 11:25 AM   #131229
ajnejedi ajnejedi is offline
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My final tally for my first even B&N Sale Haul!!!

12 Angry Men
America Lost and Found: The BBS Story
The Big Chill
Cronos
The Devil's Backbone
Fear and Loathing in Las Vegas
The Fisher King
Gate of Hell
Godzilla
The Ice Storm
Kagemusha
The Killers
Macbeth
The Magician
Postwar Kurosawa (Eclipse)
Rashomon
Raymond Bernard (Eclipse)
Richard III
Rififi
Rosemary's Baby
The Royal Tenenbaums
Seven Samurai
Time Bandits
The Trilogy of Life
Yojimbo/Sanjuro
Zatoichi Collection


Only owned Brazil, Dazed and Confused, and The Seventh Seal before the sale started...might have spent too much money...
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Old 08-01-2015, 02:12 PM   #131230
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Quote:
Originally Posted by tisdivine View Post
Making final selections on my last B&N sale order and was curious about Naked Lunch. I would consider myself a Cronenberg fan (not to the point I need his complete filmography though lol) and I tend to like slightly weird films this however looks bats*it crazy.

To those who have seen it -
Yes or no?
It's not as crazy as you may think, but it is a great film. I think you should have it in your collection, you'll probably want to watch it again at some point. Naked Lunch is one of those movies where the odd factor is secondary to what the actual story is.
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Old 08-01-2015, 02:18 PM   #131231
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Quote:
Originally Posted by tisdivine View Post
Making final selections on my last B&N sale order and was curious about Naked Lunch. I would consider myself a Cronenberg fan (not to the point I need his complete filmography though lol) and I tend to like slightly weird films this however looks bats*it crazy.

To those who have seen it -
Yes or no?
I am not a fan, then again, I don't care for Cronenberg.
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Old 08-01-2015, 02:29 PM   #131232
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Quote:
Originally Posted by tisdivine View Post
Making final selections on my last B&N sale order and was curious about Naked Lunch. I would consider myself a Cronenberg fan (not to the point I need his complete filmography though lol) and I tend to like slightly weird films this however looks bats*it crazy.

To those who have seen it -
Yes or no?
I love this film. It's odd and confusing but the narrative is far more interesting than anything weird occurring in the film. It's not long until the weirdness becomes an enhancement for the storytelling and hardly even sticks out anymore.

I've watched it 3 times since owning it and will undoubtedly revisit it several more times. Opinions here are pretty mixed on it. Some love it, some really didn't care for it. I'm one of the former. If you're a cronenberg fan, it's a pretty safe blind buy IMO. Don't expect a simple narrative or easy answers though.
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Old 08-01-2015, 03:26 PM   #131233
The Great Owl The Great Owl is offline
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A few words about my favorite Criterion Blu-ray of 2015 so far... This is a fantastic upgrade from the old Criterion DVD.



Harry Fabian, played with frenzied exuberance by Richard Widmark, is a small-time hustler with dreams of grandeur that enable him to blast his way from one hopeless scheme to another in postwar London. Fabian's beautiful romantic interest, played by the one and only Gene Tierney, is exasperated with her futile attempts to keep him grounded and steer him into a life of honest hard work, but she continues to bail him out, despite the cautionary advice of her protective neighbor, Adam, who describes Fabian as "an artist without an art" whose quest for the big time could prove to be dangerous.

One night, as Fabian is pulling cons to lure customers into a nightclub run by his sometime partners, Philip (Francis L. Sullivan) and Philip's scheming wife, Helen (Googie Withers), he senses a golden opportunity when he witnesses an argument at a wrestling match between a prominent gangster, Kristo (Herbert Lom) and Kristo's father, Gregorius (Stanislaus Zbyszko), who wishes to keep the wrestling free from the "clowns" who have turned the integrity and art of the sport into a circus. Fabian devises a plan to earn a fortune as a wrestling host, but the particulars of his new enterprise threaten to drag everyone else down with him.

Film noir, a term coined by a French critic and translated as "black film", finds one of its blackest examples in Jules Dassin's 1950 entry, Night and the City. The bombed-out Soho district of London is a shadowy villain in itself, and a handful of chase sequences stand up to Carol Reed's dark vision of Vienna in The Third Man, which was released the previous year. The characters of this seedy setting have few redeeming qualities, and one of the movie's dark charms is its ability to keep us viewers fascinated while the figurative walls close in around these people as they each lose control and become tired of running from their inevitable fates.

This Criterion Blu-ray of Night and the City includes the bleak American version, which was Dassin's preferred cut and my own personal favorite cut, and an alternate British version, which utilizes different sequence edits and a different score to present a slightly less cynical incarnation of the story. To watch both of these versions is to gain an appreciation of how music and editing can significantly alter the tone of a movie.

The picture quality of this Blu-ray is exceptional, and I consider Night and the City to be another shining example of how Criterion can bring a new life to black-and-white classics with their high definition presentations. The audio quality is also impressive, and we get the best of both the Franz Waxman score in the American version and the Benjamin Frankel score in the British version.

The commentary from DVD Savant critic, Glenn Erickson, is informative and fun. A handful of supplements, namely a 2004 interview with Jules Dassin and a comparison of the American and British versions of the film, are also engaging.

This Criterion presentation of Night and the City has my highest recommendation. It's a tough sell to interest people in the plight of a lowlife schemer who ends up in waters that go over his head, but the role of Harry Fabian is one of Richard Widmark's finest roles and his magnetic abilities draw us in, especially during the final moments, when the character makes a heartbreaking attempt at redemption.
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Old 08-01-2015, 03:32 PM   #131234
SammyJankis SammyJankis is offline
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I don't think there's another film in the collection that has been difficult for me to grasp as Sans Soleil. It's the only film I can think of where I literally had to turn it off mid-way through because I realized I wasn't in the proper mood to grasp - as much as I could - what was going on. Weeks would go by, however, and I'd find myself ruminating over certain passages (almost as if they were akin to my own memories.) The dense combination of imagery and calming narration has revealed itself as something welcoming as time goes by. I'd put it on again, get further into the film, realize that no matter what state of mind I was in, I'll never be able to fully articulate its ways - at least not fully, and just engage with it until the end. It is an experience like no other, one that makes you sound like a pretentious snob if you even begin to describe it. You just need to engage with it in a way that's accessible for you, and be open to its display of human nature in ways that only film can achieve.

He liked the fragility of those moments suspended in time. Those memories whose only function had been to leave behind nothing but memories.

This morning, for no particular reason, I found myself reflecting on it. It has worked itself into my mind in ways no other film has, which I suppose relates to (one of) the film's thematic concern of memory. It does help that I've experienced life more (and travelled) with each subsequent visit. I'll revisit the film again today and it'll be as impenetrable as its always been, but its insight into something I cannot articulate will remain.

Last edited by SammyJankis; 08-01-2015 at 03:51 PM.
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Old 08-01-2015, 03:34 PM   #131235
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Quote:
Originally Posted by ajnejedi View Post
My final tally for my first even B&N Sale Haul!!!

12 Angry Men
America Lost and Found: The BBS Story
The Big Chill
...


Only owned Brazil, Dazed and Confused, and The Seventh Seal before the sale started...might have spent too much money...
That's not a bad start.


So anyway..... here I was at B&N to spend another $100 on Criterion blu-rays and I would spend more but the crappy Australian dollar doesn't hold up as much as it used too. And then as I was going through the checkout it gave me shipping at the ridiculous price of $45, and that's 45 US dollars.

What the hell happened! Does anyone have any insider information? Despite the sale of 50% it's still not worth it at B&N and I might as well wait for a sale at Amazon. However, I still got a bit of a bargain at B&N when I ordered two box sets individually; The Complete Jacques Tati and 3 Films by Roberto Rossellini and...

But for individual movies it now looks like I'm going to get my Criterion fix via Amazon. Not that there's anything wrong with that......
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Old 08-01-2015, 03:42 PM   #131236
ns006j ns006j is offline
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Quote:
Originally Posted by Rich Pure Doom View Post
Clementine
Odd Man Out
Cries and Whispers


These are the essentials.
It was tough but I went with:

My Darling Clementine (I love westerns)
Cries and Whispers (I love Bergman)
Sword of Doom (I love samurai films)

So eight total from this sale: Above three +
The Killers
The Vanishing
The Shooting / Ride in the Whirlwind
Eraserhead
The Friends of Eddie Coyle

Along with those I have coming from forum members here:
The Bridge
Le Silence de la Mer
Watership Down
Stagecoach
Bottle Rocket

I think I have some watching to do.

Thanks for the suggestions. Looks like I already have quite a list for November (Odd Man Out, Macbeth, The Brood, Mulholland Drive, Dressed to Kill...).
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Old 08-01-2015, 03:52 PM   #131237
The Great Owl The Great Owl is offline
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Quote:
Originally Posted by SammyJankis View Post
I don't think there's another film in the collection that has been difficult for me to grasp as Sans Soleil. It's the only film I can think of where I literally had to turn it off mid-way through because I realized I wasn't in the proper mood to grasp - as much as I could - what was going on. Weeks would go by, however, and I'd find myself ruminating about certain passages (almost as if they were akin to my own memories.) The dense combination of imagery and calming narration has revealed itself as something welcoming as time goes by. I'd put it on again, get further into the film, realize that no matter what state of mind I was in, I'll never be able to fully articulate its ways - at least not fully, and just engage with it until the end. It is an experience like no other, one that makes you sound like a pretentious snob if you even begin to describe it. You just need to engage with it in a way that's accessible for you, and be open to its display of human nature in ways that only film can achieve.

He liked the fragility of those moments suspended in time. Those memories whose only function had been to leave behind nothing but memories.

This morning, for no particular reason, I found myself reflecting on it. It has worked itself into my mind in ways no other film has, which I suppose relates to (one of) the film's thematic concern of memory. It does help that I've experienced life more (and travelled) with each subsequent visit. I'll revisit the film again today and it'll be as impenetrable as its always been, but its insight into something I cannot articulate will remain.
I tend to think of Sans Soleil in the same way that I might think of a long music video, in that I simply roll along with the visual content instead of trying to piece a theme together in my head. It works well as a travelogue with fictional elements, but the piecing together of narration and video is still quite mind-boggling.
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Old 08-01-2015, 03:55 PM   #131238
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Quote:
Originally Posted by filmmusic View Post
WOW, it certainly looks like Bach, and maybe they used the very same photo to draw it!
Look at the nose, the chin, the mouth!
Hmmmm, a movie with Bach blindfolded.

Or maybe Mozart? If not Amadeus, is there another movie that has him in playing blindfolded? Or something with Salieri?

Barry Lyndon so fits. Same look, same beauty spot. And I think he was blindfoled as he was about to be executed at one point.
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Old 08-01-2015, 03:59 PM   #131239
KilloWertz KilloWertz is offline
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Quote:
Originally Posted by ajnejedi View Post
My final tally for my first even B&N Sale Haul!!!

[Show spoiler] 12 Angry Men
America Lost and Found: The BBS Story
The Big Chill
Cronos
The Devil's Backbone
Fear and Loathing in Las Vegas
The Fisher King
Gate of Hell
Godzilla
The Ice Storm
Kagemusha
The Killers
Macbeth
The Magician
Postwar Kurosawa (Eclipse)
Rashomon
Raymond Bernard (Eclipse)
Richard III
Rififi
Rosemary's Baby
The Royal Tenenbaums
Seven Samurai
Time Bandits
The Trilogy of Life
Yojimbo/Sanjuro
Zatoichi Collection


Only owned Brazil, Dazed and Confused, and The Seventh Seal before the sale started...might have spent too much money...
Don't feel too bad. While I didn't buy quite as many, I still got 21, which is way more than I expected to buy. I may end up with 22 if I use the coupon they emailed out a couple of days ago. Anyways, what I ended up with so far...

3:10 to Yuma
All That Heaven Allows
Being John Malkovich
The Black Stallion
Don't Look Now
The Fisher King
Foreign Correspondent
Le Havre
The Innocents
Judex
The Killers
Limelight
The Palm Beach Story
Repulsion
Ride the Pink Horse
Rosemary's Baby
Sullivan's Travels
Thief
Time Bandits
Tootsie
Walkabout
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Old 08-01-2015, 04:03 PM   #131240
ajnejedi ajnejedi is offline
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Quote:
Originally Posted by Norbie View Post
That's not a bad start.


So anyway..... here I was at B&N to spend another $100 on Criterion blu-rays and I would spend more but the crappy Australian dollar doesn't hold up as much as it used too. And then as I was going through the checkout it gave me shipping at the ridiculous price of $45, and that's 45 US dollars.

What the hell happened! Does anyone have any insider information? Despite the sale of 50% it's still not worth it at B&N and I might as well wait for a sale at Amazon. However, I still got a bit of a bargain at B&N when I ordered two box sets individually; The Complete Jacques Tati and 3 Films by Roberto Rossellini and...

But for individual movies it now looks like I'm going to get my Criterion fix via Amazon. Not that there's anything wrong with that......
A lot of overseas customers have been complaining about this. The B&N personnel on the phone don't think anything's wrong but they're charging you the hardcover book shipping price instead of a dvd/bluray

So far, as far as others have taken it, I've heard they will issue refunds for the extra shipping costs once they get their store in order. It is a mistake and they are finally aware of it...you can still do a big purchase, but I would contact their customer service first...
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