|
|
![]() |
||||||||||||||||||||
|
Best Blu-ray Movie Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $27.95 18 hrs ago
| ![]() $29.99 19 hrs ago
| ![]() $35.99 52 min ago
| ![]() $32.99 17 hrs ago
| ![]() $16.99 14 hrs ago
| ![]() $28.99 17 hrs ago
| ![]() $45.00 | ![]() $74.99 | ![]() $44.99 17 hrs ago
| ![]() $84.99 1 day ago
| ![]() $82.99 | ![]() $27.49 4 hrs ago
|
![]() |
#181301 |
Blu-ray Archduke
|
![]() |
![]() |
![]() |
#181302 |
Moderator
|
![]() |
![]() |
![]() |
#181305 | |
Blu-ray Ninja
|
![]() Quote:
|
|
![]() |
Thanks given by: | Kyle15 (11-13-2018) |
![]() |
#181307 | |
Blu-ray Samurai
|
![]() Quote:
Since it'll (probably) never get an upgrade I need to get Indiscretion of an American Wife with Clift. I've never seen the original cut Terminal Station which is also included in the Criterion DVD set. The Selznick cut was barely feature length whereas the De Sica film runs 89 minutes. Just some personal stuff regarding Clift- My dad flew in the Berlin Airlift and was there when they were filming The Big Lift. He said both Clift and Douglas were good guys as far as mixing with the servicemen during the film. |
|
![]() |
Thanks given by: | moviebuffed (11-13-2018), theater dreamer (11-13-2018) |
![]() |
#181308 |
Blu-ray Ninja
Nov 2014
|
![]()
I still want to kick his ass for making this junker over Sunset Blvd.
|
![]() |
Thanks given by: | theater dreamer (11-13-2018) |
![]() |
#181309 |
Blu-ray Samurai
Jul 2012
|
![]()
I was replying to Cremildo and thebratpackwrangler, smart alek, LOL.
It was in reference to the notorious way that Criterion jerk around about monthly announcements, based on frivolous things. Like, "We can't announce on Tuesday the 15th, because Monday the 14th was Columbus Day." or whatever. Anyway, moving along... |
![]() |
![]() |
#181311 | |
Blu-ray Prince
|
![]() Quote:
He's not wrong though. Salo has a rather baroque flair, and its contrast with the story/content is what makes it such a poignant standout. |
|
![]() |
![]() |
#181314 | |
Special Member
|
![]() Quote:
They go OOP if they lose the rights to distribute them which can happen for a variety of reasons. |
|
![]() |
Thanks given by: | Tibor Lugosi (11-13-2018) |
![]() |
#181316 | |
Blu-ray Duke
|
![]() Quote:
[Show spoiler]
|
|
![]() |
![]() |
#181317 |
Blu-ray Duke
|
![]()
I watched Sisters last night for the first time.
I’m not saying it’s a bad movie, but I would rank it as the worst De Palma film I’ve seen among the films he made during his serious period in the 70s and 80s. I’m not counting all the paycheck films he’s made recently, like Mission To Mars. Dressed To Kill looks like Vertigo compares to Sisters. ...just my personal opinion. |
![]() |
![]() |
#181318 |
Blu-ray Duke
|
![]() |
![]() |
![]() |
#181319 |
Blu-ray Ninja
Mar 2013
Boulevard of Broken Dreams
|
![]()
I love OBSESSION and SISTERS, while realizing that many De Palma fans wouldn't agree with that opinion.
|
![]() |
Thanks given by: | billy pilgrim (11-13-2018), nitin (11-13-2018) |
![]() |
#181320 |
Blu-ray Archduke
|
![]() ![]() Julien Tavernier, a war veteran played by Maurice Ronet (The Fire Within), is having an affair with his employer's wife, Florence, played by Jeanne Moreau (Jules and Jim, La Femme Nikita), and the two of them have devised a foolproof scheme to kill her husband. While working late on a Saturday evening, Julien uses a rope to climb up to the husband's office, commits the murder, places the gun in the corpse's hand to make the death seem like a suicide, and then makes a discreet getaway so that he can leave town with Florence in a half hour. Just as he emerges onto the street and prepares to drive away in his fancy convertible, however, he realizes that he has accidentally left incriminating evidence at the scene of the crime. He quietly reenters the building to retrieve the evidence, only to be stuck in the elevator between floors when the power is shut off for the weekend. At the same time, Julien's car is stolen by a young couple who takes to the highway with reckless abandon on a countryside getaway that leads to another tragic chain of events. As night falls, the abandoned Florence wanders the streets of the city in search of her lover, oblivious to the uncanny twists of fate that have befallen both of them. The 1958 French film noir, Elevator to the Gallows, which was directed with an adventurous, yet tautly meticulous aesthetic by Louis Malle, who would go on to helm subsequent movies of wildly disparate genres, is one of the most ecstatically suspenseful cinematic depictions of flawed characters whose agendas are derailed by bad luck. This offbeat bridge between Hitchcockian precision and French New Wave vibrancy is laced with electrifying coolness, thanks to the improvised jazz score by the one and only Miles Davis and his accompanying musicians. The centerpiece of this movie, a luxuriously-paced sequence where Moreau's character walks around Paris at night, illuminated by street lamps and bright storefronts, while the lonely trumpet instrumentation by Davis swirls around a sparse rhythm section, is masterfully melancholic, yet undeniably seductive. During an age of filmmaking when actors and actresses were brought to the screen with utmost attention paid to the photography for a glamorous effect, the producers of this movie were alarmed at the idea of Moreau's face displayed by inherent street surroundings and wind instead of on a professionally lit sound stage, but the end result marked a pivotal evolution point for both the leading woman's career and the future of French cinema. A later scene, with a delinquent pretty crook and his girlfriend lounging inside her cramped apartment, anticipated Jean-Luc Godard's iconic 1960 masterpiece, Breathless. I have seen Elevator to the Gallows close to a dozen times, but it continues to envelope me in its kinetic thrall, because, like Quentin Tarantino's 1994 blockbuster, Pulp Fiction, it is the type of movie that one can revisit multiple times and still have no idea what will happen from one scene to the next. This is brilliant filmmaking through and through, thanks to its riveting comedy of haphazard errors, where viewers delight at watching the absurd predicaments that the characters get themselves into, and to its jazz-infused visions of evening cafes and bustling night traffic in glorious black-and-white, showcasing 1950s cityscapes that were sometimes crowded, sometimes lonely, sometimes erotic, sometimes dangerous, and always cool. The Criterion Blu-ray of Elevator to the Gallows brings a 2K restoration of the movie to high definition in a marvelously filmic fashion that is beyond reproach to my eyes. Miles Davis's score has also never sounded better than on this lossless audio presentation. A 25-minute documentary on the music score and its place in the history of modal jazz is the most prominent supplement, and it's wonderfully entertaining in its own right. |
![]() |
|
|
![]() |
![]() |
![]() |
||||
thread | Forum | Thread Starter | Replies | Last Post |
Criterion Collection | Wish Lists | Chushajo | 26 | 08-14-2025 12:45 PM |
Criterion Collection? | Newbie Discussion | ChitoAD | 68 | 01-02-2019 10:14 PM |
Criterion Collection Question. . . | Blu-ray Movies - North America | billypoe | 31 | 01-18-2009 02:52 PM |
The Criterion Collection goes Blu! | Blu-ray Technology and Future Technology | bferr1 | 164 | 05-10-2008 02:59 PM |
|
|