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#1 |
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Hey everyone, so I read an article republished in the Saint Paul Pioneer Press last night and it had me thinking. http://www.twincities.com/minnesota/...e-saved-windom . In a nutshell a non profit was formed to save a small town movie theater but they believed they would have till 2015 to save money for a DCI compliant digital projector, however they recently received news that they would no longer be able to acquire prints as of late March/April 2013. So they are quickly trying to raise funds in hopes of buying a digital projector. I wish them the best of luck.
More to the point, I was curious if anyone on the the forums had some real industry updates about the availability of film prints for distribution being discontinued sooner than we first had thought? I know of some other independently owned local theaters that are still showing film as well, and I understand a non-profit may use different distribution channels which may have dried up. So this situation may not be nation-wide. Still I'm curious when the last day to watch a movie on film might be for me. I'd probably make a trip to the old theater one last time for that. |
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#2 | |
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#3 | |
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#4 | |
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As for 35mm, yes 35mm is being phased out, 2015 is the date that most industry people believe is the date that film will be gone, but I think by the end of 2013 is a better estimate. Eventually there will be a point where studios will simply not strike prints for exhibition regardless if there are any film theatres left. In Toronto Canada, the city used to have a film lab that would supply prints through the region, Deluxe closed the plant. Technicolor and Deluxe both agreed to stop competing with each other and work together and share what film is left to be made. There are only a few print labs still making 35mm in North America and now they are using high speed printing methods etc. If you are a small chain theatre, you are pretty much required to change over to digital as movie studios are simply not going to book you 10-12 or 20 film prints for chains. So back to the theatre in question, they were no doubt warned that they would have to switch, they knew about the switch likely as early as 2011. VPF's were only available from the studio for a short time and would not be on the table for ever. I would hate to see the public have to pay for their upgrade.... |
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#5 | |
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#6 | ||
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NOTE: I will say this, when 35mm is done for good, I really do believe we might see a return of 70mm for select cinemas, during this most recent transition to digital, I was shocked to see 70mm return in the form of The Dark Knight Rises, showings of the The Hobbit, Skyfall etc as well as The Master. Venues that have been showing 70mm movies in 2012-2013 did very well and the demand for the tickets was high, North of the border in Canada, there were five cinemas in the Toronto market that screens 70mm movies in the 2012, the three IMAX theatres still showing Hollywood movies, the Varsity that installed 70mm for The Master and the Tiff Lightbox which regularly shows 70mm films including The Master. IMAX in some venues has preserved the option to play 70mm as well as digital 2k in some places. These cinemas all charged a premium between $15 and $19 for 70mm, I am sure the studios took notice and the demand for the screenings was very high. Last edited by pagemaster; 03-16-2013 at 06:30 PM. |
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#7 | |
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My other hope is that if some of these small venues can get past the financial hurdle and do transition to digital that it will open the door for more kinds of films and programming than say the typical Hollywood mainline films with a three week delay. For instance, indy films, retro stuff, grind house, and even live broadcast could help keep these little gems stay running. |
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#8 |
Retired Hollywood Insider
Apr 2007
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Flat –
Relevant to your query as it pertains to new motion pictures, see https://forum.blu-ray.com/showthread...ot#post7259219 ^ The above prediction was recently even publically mentioned at a past ICTA event - http://www.internationalcinematechno...vents/january/ As far as making your cinema night out a *special event*, the current topic of interest these days is Dolby Atmos…as it has a future. |
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#10 | |
Retired Hollywood Insider
Apr 2007
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http://www.oblivionmovie.com/ |
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#11 | |
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![]() Now if only they would build an Atmos theater in my state. I may fly out somewhere. |
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True, but I thought many of those theaters that use 4K projectors and screens often are only exhibiting a film 2K 3D. Like I know Kansas City was showing the Hobbit in 48fps 3D in their Dolby Atmos theater but I figured I was out of luck wanting to watch it on that screen in 4k 2D (even though it was easily capable of doing both). I should have called to see if they switch it up for different showings. At least near me it still seems like you have either one or the other and more than likely 2K 3D.
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#14 | |
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Currently, to date, there have been no 3D movies released in 4K. |
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No argument there, it just seems like I strike out when ever it comes to watching anything 4K, even when I know it is a theater capable of doing it. I know my local cineplex has three 4K screens as well, but they are almost always booked with 2K 3D running on those screens. Not a huge Tom Cruise fan but I'm actually looking forward to Oblivion for this.
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#17 |
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Indeed I did... on 35mm... *facepalm*
![]() ![]() Oy, we went to a really nice locally owned theater a few miles out of town with better food and beer, but now I feel really stupid as this was a priority for me. Also, I remember Skyfall being 4K as well! Ugh, we just weren't thinking that night. |
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#18 | |
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4K is nothing special. I saw Samsara in 4K and was not overly impressed |
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#19 | |
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I was really hoping to catch Samsara, or possibly the one night run of Lawrence of Arabia in 4K. Work unfortunately made Samsara really difficult and Lawrence impossible. |
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#20 |
Retired Hollywood Insider
Apr 2007
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Flat, this film was exhibited in 4K 3D over a year ago in Galveston -
http://www.imdb.com/title/tt2180529/...ef_=tt_dt_spec With their 1 GB data rate streaming capability, the Qube server manufacturer can also do (in 2D) up to 60 fps for 4K projection and up to 240 fps for 2K content….not to mention 2K 3D content up to 120 fps per eye….with supporting dual projectors. At the current time, at least in the case of that particular manufacturer, the engineering has outpaced the standards organizations. Which actually brings up another interesting *sticky* situation, namely, the DCI...in terms of recommendations and specs… https://forum.blu-ray.com/showthread...00#post6639136 As there are many people in the industry who believe that the original 250 Mb/sec data rate set by the DCI years ago was too low for optimal 4K presentations of source content having a true resolution of 4K or more. |
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