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#9181 |
Blu-ray Knight
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That by itself doesn't mean anything, though. The silent version of Blackmail is generally recommended over the talkie, but the talkie version of All Quiet on the Western Front seems to get the nod over its silent counterpart. They're all from that era where it would have deliberately been made for both, rather than random sounds being added to a silent film.
I was hoping there might be someone on here who's actually familiar with the specific work and could offer some insight. |
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#9182 |
Active Member
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I watched the silent version and dipped into the sound version and the silent looked to have better PQ (stabilised, cleaned up, tinted appropriately), if that's any help. Also it isn't a talkie - it has synchronised sound for things like gunshots but still has intertitles for dialogue, at least in the parts I sampled.
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#9183 |
Blu-ray Champion
Sep 2013
UK
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There are some talkie scenes IIRC.
The silent one is definitely the better version. I think because it flows better as a powerful drama, whereas the talkie version feels like it's used as a gimmick (which is exactly how many saw it back then). It's nice to have both though. We don't always get the choice. |
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Thanks given by: | koberulz (12-24-2022) |
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#9184 |
Blu-ray Emperor
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Several British children's films rated by BBFC. Not sure if this will translate into some sort of physical release, or just streaming, but figured I'd mention it.
Gabrielle and the Doodleman (1984) Swift Waters (1952) The Dog & The Diamonds (1953) Stable Rivals (1952) |
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#9185 | |
Blu-ray Samurai
Sep 2016
Brighton, UK
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https://www.amazon.co.uk/gp/product/...KL5A1OLE&psc=1 |
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#9186 | |
Blu-ray Emperor
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#9187 | |
Blu-ray Guru
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#9189 |
Senior Member
Oct 2015
Aldershot, UK
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One is with the triptych, the other with the single-screen version of the final reel, with a difference in running time - 48 minutes for the triptych version, 42 for the single-screen. The triptych itself runs for the last twenty minutes of Act IV.
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#9190 |
Blu-ray Knight
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I have no idea what any of this means.
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#9191 |
Blu-ray Samurai
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Screenshot examples at the very bottom:
http://www.dvdbeaver.com/film6/blu-r...on_blu-ray.htm |
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#9193 |
Blu-ray Baron
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Just watch the longer cut first. Since it took a lot of effort to film and align, it suggests that this was the main show, and the alternate single screen version was to maintain compatibility with screening venues that could not display the triptych mode.
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#9194 |
Blu-ray Samurai
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#9195 |
Blu-ray Knight
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This says six minutes:
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#9196 |
Senior Member
Oct 2015
Aldershot, UK
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Abel Gance designed the finale of Act IV and the film to be shown from three projectors, and this triptych takes up the last twenty minutes of Act IV. So the aspect ratio changes from the 1.33:1 the film has been in up to now to approximately 4:1, letterboxed appropriately on the disc. Sometimes this ultra-wide screen is divided into three, and sometimes it's one very wide shot.
This is the version Gance intended you to see, so if you do see one make it this one. The single-screen version was for those cinemas which couldn't show the triptych, i.e. most of them. If you have three players and three viewers, you can make your own triptych, as the three discs in the BFI's set contain a panel each among their extras. Those were the times for the whole of Act IV, when I reviewed the disc six years ago. To be precise, 48:34 for the version with the triptych, 42:32 for the single-screen version. |
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#9197 |
Blu-ray Samurai
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http://www.dvdcompare.net/review.php?rid=4496
Review here states 48:32 and 48:34. I've have to dig out my disc to double check. |
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#9199 | |
Senior Member
Oct 2015
Aldershot, UK
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#9200 |
Expert Member
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Sorry, I don't know my scanavo from my elbow, but the Picadilly release I just bought has the booklet, but the case has the clear edging at the top (shorter sleeve). For some reason I kept thinking I had seen the full-height sleeve on the shelves upon its release - am I mistaken?
From the BFI: **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film by BFI curator Bryony Dixon and an essay on the score by Neil Brand, archive essay by Ian Christie and writing on Cosmopolitan London by Sukhdev Sandhu So as long as I have the booklet, I have the full package right? |
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