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#21 | |
Senior Member
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I'm guessing the people that want everything in 16:9 are the same people that don't like film grain...? |
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#28 | |
Member
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Shooting 2.35 it depends. On Super 35mm, they're basically shooting a 16:9 frame and then cropping it down in post to 2.35, this allows for re-framing of shots and better tracking for visual effects. Shooting anamorphic 2.35 is the hardest because you're using all the space on the negative (no re-framing in post) and 2.35 is notoriously difficult to frame because it's much more difficult to balance the frame. IMAX is 4:3 naively. |
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#30 | |
Blu-ray Samurai
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http://i.gizmodo.com/5132065/philips...rs-to-the-side |
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#32 |
Blu-ray Samurai
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how dare you ask!
![]() im all for OAR but i do like when it is in the 1.7 range and fills the screen, that being said i wouldn't want to limit the artist to that in anyway. plus its fun watching my friends try to figure out why there new hdtvs have black bars mua haha |
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#33 |
Power Member
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Original Aspect ratio for me. But if I was shooting a movie I would go 2:35:1 because it is more closer to what our eyes see and I just like the look if it being nice and wide. And I don't get why people want it shot so it fills their HDTV. Wouldn't you rather have it shot so that it fills the whole screen at the cinema and fill your vision? And just turn off the lights and focus on the movie and you won't even notice the black bars.
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#34 |
Blu-ray Guru
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#35 | |
Blu-ray Guru
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Sorry for the duplicate. ![]() |
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#36 | |
Senior Member
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And older 1.33:1 films and TV shows will have even bigger black bars. Time to face facts guys. If you're watching a movie at home you're NEVER going to get a single TV that displays every movie properly whilst also filling your beloved 16x9 screen. You're either gonna need 3 different TVs or, like everybody else, live with it. |
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#37 |
Power Member
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I don't get how much people here that own Blu-ray and understand and embrace it's tech like lossless audio but simpy can't ever get their head around different aspect ratios and grain. Like some people here would rather destroy the directors vision by changing the aspect ratio so the picture can fit the screen. And wanting DNR to be applied to get rid of grain and losing detail or wanting DNR to be applied to 300 even though it is the directors intention. I know that over 80% of people on this site understand these things but that other 20% no matter how much you explain it to them they just keep denying it and want things to work their way even though it may destroy the original intent.
Last edited by RiseDarthVader; 01-26-2009 at 12:27 PM. |
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#38 | |
Blu-ray Duke
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For many black bars & grain equal "the devil" and they will never accept it nor want to understand it. |
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#39 |
Senior Member
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I have a 16:10 laptop screen that I have downscaled to 16:9, and let me tell you I don't mind the 2.40:1 black bars at all. They actually add to the epic feeling of the movie. I like seeing as much of the theatrical print as possible. It doesn't matter that the image is smaller on my screen because more of the movie is represented.
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#40 |
Senior Member
Jan 2009
Australia
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1.78:1 all the way...
Screw 2.35:1. Hate it so so much, you lose too much image its hardly HD IMO. |
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thread | Forum | Thread Starter | Replies | Last Post |
What is your favorite Blu Ray aspect ratio??? | Blu-ray Movies - North America | mj79 | 73 | 01-10-2010 08:28 AM |
Searching for Blu-ray movies by aspect ratio. | Feedback Forum | zak88lx | 16 | 08-16-2009 04:42 AM |
Brideshead Revisited on Blu... aspect ratio? | United Kingdom and Ireland | DaViD Boulet | 1 | 01-05-2009 07:54 PM |
Which is the best Aspect ratio on Blu-ray? | Blu-ray Movies - North America | mugupo | 70 | 11-26-2008 04:12 PM |
Aspect ratio for Sharp Blu-ray | Blu-ray Players and Recorders | lj123 | 3 | 03-16-2008 03:13 AM |
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