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#2801 | |
Active Member
Aug 2008
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think I'm going to be disappointed. |
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#2802 | |
Power Member
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Anyway, has it already been addressed why TtT has some sort of tiny letterboxing going on? Was it a mistake in capping it or is the transfer actually like that? Last edited by Stinky-Dinkins; 06-14-2011 at 09:43 PM. |
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#2805 |
Banned
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yep you are wrong ROTK always had awesome PQ so why even change anything that already was perfect and got 5 stars reviews here on this site and every where else
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#2806 | |
Banned
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#2808 | |
Blu-ray Champion
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#2809 |
Senior Member
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Just watched the ROTK TE blu today, while the most impressive of the TEs, it's still a very inconsistent transfer. So many shitty looking scenes. The ROTK EE caps look a million percent better. Consistent grain, no DNR, and scenes like Pippin looking into the Palantir don't have shitty black crushing and artifacts. So ready to watch the EEs when I get back from Europe. GAHHHH I can't wait!
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#2810 |
Active Member
Jun 2011
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#2811 | ||
Active Member
Jun 2011
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Still, if the BD master had been created by pirates from a leak, it'd be a very serious one! How on Earth could pirates have gotten access to so many audio and subtitle streams, menu artwork, etc.? You really need to go back to page 89 or so. The green tint is something new to the EE Blu-ray, not something that was present on previous discs. It can't be gone on the EE Blu-ray, as it's been introduced in it for the first time. Last edited by Deciazulado; 06-19-2011 at 03:02 PM. |
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#2812 |
Blu-ray Guru
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This very site gave it a 4.25 for PQ. I would hardly call that awesome. Very good but as I have said before far from reference. I haven't read one review where ROTK got a 5/5 for PQ. I have read some reviews rating the PQ as low as 3.5/5 like dvdtalk did. Most gave it 4/5 which seems appropriate.
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#2813 |
Blu-ray Guru
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This very site gave Scream 2, with it's nearly decade-old broadcast quality HD transfer, a solid 4.5 (above ROTK). So, maybe it's best not to exclusively use this site's reviews as evidence of anything.
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#2814 | ||||||
Active Member
Jun 2011
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Last edited by Romansh; 06-14-2011 at 10:27 PM. |
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#2815 | |
Senior Member
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#2816 |
Retired Hollywood Insider
Apr 2007
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#2817 | |
Retired Hollywood Insider
Apr 2007
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But, of course, eventually some apologist will claim any difference to be secondary to the Digital Cinema color space conversion but alas, I know a little bit ![]() http://code.google.com/p/opendcp/ A belated tip of the hat ![]() |
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#2818 |
Retired Hollywood Insider
Apr 2007
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![]() ![]() I think people, including me, were trying to keep the color simple here (by precedent, it being called “green”) in the pursuit of continuity of discussion ![]() If you were really on top of your game, you would know what the burning question in the colorist community is right now….i.e. whether tis better to degrain on top of the stack (pre-color) or further on downstream (after coloring) and why. And then of course intermingled in the debate….and some of you guys will just love this - have to listen to the proud ramblings of the guy who did the grain reduction on the latest version of Predator….and brag about the result. I kid you not. Post Prod, to enlighten folks (if you do feature films rather than TV series, commericals or music videos and such), you should tell folks in your experience, for the number of hours you spend on coloring a project, what % of the time is the Director, DP or any representation of the film actually present in the DI suite. I think the info would blow their minds. ![]() |
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#2819 |
Blu-ray Guru
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The green tint in shots 3, 4 and 5 is especially bad.......Green skies, green Gandalf, green fire............UGLY!
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#2820 | |
Blu-ray Guru
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