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View Poll Results: Should SPE Drop Dolby TrueHD and use DTS-HD Master Audio? | |||
Yes, Drop TrueHD for DTS-HD MA |
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899 | 58.76% |
No, I like things the way they are |
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152 | 9.93% |
Wouldn't matter to me either way |
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450 | 29.41% |
Other |
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29 | 1.90% |
Voters: 1530. You may not vote on this poll |
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Thread Tools | Display Modes |
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#521 |
Blu-ray Archduke
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But, what I'm trying to say is that I can hear a difference everytime when watching action driven content. I volume match and have DRC turned off. Everytime, a DTS HD MA track will create a much more vivid 3D listening environment than TrueHD. It cannot be a coincidence that it's only the mixes that I prefer since it is always the same thing with each codec. If it was the mixes, I'm certain that every title you listed under TrueHD would have made my ears bleed with joy... not just The Dark Knight.
Last edited by Deciazulado; 05-29-2009 at 08:54 AM. Reason: qte |
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#522 |
Special Member
Oct 2007
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#524 | |
Blu-ray Samurai
Sep 2008
Bainbridge Island, WA
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DTS and Dolby make no claims about either being superior to the other. Both claim they produce outputs that are identical to the studio masters. Audio professionals, the people who actually do this work, say the outputs are identical. Technical equipment that measures the outputs say they are identical. Properly configured test environments produce results with no preferences beyond the norms. So, what accounts for the differences you hear? |
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#525 | ||
Super Moderator
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And for what it's worth, those TrueHD tracks are reference on my system. That Dave Matthews disc is still one of the first discs I pull out to show off my system, followed closely by The Dark Knight, Cars and Band of Brothers Quote:
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#526 | |
Blu-ray Knight
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#528 | |
Blu-ray Knight
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I wonder who would come up on top? Is peoples experiences with having a higher percentage of better mixes on DTS-MA being reflected in this poll? Definitely could be a correlation. Could TRueHD and DRC have a negative impact for TrueHD votes, could be.. |
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#529 |
Blu-ray Guru
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"They've done it with Close Encounters - there is no difference between the two."
This is not enough to compare both of lossless sound, old movie which has a remastered surround so they should be identical out of measurement. "You are only correct if the reviewer has a bias towards dts-ma, because if they're from the same source then they will be IDENTICAL!" We should compare Underworld rise of lycans DolbyTrueHD to DTSHD master audio this comaprison is not available. Even lossless is lossless ,one of its rival will prove its significant power even if they are from the same source as I know DTSHD master audio has a punchier hidden effect. If every reviewer should be biased to a lossless sound than the other one, he is lying on himself and to the public who is following him,as a result, someone who is over him will ask him to reside and choose another one who is unbiased and revealed only the truth. You are not correct here.If all the reviewers here in this site who give DTSHD master audio astonishing results and they are not true. Then there is something wrong somewhere maybe you know and can tell us more. If I agree with DobyBlue about superiority of Dolby because of the list he showed against its rival but I have said did not agree with him among these titles. |
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#530 |
Blu-ray Samurai
Sep 2008
Bainbridge Island, WA
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#531 | ||
Super Moderator
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1) 01100011100 2) 01100011100 Stuck? The answer is that 1) is TrueHD and 2) is dts-ma. Do you know why they look the same? Because they're lossless!! |
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#532 |
Blu-ray Guru
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Tell me suddenly out of the water the new version of Casino Royale using DolbyTrueHD sounded better than PCM.If this is true the hidden effect is true also.Read the review here what if it was given DTSHD master audio treatement maybe will reach 5 stars.
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#533 | |
Banned
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I think there are many terrific DTS-MA soundtracks. The Day After Tomorrow. Live Free or Die Hard. Bolt. Master & Commander. Mr & Mrs Smith. But you know what? They all have great sound mixes. I know that they would sound the same encoded in TrueHD, which has features and compatibility I also firmly believe are in the consumer's best interest. Unfortunately this poll can't reflect the viewing public at large. Most Blu-ray player owners out there go to work, come home, spend time with the family and when they want to watch a BD they rent a movie from Netflix or purchase it from Walmart/Amazon/Best Buy, etc. BD com is only a fraction (64k) of the millions of people out there who have BD capability. They may not even be aware this site exists (so spread the word people). I'd also wager that if you told a lot of joe-average people that Night Mode won't work anymore they'd be a bit peeved. |
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#534 |
New Member
May 2009
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DTS HD is clearly the better choice. The clarity and nuances of subtle sounds are absolutely amazing. That anyone would opt for TrueHD at all is ludicrous. And why do these major companies insist on using 5.1? We have been listening to ex/es 6.1 for a full decade now! Many of us out here are praying for the day these major companies,e.g. Warner, Paramount, & Sony, wake up and do the right thing by us concerning digital audio. 5.1 needs to go the way of VHS, and take TrueHD with it. Why would any one in their right mind master a major motion picture like The Dark Knight in TrueHD? Could you imagine what the home-theater viewing experience would have been like had it been properly done in DTS-HD 7.1?
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#535 | |
Blu-ray Archduke
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![]() I'm with you though buddy. ![]() |
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#536 | |
Banned
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You also know that very, very few films are in EX/ES. Those are the few that have actual 6.1 masters. Even then, they are still matrixed in and the PS3 will decode them as 6.1, bitstreamed they are 5.1 and you depend on the receiver to add the surround back channels...which is pretty much how they do those 7.1 remixes, except they are using the original master tracks to divide into the back channels, rather than letting your 7.1 receiver do it. Disney is one of the few to actually make a new mix out of the original elements and pan discrete sounds to the back channels, but even the newer stuff they leave alone. I'm not a fan of these "fake" 7.1 mixes, and that goes for the new BDs Star Trek films too. Only Star Trek VI was 5.1 and the rest were 70MM 4.1 with the exception of ST:TMP which had a 70MM 4.1 mix but was never released as such, just 35MM Dolby Stereo LtRt. The same way we get OAR on films we should get the original mixes on BD in lossless. Not some gimmicky remix designed to sell a few more copies. Last edited by PeterTHX; 05-29-2009 at 12:18 AM. |
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#537 | ||
Super Moderator
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As for The Dark Knight in dts-hd 7.1 it would have been EXACTLY the same as The Dark Knight in TrueHD 7.1 or PCM 7.1, but there was no 7.1 mix to begin with so the 5.1 mix on the Blu-ray is identical to the one the director wanted. Last edited by dobyblue; 05-29-2009 at 12:24 AM. |
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#538 | |
Active Member
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![]() There are some tracks that can be used for baselines as to whether there is a difference in DTS-HDMA and TrueHD, but it would require users to have both hd-dvd and blu-ray: Bourne Ultimatum Dawn of the Dead (2004) Sadly there aren't more, because Universal had most of their movies in DD+, which would not make a fair comparison. So if you do hear differences, the helpful thing would be to give a timestamp for when you notice the change and what change it is you noticed. I would say this is an objective way to see if anyone can hear a difference between the two lossless tracks, and at the same time define what that difference is. |
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#539 |
Super Moderator
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Do we know that they're from the same source though? If so they're perfectly valid. Close Encounters on Blu-ray is another one, as is the 2L Divertimenti disc.
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