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#1 |
Member
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Hey all!
I just bought the Sony BDP-S370. Upgrading from the old S300. My question is whether I should have the Deep Color Output setting on Auto, 10-bit, or off. My TV is a Sony 52Z5100 which uses a 10-bit panel. So I assume it is DCO capable. So should I set the BDP to the 10-bit setting? Thanks, Joe |
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#2 |
Member
Sep 2007
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The content itself, has to be 10-bit.
Right now, it's 8-bit. Software, Hardware I/O. 8-bit workflow. 8x3=24-bit. 10-bit workflow. 10x3=30-bit. Next step. 12-bit workflow. 12x3=36-bit. 16-bit workflow. 16x3=48-bit. Last edited by trentv85050; 11-27-2010 at 01:47 PM. |
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#4 |
Blu-ray Samurai
Mar 2007
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Put it on auto.
Some sets can accept 4:4:4 ycbcr 36 bit (12bit), which is just the native 4:2:2 20 bit (10bit) increased with color interpolation. My set for example, can accept 4:4:4 36 bit, so I send 4:2:2 20 bit from my player to the pre/pro, then it outputs 4:4:4 36 bit to the display (DVDO handles the color interpolation). |
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#5 | |
Blu-ray Ninja
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#6 | |
Member
Sep 2007
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It's pseudo, unless otherwise. |
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#7 |
Blu-ray Samurai
Mar 2007
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So I guess dvd upconversion is a scam huh? We should quit letting those Oppo guys get away with that then...
Last edited by elwaylite; 11-27-2010 at 02:23 PM. |
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#8 |
Special Member
Mar 2010
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I have a Pioneer Elite Kuro PRO-151FD plasma, does it support 4:4:4 ycbcr 36 bit (12bit) or 4:2:2 20 bit (10bit) ? I have it hooked up to a Pioneer Elite BDP-23FD bluray player and I had Color Space set to 'Auto'. Which is the correct setting for best PQ ?
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#9 |
Blu-ray Samurai
Mar 2007
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Auto is right. They will communicate via HDMI, and the player will select the proper format for the TV.
http://en.wikipedia.org/wiki/Extende...ification_data Last edited by elwaylite; 11-28-2010 at 01:23 AM. |
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#10 |
Special Member
Mar 2010
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#11 | |
Blu-ray Samurai
Mar 2007
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It's just color interpolation, kinda like LCD frame interpolation. The process is filling in extra color bits, that were not there before.
Here is a review of the BD85, and it's 4:4:4 output. Quote:
Click Me The be honest, if you just used source direct, or auto, you'd prob not see a difference. I run my player on source direct, because I have the calibrated pre/pro, and I have all it's settings to auto. Since my plasma is capable, the pre/pro takes the source direct from the player, and sends 4:4:4 36 bit (12 bit) to the S2. As I stated, I checked the results with spears and munsil chroma tests, and it does well. |
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#12 |
Special Member
Mar 2010
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So I should set Color Space to 'Auto' and set output to 'Source Direct'? If I set it to 'Auto' will my Pioneer Kuro 151FD set it to 4:4:4 ycbcr if the Kuro disply accepts it?
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#13 |
Blu-ray Samurai
Mar 2007
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Yes, yes and yes.
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#14 | |
Blu-ray Grand Duke
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I was playing around with my BD player's settings and changed HDMI Deep Color Output from "auto" to "off" the other night. Suddenly the TV looked right, people no longer glowed and the normal color mode looked like proper 6500k white. The TV was saved. So not every TV and BD player negotiate this setting correctly. Since BD only supports 8 bit anyway, I would say turn the setting off and compare your picture, making sure it isn't boosting things artificially and making your picture worse. |
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#15 |
New Member
Jun 2015
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Good info here thanks.
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#16 |
Blu-ray Ninja
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Blu-ray's are encoded at 8-bit per component giving you a total of 3 (components) x 8 (bits per component) = 24-bit, although actual bit usage is lower due to using video levels.
Deep Colour allows for more than 24-bit to be transported over HDMI, so when you playback a Blu-ray and you transmit more than 24-bit to your display, the player is basically multiplying/padding the bits to the desired Deep Colour level, for example 36-bit (12-bit per component). This shouldn't make the image pop more or give it more 'colour' because no additional colour is encoded on the disc, what it may do is allow for more precision for the colour space processing within the display, i.e. going from YCC to RGB to pixels, and it can also reduce banding due to the extra precision. Deep Colour can also have a negative effect if the equipment is handling it wrong, so its always best to test your setup with and without Deep Colour enabled using the S&M 2nd edition test disc, and watch some content that you are familiar with, to see if the image has changed drastically. Although Deep Colour can be useful in some situations. For example, it helps reduce banding on my setup, so I use it, but I tested the results using the calibration test disc. Last edited by Tech-UK; 07-01-2015 at 10:59 AM. |
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Thanks given by: | Geoff D (07-01-2015) |
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