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#1 |
Member
Dec 2007
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2001, Close Encounters, and Pirates received the highest rating for video quality on this web site's reviews. As a novice, help me understand the relative absence of film grain (a "clean" look) in 2001, a nearly 40-year-old film, and the presence of film grain in Pirates: At World's End, a brand new film, and the "abundance" of film grain in Close Encounters? I'm not sure that a novice viewer would give each film the same video quality rating.
Is it the type of film used? or a filming technique? or an artistic decision? |
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#2 |
Power Member
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its a bit of all....most of the time its directors decision. Correct me if im wrong, but some movies can be put through a process of removing a majority of the grain. I dont mind it that much as long as it is not destracting me from the film.
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#8 |
Special Member
Jul 2007
Seattle
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I thought that all 3 of these movies looked great. Considering the age, the turned out great and are classics.
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#9 |
Active Member
Aug 2007
Hog Heaven
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I watched 2001 tonite and all I can say is WOW!
What a fantastic video experience. ![]() Terrific detail, without a blemish in the source. The audio sounded a bit dated, although it isn't bad. Do yourself a favor and buy this classic....you won't be disappointed. ![]() |
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#10 |
Blu-ray Samurai
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Many here have orgasms over film grain. Sort of like those that love the pop and crackle of vinyl records. I understand the allure of the nostalgia, but I like a nice clean look. However, grain does have it's place in contributing to the aesthetic on the screen.
Don't think a film is bad for having grain - if it contributes to the feel of the film, but when people talk about the beautiful grain structure. I cringe when people's eyes roll back in their head over grain. Make your own choices based on your likes... |
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#11 | |
Site Manager
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CE3K was photographed in anamorphic 35mm which gives it a negative area of about 17.5 mm x 21 mm (equivalent to about 12.5 mm x 30 mm in flat photography) Pirates was shot on Super-35 which gives it a negative area of about 10 mm x 24 mm Film emulsion resolution kind of doubles every 60 years Different emulsions (faster/grainier, slower/finer, etc) are chosen to shoot a film When transfering to video you can enphasize or de-emphasize certain frequencies against others, giving you different looks, and also use or not various forms of grain/noise reduction. Usually capturing higher frequencies (more detail) brings up the visibility of grain etc etc |
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#13 |
Banned
Jul 2007
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#14 |
Blu-ray Samurai
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as a tech noob i just dont understand why they cant remove or reduce film grain without losing detail....i just dont understand the connection between the two......minimal film grain is ok, but when its overwhelming its just unacceptable and distracting.
i don't know why but when i use the cinema setting on my tv it eliminates alot of the grain issue but gives everything a weird tint till i adjust to it. |
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#15 | |
Blu-ray Ninja
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![]() But I'll let you consider your hypothesis. Suppose excessive grain is removed as per your suggestion. What do you want it to be replaced with? Remember that the grain structure is what makes a filmed image. A grainy image is where the clumps of dots of grain structure can be seen. Those thousands of dots represent colors and lines on the screen. If you remove it, you have to replace it with something else that can make the image comprehensible to the eye so that the frame looks like the set or location or the actor. Grain removal systems first analyze a frame of a scanned film (since each frame of film has a different grain structure) and then identifies the level of graininess. Then depending on the budget from the studio, the operator for the grain removal company (the best known is DTS Digital Images) can either let the machines do it or s/he does it by hand. The final product is of course is finalized by people and not machines. Removing grain requires copying the pixels next to it and pasting it on top of the grain. On slightly grainy scenes, this won't be much of a problem and often the results are great, conti wise. But on really grainy scenes, the pixels you need to copy and paste is simply not there because they are pixels of grains! You can still do it but it would look weirder than if you just left it alone. fuad |
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#16 |
Moderator
Jul 2004
Belgium
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If there's too much grain, sit further away from the screen.
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#17 |
Active Member
Sep 2007
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some people are just never happy.
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#18 | |
Special Member
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I loved Lethal Weapon 2 and thought it was very clear others insist it's a bad transfer. The reason...they sit too close to the screen and I sit at the minimum recommended distance. |
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#19 | |
Site Manager
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(I said it louder here: https://forum.blu-ray.com/showthread...297#post478297 ![]() |
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#20 |
Blu-ray Samurai
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Exactly. The only way to "remove grain", is to create a digital algorithm that goes in and attempts to recognize what is grain vs not grain and changes what it perceives as grain to the same color as surrounding pixels. There is no way this can happen without removing details and thereby decreasing definition in the picture. That may be fine for those who want a scrubbed, humogeneous look, but I want to see the source--or as close to it as I can get--warts 'n all. I also don't want a codewriter's algorithm deciding for me what is grain vs what is legitimate detail in the picture. I'd rather watch the screen and make that determination for myself.
And as for the wisecrack about those who "enjoy cracks and pops" in their vinyl records, that isn't the reason audiophiles prefer vinyl. It has to do with the fact that the signal was never digitized and converted back to analog. Last edited by Gremal; 01-06-2008 at 11:40 PM. |
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thread | Forum | Thread Starter | Replies | Last Post |
Close Encounters vs. 2001: A Space Odyssey | Movie Polls | Sussudio | 142 | 10-14-2024 12:25 AM |
close encounters-which one? | United Kingdom and Ireland | uk-guy | 4 | 06-27-2008 12:27 AM |
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