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#12 | |||||
Banned
May 2007
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2. It eats up bandwidth that could be used for other things (better PQ, extras, etc.) 3. It doesn't scale down like the advance codecs can (ie. if you only have 5.1 PCM and you use an optical connection, you only get 2.0 channels.) 4. It's easier to get better tracks (20/48 or 24/48 instead of 16/48) with an advanced audio codec, since PCM would take up way more space and bandwidth (like on Ghost Rider, where the DTHD track was 20/48 compared to the 16/48 PCM track.) 5. A BD-50 could have several DTHD tracks (for different languages) while they would never be able to get away with multiple PCM tracks (they might be able to squeeze in a second, but certainly not a third or fourth.) In fact, I think there's a BD title that's been announced that has two DTHD tracks - one in English and one in another language (Spanish?) As for sound quality, assuming all other factors are equal (ie one track's not 16/48 while the other is 24/48,) uncompressed PCM = DTHD = DTS-HD MA. Lossless audio codecs are the future - PCM is just a stop-gap measure. Better get used to it... Last edited by Steeb; 07-11-2007 at 01:38 AM. |
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