Quote:
Originally Posted by animationisthebest
I confess that when I looked at 4K screenshots of The Brutalist's UHD by Elevation, I was actually surprised by how the grain doesn't look much finer than UHDs of 1950s VistaVision. I'm not even talking about detail, which the film's cinematographer said that he wanted a painterly and softer look to much of the film instead of it being razor-sharp. It's just that I was expecting an UHD of a modern VistaVision film, such as The Brutalist, to have much finer grain than one from a 1950s VistaVision film, but it wasn't what I expected. The difference felt minimal to me, based on the screenshots. Why? I'm mentioning the Elevation UHD of The Brutalist, because A24's is filtered.
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Haven't seen it, but the film was shot on 250 speed and 500 speed stocks, even in VV that's not going to give you a pristine grainless image, nor was it intended to. But I've heard there's a fair bit of regular 3-perf 35mm in there as well, which will of coursh look much more conventionally grainy so that may be where the confusion comes from.