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Old 07-06-2009, 11:52 PM   #1
dolphinc dolphinc is offline
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Originally Posted by tigtat77 View Post
I thought it looked and sounded great. The review on here is very accurate. I'd say a solid 4 PQ and 4 AQ.
Thanks for the info. I will be ordering it from Amazon today. And I will be doing it through Blu-Ray.com.
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Old 07-06-2009, 11:56 PM   #2
tigtat77 tigtat77 is offline
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Thanks for the info. I will be ordering it from Amazon today. And I will be doing it through Blu-Ray.com.
Your welcome. Post your thoughts when you get it. It has a great score as well, I never realized. Guess I wasnt paying too much attention to that kind of stuff when I first saw it when I was 10.
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Old 07-07-2009, 12:17 AM   #3
dolphinc dolphinc is offline
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Your welcome. Post your thoughts when you get it. It has a great score as well, I never realized. Guess I wasnt paying too much attention to that kind of stuff when I first saw it when I was 10.
I was about 13 when it came out and it scared the bejesus out of me.
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Old 07-07-2009, 12:18 AM   #4
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I was about 13 when it came out and it scared the bejesus out of me.
I hate clowns to this day beacuse of it.
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Old 07-07-2009, 12:23 AM   #5
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I hate clowns to this day beacuse of it.
Honestly out of all the horror movies I have seen I think Poltergeist had the biggest impact on me. It had to be because I was 13, when you hit your 20's horrors movies become more of a comedy than anything.
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Old 07-07-2009, 12:28 AM   #6
tigtat77 tigtat77 is offline
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Honestly out of all the horror movies I have seen I think Poltergeist had the biggest impact on me. It had to be because I was 13, when you hit your 20's horrors movies become more of a comedy than anything.
I think that when it comes to horror, the old saying of "they dont make em like they used to" is completly true. It is my favorite genre, I do like slasher flicks as a form as entertainment, but it's sad to see that horror has evolved into mainly that. A good intelectual horror film is very rare nowadays.
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Old 07-07-2009, 12:31 AM   #7
dolphinc dolphinc is offline
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I think that when it comes to horror, the old saying of "they dont make em like they used to" is completly true. It is my favorite genre, I do like slasher flicks as a form as entertainment, but it's sad to see that horror has evolved into mainly that. A good intelectual horror film is very rare nowadays.
+1, today it's pretty much cookie cutter films coming out of Hollywood. No originality to speak of.
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Old 07-07-2009, 12:51 AM   #8
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Here is some info that I found on IMDB

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Steven Spielberg worked on this movie and E.T.: The Extra-Terrestrial (1982) literally back to back. Principal photography on Poltergeist ended in August of 1981, then Spielberg took a few weeks off and began work on E.T. Spielberg also supervised the visual effects for both films simultaneously (which were produced at Industrial Light & Magic under the supervision of Richard Edlund and Dennis Muren). Once post production work on Poltergeist began in early 1982, Spielberg was in total control. He was responsible for the editing of the film (Spielberg's usual editor Michael Khan edited this film while Carol Littleton edited E.T), the final sound mixes and loops, the supervision of the visual effects, and the selection of Jerry Goldsmith as the composer of the score. Poltergeist and E.T opened to theaters nationwide only a week between each other during the summer of 1982, Poltergeist on June 4th and E.T. one week later on June 11th.
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Though on-screen credit goes to Tobe Hooper, a wealth of evidence suggests that most of the directorial decisions were made by Steven Spielberg. In fact, Spielberg had wanted to direct the film himself, but a clause in his contract stated that while still working on E.T.: The Extra-Terrestrial (1982), Spielberg could not direct another film. Members of the cast and crew, including Executive Producer Frank Marshall and actress Zelda Rubinstein, have stated that Spielberg cast the film, directed the actors, and designed every single storyboard for the movie himself. Based on this evidence, the DGA opened a probe into the matter, but found no reason that co-director credit should go to Spielberg.
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