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#4 |
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To the OP:
Welcome to the forum. Others have already explained about most current movies being shot in Super35 for theatrical projection in anamoprhic 35. In most cases the 2.39:1 AR is the intended one for presentation, though a "taller" AR is often protected as certain cable networks (cough* HBO HD, Comcast HD VOD, etc *cough) want to butcher the film as they see fit. That doesn't make the 16:9 version the correct one, just as movies shot full frame 35mm intending to be soft-matted to 1.85:1 aren't "correct" in a fullscreen 1.33:1 presentation. In both cases, the reformatting may not be as obtrusive as "old school" pan and scan, but you are changing the composition of the entire film from that which was intended. So, yeah, my vote for Super35 presentation is for the IAR (which would be the theatrical AR unless the director or DP specified otherwise). If I could vote twice, though, my second vote is for Super35 to be relegated to filming commercials and TV shows and for Hollyeood to return to higher quality methods (ana35, ana55, 65mm, VistaVision, IMAX, whatever). But that seems to be largely a losing battle. It's how it was created (or at least intended in the case of the Super35 formatting)... but its hardly "too bad!" ![]() Last edited by JadedRaverLA; 09-30-2008 at 07:05 PM. |
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