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#1 |
Active Member
Aug 2008
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Yeah that was very much the directors choice to make it that grainy. Older movies look the way they are because of the process used to make them. 35mm flat in the 50's or 60's is just going to be grainy, 35mm anamorphic is better, 8-perf 35mm (Technirama, VistaVision) even better (Zulu was made with Technirama for example), 70mm is best.
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#2 | |
Senior Member
Dec 2008
Connecticut USA
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#4 | |||
Blu-ray Count
Jul 2007
Montreal, Canada
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the same with films, they are also on film (with few recent exceptions). The film master can have much more detail then what is represented on SD and even HD. The film master is then taken and scanned and a digital master is made, during the days of DVD most digital masters where 2k (1080p is just under 2k-it is under 1920 while 2k is just over 2000) and more recently many are scanned at 4k and some at 8k. Since this is done for archiving purposes (it is easier to maintain a digital copy then film which can deteriorate with time) they tend to use the best resolution they can. There is also an advantage to downconvert during compression. Quote:
PS, what sim2 do you have? |
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#5 |
Special Member
![]() Feb 2008
Region B
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#6 | |||
Special Member
![]() Feb 2008
Region B
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Last edited by 4K2K; 01-04-2009 at 08:59 PM. |
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#7 |
Senior Member
Dec 2008
Connecticut USA
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#8 |
Active Member
Aug 2008
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#9 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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1) size of film: a 70mm film can have higher resolution then 8mm 2) quality of film: how fine the grain is, lenses used, lighting.... 3) generation of film: film is like photocopies, each time you make a copy of a copy the image deteriorates a bit, the flaws of each film and generation are cumulative 4) age of film: as time passes a film can deteriorate, think of scratches and stuff that are easily visible on a film that has played many times, then realize that at the much smaller level it happens even more and not just because of play back. So some finer detail can be lost with time if not properly taken care of, maintained and restored. |
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#10 |
Special Member
![]() Feb 2008
Region B
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One way is lines per-picture height but for that I think you'd need to point the camera at a test chart - so it might not work on existing films except if they shot a test chart
![]() The other way is sort of like you said - scan at different resolutions and see the point at which no more detail is resolvable. As you said, 70mm film could have have higher res than 8mm film (but perhaps not if the lens cap was on or lots of filters were on the lens on lots of digital filtering was applied in post - in the later case it wouldn't matter how high res the film was if too much filtering was applied in post so you lost all that res). Another method for determining res that I read about is the down-scale then upscale method. eg. do a downscale from 1080p to 720p then resize back to 1080p. If you look at the original 1080p image and compare to the upscaled 1080p image and there's no more detail in the original 1080p than the one upscaled from 720p, you could say there was no more than about 720p of actual detail/resolution in that frame. |
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#11 | |
Special Member
![]() Feb 2008
Region B
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https://forum.blu-ray.com/showpost.p...postcount=6669 "The crush" - wouldn't that mean crushing the blacks or making less details visible in the blacks - a seperate thing from whether or not a film was grainy or had added grain in post. |
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