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#1 |
Active Member
Jan 2016
Midwest USA
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Human eye information:
https://www.lightillusion.com/uhdtv.html ...the human eye's huge Dynamic Range, which has a dynamic contrast ratio of around 1,000,000:1... ...the human eye's static dynamic range, many agree it is around 10,000:1... The human eye can't adjust the static dynamic range within the dynamic contrast range in 1/60 second (the time for 1 video frame), so exceeding 10,000:1 (with HDR10+ or Dolby Vision) doesn't seem to serve a purpose. Why bother with HDR10+ and Dolby Vision, just use regular HDR10 and dynamically adjust the picture contrast/brightness (and related factors) on the Original Master Video as needed, that way every viewer (on a calibrated HDR TV) sees the desired picture quality. Kirk Bayne |
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#2 | |
Expert Member
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#4 |
Special Member
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Kirt Bayne
dynamic range and dynamic metadata are not the same at all all that is shared is the term 'dynamic' other than that, they are entirely different from what i got from your original post, you're mixing concepts and terms (not criticizing) ----------------------------------------------------------------------------------------------------- regarding your closing question/comments; HDR10 is simply an early element of Dolby Vision, which is a comprehensive suite of elements, with improving picture quality collectively it's purpose interestingly, what you mention as a goal of using HDR10 is what Dolby Vision does (comprehensively and end-to-end with regards to content creation to display presentation - including display calibration with the intent of an accurate representation of the original content grading/mastering by the director/studio) HDR10+ is simply an 'incomplete' attempt to avoid supporting Dolby Vision, is not founded on picture quality as Dolby Vision, rather founded on business practices of cost savings and limited in scope to high dynamic range performance unlike Dolby Vision if i have not been clear - your question at closing, is an explanation of what Dolby Vision generally accomplishes (actually quite interesting) Last edited by jibucha; 02-13-2018 at 06:02 PM. |
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#5 | |
Retired Hollywood Insider
Apr 2007
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Even better are the annual Colloquiums at UCI, latest being - https://www.ghei.uci.edu/PDF/2017-FI...AM-10-5-17.pdf Little known aside ![]() |
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#6 | |
Retired Hollywood Insider
Apr 2007
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#7 |
Active Member
Jan 2016
Midwest USA
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Restating my question/comment:
Rather than require an Ultra HD Blu-ray disc with Dolby Vision/HDR10+ and an Ultra HD Blu-ray player the can decode Dolby Vision/HDR10+ and a UHDTV that can process Dolby Vision/HDR10+, just use Dolby Vision/HDR10+ on the Original Master Video, that way all that is needed is a (calibrated) UHDTV with regular HDR and a bare bones Ultra HD Blu-ray disc player to see the desired (Dolby Vision/HDR10+ enhanced) picture. UHDTVs with HDR can only display a certain range of contrast and color intensity, it doesn't matter if the contrast/color comes from Dolby Vision/HDR10+ processing (disc+player+TV) or from the Original Master Video (processed with Dolby Vision/HDR10+). Kirk Bayne Last edited by kfbkfb; 02-16-2018 at 04:12 AM. |
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#8 | |
Active Member
Sep 2015
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#9 |
Power Member
![]() Aug 2007
North Potomac, MD
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HDR10+: the new HDR standard that's taking a leaf out of Dolby's book
https://www.techradar.com/news/hdr10...of-dolbys-book I believe the above article explains the benefit of HDR10+ and DV. HDR10 can be adjusted on a scene by scene basis (and to me it looks very good) however the enhanced HDR formats takes the TV sets ability into consideration and modifies the HDR to be optimized to the capabilities of the TV. The enhanced formats HDR can also be adjusted on a frame by frame basis. |
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#10 |
Blu-ray Guru
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Dolby Vision and HDR10+ are designed to get the most out of lower end T.V. sets by embedding instructions on the video data so the T.V. set can compress bright peaks so they don't clip, or raise too black levels so they become visible on sets with a lower contrast ratio, all this done on a frame to frame or scene to scene basis. This can't be done during the video mastering/color correction as what looks right on a T.V. set may look bad, too dark or overblown on a different set.
On a set with a good panel that has great specs for contrast and a high brightness output (without compromising contrast) dinamic metadata becomes less useful, if at all. The same can be said about T.V.sets with great tone mapping, some done great tone mapping and ignore the static metadata on HDR10. If both, a great panel and great tone mapping are matched dinamic metadata, Dolby Vision and HDR10+ become (in real life situations) unnecesary. |
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#11 | |
Special Member
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thank you :: although i thought that i was being quite fair and polite
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