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#1 |
Member
Jan 2019
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The idea is that by rejecting Eugene she didn't marry for love, so instead she loved her son all the more, causing him to be spoiled and overly attached. George can't tolerate having a rival for his mother's affections. As I understand it, the book emphasized this Freudian aspect less and instead George's antipathy to Eugene was rooted in reactionary hatred for modernity as exemplified by the automobile.
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#2 | |
Blu-ray Baron
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#3 |
Member
Jan 2019
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Well yes, that's one of the flaws in Welles' adaptation. In the novel, George is an aristocratic reactionary who despises industrialization, which is what Eugene represents. In casting Eugene as a gentleman and George as a boor, Welles inverted the thematic relationship of the characters and failed to develop this element. And as I said, he also brings in a good deal of Freud and that changes the emphasis.
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criterion, orson welles |
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