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#4481 | |
Blu-ray Prince
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#4482 | |
Blu-ray Emperor
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#4483 |
Blu-ray Archduke
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#4484 | |
Blu-ray Guru
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The virtual camera was programmed with the specs of an Arri Alexa 65, but there's no actual live-action footage in the movie. The filmmakers did take a real Alexa 65 to Kenya to shoot reference footage for the animation, but none of that material is in the film. It's actually really awesome cutting-edge tech that I frankly think is wasted on a pointless, charmless remake of an animated classic set in a real-world location. Imagine shooting a TRON movie this way! Or anything in an impossible, fantastical setting, where for the first time you can have human operators be "there" and use traditional filmmaking techniques to immerse the audience in a dream-world. |
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#4485 |
Blu-ray Emperor
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I don't think any such tech is 'wasted' on making fluff because it's all a proving ground, as you say there are some exciting possiblities that this tech can offer so they might as well prove it can work on something that'll be a slam dunk, rather than some new movie that tanks and then attaches a stigma to using such tech.
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Thanks given by: | FAShaffi (07-22-2019) |
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#4486 |
Member
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The Grand Screen auditorium at B&B Overland Park in Kansas is the first with the ScreenX Amphitheater format, which basically means the seating area is curved and the side walls are angled outward toward the rear of the auditorium to provide a more "immersive" experience for ScreenX formatted films. The speakers for the DTS:X sound system are embedded in the walls, similar to some international Dolby Cinema auditoriums. This removes the issue that some ScreenX locations have with surround speakers interfering with images projected on the side walls/side screens.
Source: https://www.boxofficepro.com/cj-4dpl...-amphitheater/ A few months ago, Cinemark and IMAX announced that two IMAX laser systems would be installed into Cinemark locations. Although this wasn't posted earlier, I figured some may be interested. The Cinemark locations to receive the laser systems are in Daly City, California and Milford, Connecticut. The Milford location will have its existing IMAX Digital screen upgraded to laser, while the Daly City location will be a new IMAX laser install. The Century theater in Daly City already has an XD large format auditorium. Source: https://www.prnewswire.com/news-rele...300819977.html |
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#4488 |
Blu-ray Prince
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I can't compare 6-track IMAX to Dolby Cinema, but comparing the Atmos mixes of Chapter 1 to Chapter 2, 1 is the better overall mix.
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#4489 |
Blu-ray Samurai
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And see that was a failed opportunity on the theater chains end to do a back to back 1 day promo for the movies. The IMAX showing started at 5 instead of the usual 7pm. If they did that then I could have easily compare the mixes to of both movies because they were fresh in my mind. Last time I saw Chapter 1 was in a regular theater that seemed to have a weak dialog out put last month.
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#4490 |
Blu-ray Guru
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It seems that Kanye West has a companion film to his new album coming out in IMAX Oct. 25, Jesus is King. Unknown, but doubtful if it was shot on IMAX film.
http://www.artnews.com/2019/09/30/ka...-roden-crater/ |
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#4491 |
Blu-ray Ninja
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I just found out the LIMAX room at AMC Rosedale in Roseville Minnesota is getting new seats and 4K Laser projectors!!
I already prefer 2K IMAX to Dolby Cinema (screen size and especially 3D). 4K IMAX makes it a no brainer. |
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Thanks given by: | FAShaffi (10-08-2019) |
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#4492 | |
Blu-ray Guru
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In a rather last minute announcement, Maleficent: Mistress of Evil will be opened up to 1.90:1 for the entire film in IMAX.
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Thanks given by: | rwc (10-16-2019) |
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#4493 |
Expert Member
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#4496 | |
Expert Member
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I really hope studios don't start regularly doing this - releasing a film that is fully in 1.90:1 in IMAX cinemas, and releasing scope everywhere else. Because that no longer feels like an exclusive IMAX bonus, where a film that is intended for scope has some special expanded moments - that feels like a monopoly. If the film is fully expanded to 1.90:1 (which means the creators absolutely had this ratio in mind), then it probably could and probably should have just been filmed in 1.85:1 and released everywhere as such. I hope the industry doesn't start making exclusivity a major theatrical issue; it's already an issue in the blu-ray and streaming worlds... |
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#4497 | |
Blu-ray Samurai
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So this location will have both Dolby Cinema and 4K IMAX laser screening rooms? |
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#4498 | |
Blu-ray Samurai
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Those bastards demolished the 15/70 theater that was literally 5 minutes away from my house so there are no 15/70 theaters in my state. I am going to have to drive 8 hours to see Tenet in Chicago this summer assuming it gets an IMAX print. Last edited by singhcr; 10-21-2019 at 01:26 PM. |
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Thanks given by: | Geoff D (10-21-2019) |
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#4499 |
Blu-ray Knight
Feb 2012
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The thing that bothers me about Maleficent and limits my interest in that version, is it’s another example of having to choose between 3D and expanded ratio, since all IMAX showings are in 2D. I think Blade Runner 2049 was the first one to do so, but has happened in a number of cases since.
And I lean towards choosing 3D then, sometimes there is a break like how it was announced right away that MI Fallout would have the expanded ratio on its home release (even though I don’t think the effect is quite the same at home) so knew to go for 3D which I wasn’t sure would be possible at home, or how I saw Captain Marvel first in Real D and then in IMAX laser to get both, but don’t think Maleficent is the type of movie I would see twice in theaters. |
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