|
|
![]() |
||||||||||||||||||||
|
Best 4K Blu-ray Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $29.96 1 hr ago
| ![]() $86.13 10 hrs ago
| ![]() $49.99 1 day ago
| ![]() $29.96 9 hrs ago
| ![]() $34.96 1 day ago
| ![]() $31.99 | ![]() $36.69 1 day ago
| ![]() $14.44 12 hrs ago
| ![]() $37.99 | ![]() $32.99 | ![]() $32.99 | ![]() $14.97 7 hrs ago
|
![]() |
#61 |
Blu-ray Ninja
|
![]() |
![]() |
![]() |
#63 | |
Power Member
|
![]() Quote:
https://www.blu-ray.com/movies/Zombi...lu-ray/252589/ |
|
![]() |
Thanks given by: | brainofj72 (02-11-2020) |
![]() |
#64 |
Blu-ray Guru
Apr 2014
|
![]()
Wtf is imax enhanced?
|
![]() |
![]() |
#66 | |
Blu-ray Prince
|
![]() Quote:
![]() |
|
![]() |
Thanks given by: | woodley56 (02-12-2020) |
![]() |
#68 |
Blu-ray Ninja
|
![]()
Money. IMAX is trying to "Enhance" their brand by getting one of the Majors to drop Dolby on all new releases. Notice how they aren't doing it with catalog titles like Boyz in the Hood.
|
![]() |
![]() |
#69 |
Blu-ray Knight
|
![]()
Again, it's just a shame. I'm not going to miss out on movies I want but it definitely makes me consider buying used or waiting for deep discounts on anything labeled IMAX. Kind of hate doing that since I want to support the format as much as I can but not if it means supporting lower quality releases.
|
![]() |
![]() |
#70 |
Blu-ray Emperor
|
![]() |
![]() |
Thanks given by: | Adrian Wright (02-12-2020) |
![]() |
#71 | |
Banned
|
![]() Quote:
What a preposterous thing to say. No matter the format a good mix is good and a bad one bad. Same with HDR. |
|
![]() |
![]() |
#72 |
Blu-ray Knight
|
![]() |
![]() |
![]() |
#75 |
Active Member
|
![]()
Looks like if you have a Kaleidescape you can get it in 4K HDR w/ ATMOS...
10B9263E-288A-406F-9376-AEF60CDD11CF.jpg |
![]() |
![]() |
#76 |
Blu-ray Samurai
|
![]()
It turns out that you can use objects in DTS: X so that receivers/processors with DTS:X Pro can scale the sound beyond 7.1.4 (so it’s not hard coded to that configuration), but, it’s also possible to not use objects and simply hard code everything to 7.1.4. So, basically, it comes down to how the mixers of the DTS:X track mixed it. If they used objects it’ll be no different than a Dolby Atmos mix. If they hard coded it then it won’t go beyond 7.1.4 channels and anything beyond that would have to be matrixed by the receiver.
|
![]() |
Thanks given by: | Wes_k089 (02-19-2020) |
![]() |
#78 | |
Banned
|
![]() Quote:
|
|
![]() |
![]() |
#79 | |
Blu-ray Ninja
|
![]() Quote:
I'm not sure why DTS X is being preferred. Maybe it has something to do with competition with Dolby Atmos. DTS was the leader in sound for a long time, but after Dolby rolled out 7.1/Atmos, Dolby seemed to have DTS beat. Even WB dropped DTS MA 5.1 tracks from their UHD discs that already featured an Atmos mix (It - Chapter One). |
|
![]() |
![]() |
#80 |
Blu-ray Emperor
|
![]()
Filmmaker Mode won't be doing anything out of the ordinary, it'll just set the TV to 100-nit output for SDR, Warm colour temp and turn off all picture enhancing modes like those that enhance sharpness, colour, motion etc. (The 'Netflix calibrated mode' seen on TVs already does the same thing.) The ironical thing, given the hype, is that several people will take one look at FM mode and run a mile from its dim, yellow image lacking any kind of 'pop'.
As for what it does with HDR content, I can't imagine that the FM mode will be able to be activated when playing Dobly so it's gonna be for HDR10. But even with everything set as it should you can't get around how the TV tone maps, for better or worse. |
![]() |
|
|
![]() |
![]() |
|
|