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#14 | |
Blu-ray reviewer
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![]() Quote:
Hello again, I was not suggesting that you are slow ![]() Example: If Japanese distribs Toho were to include English subtitles on their upcoming Akira Kurosawa boxset (and Japan is a market that overlaps with the US as far as Blu-ray is concerned) they, Toho, would generate far less in revenue than if they sold the rights to whoever is willing to promote Kurosawa's works in the US (which incidentally would affect European English-friendly markets as well). The same goes for Gallic markets (Benelux, France, etc) and North Africa where French is spoken - it is far more logical to sell the rights for the box per market, than do it per region. In fact, this is a practice that works extremely well for Hollywood as many of the films that fail at the local box office typically recoup the loses they have incurred by generating income through sublicensing. Obviously, when you have an intermediary operating between the content-owners and the licensee willing to release a film then this entire process gets even more complicated (which, by the way, is precisely the reason why Criterion have postponed their release of RAN). Hope this helps ![]() Pro-B Last edited by pro-bassoonist; 04-15-2009 at 01:11 AM. |
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