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Old 05-02-2022, 07:40 AM   #6701
professorwho professorwho is offline
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Quote:
Originally Posted by BuccoBruce View Post
Did you like the "Hypersonic" mix? Hope you've got a 2009 Bandai Blu-Ray (sounds like you do) because every other release butchers it! Funimation? Lower bitrate for some reason, dithered to 16 bit?
The 2009 Hypersonic mix is fantastic on its own merits, but isn't my preferred track due to its numerous changes. The 2013 FUNi BD was not dithered down to 16-bit, it was simply a BDinfo error. Checking MediaInfo validates this.

…Additionally, bit-depth is pretty much meaningless compared to the source mastering. Sure, bigger number looks better on paper, but very, very few can even hear the difference between 16 and 24-bit audio of the same mastered source, if at all, so while I used to note it and sometimes even complain about it "downgraded," once I realised the value of source mastering, now I really don't care as much... if at all. Something being lossless itself also is secondary to source mastering (check that Third Man comparison I linked, the Criterion DVD is much better than the Blu-ray due to its mastering).
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Old 05-02-2022, 03:26 PM   #6702
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Quote:
Originally Posted by professorwho View Post
The 2009 Hypersonic mix is fantastic on its own merits, but isn't my preferred track due to its numerous changes. The 2013 FUNi BD was not dithered down to 16-bit, it was simply a BDinfo error. Checking MediaInfo validates this.

…Additionally, bit-depth is pretty much meaningless compared to the source mastering. Sure, bigger number looks better on paper, but very, very few can even hear the difference between 16 and 24-bit audio of the same mastered source, if at all, so while I used to note it and sometimes even complain about it "downgraded," once I realised the value of source mastering, now I really don't care as much... if at all. Something being lossless itself also is secondary to source mastering (check that Third Man comparison I linked, the Criterion DVD is much better than the Blu-ray due to its mastering).
Bit depth only matters when you are working really.
You need a high number for that specific case.
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Old 05-02-2022, 07:44 PM   #6703
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Quote:
Originally Posted by professorwho View Post
The 2009 Hypersonic mix is fantastic on its own merits, but isn't my preferred track due to its numerous changes. The 2013 FUNi BD was not dithered down to 16-bit, it was simply a BDinfo error. Checking MediaInfo validates this.

…Additionally, bit-depth is pretty much meaningless compared to the source mastering. Sure, bigger number looks better on paper, but very, very few can even hear the difference between 16 and 24-bit audio of the same mastered source, if at all, so while I used to note it and sometimes even complain about it "downgraded," once I realised the value of source mastering, now I really don't care as much... if at all. Something being lossless itself also is secondary to source mastering (check that Third Man comparison I linked, the Criterion DVD is much better than the Blu-ray due to its mastering).
No doubt on the importance of mastering/source - plenty of old LD soundtracks sound better (again, Akira...). It is a far smaller size though. The 25th Anniversary BD had an ~8 GB TrueHD track. The Bandai BD had ~13 GB. I don't think it's just a BDInfo/MediaInfo discrepancy, if there isn't some kind of difference in the master or source used for both, then Funi changed something. Funi pointlessly upsampled (feels ironic bringing this up while discussing a 192 kHz soundtrack) the English track (make it look more "adequate" next to a 192 kHz JP track?), although that one hardly took up any extra space, the THD encoder kept it under 2 GB. Enough reason for me not to trust whatever they did to the Hypersonic track, even if it is all snake oil beyond the actual changes to the mix.

I wouldn't trust MediaInfo in this particular instance, especially when it comes to reporting on TrueHD tracks. DTS-HD MA headers can have bit depth hard-coded into them by the encoder. Ignoring the case of feeding the DTS encoder zero padded PCM, if you input 16-bit audio, the output DTS-HD MA will indicate 16-bit, and the same is true for a 24-bit (and even 20-bit, technically) file. TrueHD is "always" internally 24-bit, so if it's 16-bit input, it just gets zero-padded. MLP is good enough at tossing padding like that out, so it hardly matters. It can also end up misreported by a program merging the AC-3 compatibility track back in and taking "16-bit" from that. But it's still nearly half the size, so they did something.

If they just dithered it down to 16-bit (properly...) then I agree wholeheartedly, no way in hell I could hear the difference. Even the most golden of ears could only possibly hear it at the quietest/loudest parts and at deafening volumes. But they did bungle it on the 4K BD, it sounds different even compared to the JP 4K. TL;DR I already don't trust Funimation, A.K.A. "let's offset the chroma on every Blu-Ray we ever release like it's 2001 and we can't into MPEG."
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Old 05-03-2022, 02:37 AM   #6704
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that Hypersonic mix makes my bedroom theater rumble! amazing remix imo
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Old 05-03-2022, 06:38 AM   #6705
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I got the chance to hear it in theaters when they were screening it in 4K in France and yeah it's absolutly terrific.
It is more filtered than the laserdisc and there are parts where it definitly sounds worse, but overall I'm really satisfied with it.
Same goes for the 5.1 remix of Cowboy Bebop, it's just so good.
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Old 05-04-2022, 06:05 PM   #6706
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Quote:
Originally Posted by The Collector FX View Post
Would turning off HDR on your UBP-X700 player rectify the problem?
Results were the same with the HDR setting set to off.
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Old 05-04-2022, 09:35 PM   #6707
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Josee, The Tiger and the Fish - JP BD vs UK BD vs US BD vs FR BD

Comparison - (Screenshots)

FR BD screenshots from Prince_7's review

US BD is the worst of the bunch because of detail loss from debanding without careful masking. This is particularly noticeable in darker colors. I should not forget to mention the Funimation compression and the longstanding chroma position issue, nor should I forget to mention that one of the extras is 1080i50, which is a big no-no for a North American release.

Of these releases the FR BD seems to have least amount of banding. However, the FR BD has subtle chroma attenuation (see chromatic aberation lines in #4). UK BD has more banding, but the encode by VDMS is generally good. I guess JP/FR BD have some deband filtering going on.


JP BDInfo
Code:
Playlist: 00001.MPLS
Size: 27,960,834,048 bytes
Length: 1:38:10.885
Total Bitrate: 37.97 Mbps
Video: MPEG-4 AVC Video / 30066 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio: Japanese / LPCM Audio / 2.0 / 48 kHz /  2304 kbps / 24-bit
Audio: Japanese / DTS-HD Master Audio / 5.1 / 48 kHz /  3669 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /  1509 kbps / 24-bit)


UK BDInfo
Code:
Disc Title: Josee, the Tiger and the Fish
Disc Label: JOSEE_THE_TIGER_AND_THE_FISH
Disc Size: 47,696,724,805 bytes
Protection: AACS
Playlist: 00000.MPLS
Size: 31,907,033,088 bytes
Length: 1:38:10.885
Total Bitrate: 43.33 Mbps
Video: MPEG-4 AVC Video / 33972 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz /  3671 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /   768 kbps / 24-bit)
Audio: Japanese / DTS-HD Master Audio / 5.1 / 48 kHz /  3501 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /   768 kbps / 24-bit)
Subtitle: English / 23.253 kbps
Subtitle: English / 0.842 kbps


US BDInfo
Code:
Playlist: 00008.MPLS
Size: 26,266,116,096 bytes
Length: 1:38:11.886
Total Bitrate: 35.66 Mbps
Video: MPEG-4 AVC Video / 27999 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio: English / Dolby TrueHD Audio / 5.1 / 48 kHz /  1638 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz /   448 kbps / DN -31dB)
Audio: Japanese / Dolby TrueHD Audio / 5.1 / 48 kHz /  1588 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz /   448 kbps / DN -31dB)
Subtitle: English / 33.540 kbps
Subtitle: English / 1.853 kbps
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Old 05-04-2022, 09:56 PM   #6708
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Thank you for the comparing all these releases to the one I reviewed.

To me, comparison shot 20 makes it clear that the FR release is the winner there.
It's all thanks to x264, but that's also probably what resulted in the chroma attenuation.
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Old 05-05-2022, 05:22 PM   #6709
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Quote:
Originally Posted by NLScavenger View Post
Josee, The Tiger and the Fish - JP BD vs UK BD vs US BD vs FR BD

Comparison - (Screenshots)

FR BD screenshots from Prince_7's review

US BD is the worst of the bunch because of detail loss from debanding without careful masking.
Germany:


Video: MPEG-4 AVC Video / 21 Mbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
Audio: Japanese / DTS-HD Master Audio / 5.1 / 48 kHz / 3417 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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Old 05-07-2022, 09:00 AM   #6710
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Josee UK BD dub track seems to have dynamic range compression: waveforms

Quieter sounds are boosted on UK BD. Sometimes the ambient sounds are overpowering compared to US BD dub track and even the Japanese tracks.

The Japanese track is unaffected btw.
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Old 05-07-2022, 02:30 PM   #6711
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Received the Funimation UK release of One Punch Man Season 2 today. Was primarily interested in it due to the disc split (8/4) being different from the Viz and Madman releases which were a 6/6 split across two discs. I fully expected this just to be an error on the UK disc printing, but it turns out Madman did actually do their own encode for this show, so the error must've actually been on their part.

In usual Madman fashion, the episodes have been encoded with x264 targeting an average of 28mbps with dual 16bit PCM audio tracks. Their encode is done in the correct colour space (so it matches the JP BD), however as per usual it's an "as is" encode of the source, showing some of the same issues as Viz's release (e.g. horizontal lines) due to the lack of filtering which is present on the JP BD. The compression however, is very much better than Viz's, especially for darker gradients/scenes. The subtitles have also been re-rendered at a slightly larger size in Arial font, with a thicker border making them much more readable than Viz's subs too. The only thing I did note is that Madman's audio tracks are a fair bit quieter than the US BD equivalents. Messing around with the volume slider in MPC, the US BD's DTS HD-MA audio had to be lowered to around 60-65% volume to match Madman's PCM tracks.

EDIT: The NCOP/EDs have mono audio, exactly like the US BD which suggests an issue with the materials Viz were provided from Japan. The video for the NCs are also completely buggered on Madman's discs too with missing/skipped frames, poor compression and interlacing artifacts, as well as having the same colour space issue as Viz's encode. I seem to recall reading that the NCs on the French Kaze release also have the same issue in regard to skipping/missing frames though.


Quote:
Originally Posted by NLScavenger View Post
Josee UK BD dub track seems to have dynamic range compression: waveforms

Quieter sounds are boosted on UK BD. Sometimes the ambient sounds are overpowering compared to US BD dub track and even the Japanese tracks.

The Japanese track is unaffected btw.
Thanks for looking into that. Glad to know that I haven't just been convincing myself that the audio is actually different, or worse imo.

Last edited by Mangaranga; 05-07-2022 at 03:03 PM.
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Old 05-07-2022, 03:11 PM   #6712
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Quote:
Originally Posted by Mangaranga View Post
In usual Madman fashion, the episodes have been encoded with x264 targeting an average of 28mbps with dual 16bit PCM audio tracks. Their encode is done in the correct colour space (so it matches the JP BD), however as per usual it's an "as is" encode of the source, showing some of the same issues as Viz's release (e.g. horizontal lines) due to the lack of filtering which is present on the JP BD. The compression however, is very much better than Viz's, especially for darker gradients/scenes. The subtitles have also been re-rendered at a slightly larger size in Arial font, with a thicker border making them much more readable than Viz's subs too. The only thing I did note is that Madman's audio tracks are a fair bit quieter than the US BD equivalents. Messing around with the volume slider in MPC, the US BD's DTS HD-MA audio had to be lowered to around 60-65% volume to match Madman's PCM tracks.
Demon Slayer volume is also lower. I suspect that both the volume and horizontal line issues occur when they export the intermediate files. The bad ES BD of Demon Slayer with gamma bug doesn't have the horizontal lines iirc.

Quote:
Thanks for looking into that. Glad to know that I haven't just been convincing myself that the audio is actually different, or worse imo.
Compare 00:58:55 to hear a huuuuge difference.
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Old 05-11-2022, 06:07 PM   #6713
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Anyone know if there are differences with the Discotek and Madman releases for Wicked City?
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Old 05-11-2022, 07:51 PM   #6714
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Madman afaik uses the Manga UK disc - so a different encode - and is missing the UK Dub
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Old 05-11-2022, 08:14 PM   #6715
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I'm assuming then that the Discotek encode is better?
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Old 05-18-2022, 05:24 AM   #6716
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New site reviews:

One Piece Collection 26
One Piece Collection 27
One Piece Collection 28
One Piece Collection 29

Gives me no joy to do this again but, when I checked the Collection 26 review as I was curious how they were going to talk about part of the set being DVD-only, I saw this.
Quote:
The 26th collection of One Piece is the first time episodes have been released on the Blu-ray format in collection sets. Sets 1-25 were released on DVD only. The 26th collection is the first to showcase the series in high-definition (as these episodes represent the beginning of the native high-definition series run). One Piece is one of my favorite anime series and it is a blast of high-octane energy. What a gem of an animated series. Highly recommended.
One Piece had been airing in native HD long before Episode 629. The reason it took so long for the series to get released on Blu-ray is because Japan didn't get Blu-rays until the Punk Hazard arc, and FUNimation was not allowed to release episodes on Blu-ray before Japan.
Quote:
Originally Posted by WTK
10-09-2013, 09:33 PM

Starting with Punk Hazard Arc (starting episode 579), One Piece solicitations now include Blu-ray singles along with the DVD singles.

Amazon Japan links

BD: 5775yen each (so far?)
  • Vol.1: eps 579 - 582
  • Vol.2: eps 583 - 586
https://fandompost.vbulletin.net/for...9-one-piece-tv

Episode 207 aired all the way back in 2004 and...
Quote:
The season began broadcasting on Fuji Television on June 20, 2004 and ended March 27, 2005, lasting 33 episodes. One Piece began airing in high definition, 16:9 format from the 207th episode. Despite this, the Japanese DVD release remained in 4:3 fullscreen format until the beginning of the 8th season.
https://en.wikipedia.org/wiki/One_Piece_(season_7)

There were some native HD anime all the way back then, like The Twelve Kingdoms from 2002 was one of the earliest I've seen cited.
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Old 05-18-2022, 11:56 PM   #6717
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Belle
(GKids/Shout! Factory, North America)

2.39:1 Aspect Ratio
MPEG-4/AVC ??? mbps (You'll see why)
Japanese, English DTS-HD MA 5.1 (48kHz, 24-bit)
BD-50

Code:
DISC INFO:

Disc Title:     Belle
Disc Label:     BELLE
Disc Size:      49,030,932,683 bytes
Protection:     AACS
Extras:         BD-Java
BDInfo:         0.7.5.6

PLAYLIST REPORT:

Name:                   00200.MPLS
Length:                 2:01:28.781 (h:m:s.ms)
Size:                   31,455,301,632 bytes
Total Bitrate:          34.52 Mbps

Angle 1 Length:         0:11:39.865 (h:m:s.ms) / 2:01:28.781 (h:m:s.ms)
Angle 1 Size:           3,042,791,424 bytes / 31,455,313,920 bytes
Angle 1 Total Bitrate:  34.78 Mbps / 34.52 Mbps

All Angles Length:      2:13:08.647 (h:m:s.ms)
All Angles Size:        34,498,093,056 bytes
All Angles Bitrate:     34.55 Mbps

VIDEO:

Codec                   Bitrate             Description     
-----                   -------             -----------     
MPEG-4 AVC Video        25000 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
MPEG-4 AVC Video (1)    2400 (25000) kbps   1080p / 23.976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
DTS-HD Master Audio             English         3631 kbps       5.1 / 48 kHz /  3631 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /  1509 kbps / 24-bit)
DTS-HD Master Audio             Japanese        3381 kbps       5.1 / 48 kHz /  3381 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /  1509 kbps / 24-bit)
Dolby Digital Audio             English         448 kbps        5.1 / 48 kHz /   448 kbps / DN -27dB

SUBTITLES:

Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
Presentation Graphics           English         33.472 kbps                     
Presentation Graphics           English         20.928 kbps                     
Presentation Graphics           Spanish         21.093 kbps                     
Presentation Graphics           English         0.367 kbps                      

FILES:

Name            Time In         Length          Size            Total Bitrate   
----            -------         ------          ----            -------------   
00009.M2TS      0:00:00.000     0:05:08.182     1,357,240,320   35,232          
00010.M2TS (1)  0:00:00.000     0:05:08.182     1,357,264,896   35,233          
00011.M2TS      0:05:08.182     1:49:48.915     28,412,522,496  34,497          
00012.M2TS      1:54:57.098     0:06:31.682     1,685,538,816   34,427          
00013.M2TS (1)  1:54:57.098     0:06:31.682     1,685,526,528   34,426          

CHAPTERS:

Number          Time In         Length          Avg Video Rate  Max 1-Sec Rate  Max 1-Sec Time  Max 5-Sec Rate  Max 5-Sec Time  Max 10Sec Rate  Max 10Sec Time  Avg Frame Size  Max Frame Size  Max Frame Time  
------          -------         ------          --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  
1               0:00:00.000     0:03:50.605     25,009 kbps     36,993 kbps     00:01:27.545    27,255 kbps     00:01:23.541    26,120 kbps     00:01:18.536    130,360 bytes   629,462 bytes   00:03:46.225    
2               0:03:50.605     0:03:54.525     25,008 kbps     37,895 kbps     00:05:39.464    27,586 kbps     00:05:35.460    26,263 kbps     00:05:30.455    130,378 bytes   640,610 bytes   00:05:13.187    
3               0:07:45.131     0:05:35.793     25,007 kbps     34,310 kbps     00:11:49.875    27,200 kbps     00:11:42.118    26,100 kbps     00:11:37.113    130,375 bytes   640,880 bytes   00:08:15.369    
4               0:13:20.925     0:05:04.304     25,018 kbps     34,356 kbps     00:14:21.986    27,355 kbps     00:14:47.136    25,908 kbps     00:18:15.219    130,435 bytes   640,213 bytes   00:14:52.766    
5               0:18:25.229     0:04:34.857     24,951 kbps     32,984 kbps     00:20:59.675    26,918 kbps     00:21:06.640    26,070 kbps     00:21:01.551    130,081 bytes   640,506 bytes   00:21:31.164    
6               0:23:00.087     0:04:28.935     25,005 kbps     35,320 kbps     00:25:50.674    27,534 kbps     00:25:46.711    26,276 kbps     00:25:41.665    130,366 bytes   640,636 bytes   00:23:55.308    
7               0:27:29.022     0:07:26.904     25,003 kbps     36,082 kbps     00:33:06.442    26,556 kbps     00:33:02.438    25,924 kbps     00:32:57.433    130,354 bytes   600,119 bytes   00:34:42.955    
8               0:34:55.927     0:06:05.531     25,002 kbps     36,797 kbps     00:37:23.366    27,445 kbps     00:35:24.372    26,444 kbps     00:40:33.764    130,351 bytes   640,583 bytes   00:35:34.006    
9               0:41:01.458     0:05:54.354     25,010 kbps     38,157 kbps     00:41:08.465    27,610 kbps     00:41:04.461    25,842 kbps     00:42:25.584    130,392 bytes   640,631 bytes   00:42:40.474    
10              0:46:55.812     0:04:54.752     24,984 kbps     33,210 kbps     00:51:06.229    26,644 kbps     00:51:29.336    25,822 kbps     00:51:24.331    130,254 bytes   640,845 bytes   00:46:57.689    
11              0:51:50.565     0:07:22.984     25,001 kbps     33,076 kbps     00:57:55.805    26,516 kbps     00:57:53.761    25,723 kbps     00:54:40.235    130,345 bytes   628,907 bytes   00:54:53.164    
12              0:59:13.549     0:04:41.155     25,004 kbps     33,052 kbps     01:00:54.108    27,141 kbps     01:00:50.104    25,757 kbps     01:00:45.099    130,359 bytes   563,946 bytes   01:03:47.448    
13              1:03:54.705     0:06:44.320     24,996 kbps     33,716 kbps     01:04:16.269    26,925 kbps     01:09:46.599    25,963 kbps     01:09:41.594    130,316 bytes   640,057 bytes   01:10:38.984    
14              1:10:39.026     0:06:19.170     24,994 kbps     35,161 kbps     01:16:15.946    27,666 kbps     01:16:31.586    26,202 kbps     01:16:26.707    130,306 bytes   640,860 bytes   01:15:36.406    
15              1:16:58.196     0:05:06.180     25,023 kbps     35,573 kbps     01:21:50.071    27,085 kbps     01:21:46.067    25,987 kbps     01:21:41.062    130,458 bytes   637,949 bytes   01:21:15.745    
16              1:22:04.377     0:07:35.830     24,990 kbps     41,470 kbps     01:26:49.287    28,257 kbps     01:26:45.283    26,638 kbps     01:26:40.278    130,286 bytes   640,139 bytes   01:23:02.852    
17              1:29:40.208     0:06:51.494     25,007 kbps     39,270 kbps     01:33:56.797    27,827 kbps     01:33:52.793    26,450 kbps     01:33:00.616    130,375 bytes   637,768 bytes   01:31:17.430    
18              1:36:31.702     0:06:07.200     24,989 kbps     38,836 kbps     01:38:17.975    28,644 kbps     01:39:09.985    26,367 kbps     01:39:04.980    130,282 bytes   636,592 bytes   01:39:20.829    
19              1:42:38.902     0:05:10.810     25,013 kbps     35,691 kbps     01:43:08.265    27,435 kbps     01:42:53.542    26,378 kbps     01:42:59.256    130,405 bytes   635,995 bytes   01:44:36.144    
20              1:47:49.713     0:04:57.505     24,989 kbps     35,715 kbps     01:52:35.081    27,076 kbps     01:52:31.077    26,052 kbps     01:52:26.072    130,281 bytes   632,965 bytes   01:47:52.340    
21              1:52:47.218     0:02:09.879     24,995 kbps     32,293 kbps     01:53:02.025    26,517 kbps     01:52:57.979    25,725 kbps     01:53:10.033    130,311 bytes   639,903 bytes   01:53:23.671    
22              1:54:57.098     0:06:31.682     25,000 kbps     29,144 kbps     01:58:26.682    26,127 kbps     01:59:32.540    25,614 kbps     01:59:32.540    130,352 bytes   640,708 bytes   01:59:44.385
Screencaps are towards the bottom, as the story to get to them is rewarding, IMO, but if you just wanna see them and not read my overly long nonsense, just scroll down.

I initially was gonna make this just a first impressions and leave most of my thoughts for when I get the Anime Limited 4K Deluxe Edition to compare the 1080p discs themselves and to the 4K UHD, but the more I uncovered here, the more I want to talk about this. I've still taken waaaaaaayyyyy less screenshots than I usually do (and will be doing for my Sayonara, Zetsubou-Sensei write-up I'm working on), but I guess this can be considered a "full" write-up, meaning I'm back after over a year absence.

So, GKids was quite nice to include about half of the extras produced for the film in their standard release, while Anime Limited included none in their standard. I can kind of see why now. It's an interesting prospect, as GKids has provided a more satisfying package for their standard edition, but, by including 173 minutes of extras on a single BD-50 with a film, there comes a cost in digital real estate.

Thankfully, said nearly three hours of extras have been encoded at just 10 mbps which is perfectly reasonable for digital HD extras, and shouldn't eat up too much space on a disc... normally, but due to there being three hours worth, it does a bit here, leaving the film to have a bitrate of 25 mbps.

25 mbps itself isn't an issue. The film is digitally made, in 2.39:1 scope ratio, and has many static scenes with little movement to balance out the intense and visually demanding sequences, so with a good variable bitrate encode at 25 mbps, there shouldn't be many problems... except, that isn't what we got at all.

Duplitech, Shout's frequent authoring house loves CBR encodes. CBR being Constant Bitrate, which means you have the bitrate value assigned as the bitrate for the entire duration of the video. Technically, there can be some bitrate spikes above said target, but usually that is not the case to any significant degree. Most unfortunately, Shout has used a CBR encode, rather than a variable bitrate encode, which is the wrong choice here. That means you have 25 mbps in every second of the film, meaning every scene is treated equally; scenes which don't need that kind of bitrate and can dip into the single digits (there's quite a few static scenes like that) are bloated to 25, while scenes that are visually complex and need a higher bitrate to not become a mess are starved of it. You can see why a CBR of 25 mbps is a major issue here.

I should mention here that there are branching credits options, both localised in English, but one with the JP actors credited, one with the EN actors. As a result, the film is broken up into multiple m2ts files, with one main one for the majority of the film, and then 4 tiny ones for EN and JP versions of the opening 5 minutes and the ending credits. This doesn't eat up a ton of space, and since this is GKids' MO, isn't a bad thing, but I mention it now as it does have an interesting side-effect.

As one can see by the "main" m2ts bitrate graph with the majority of the film, it is a 25 mbps CBR encode;


But, then I remembered some things I noticed with many of Shout/Duplitech's CBR, or CBR looking encodes... and oh boy, what a rabbit hole. It gets worse...

So, remember when Mangaranga looked at In/Spectre from Viz and discussed padded bits? Well, Shout Factory and Duplitech have been doing this for years. I don't fully get how padded bits work with a CBR setup, but if I had to guess, (someone more knowledgeable, please correct me if I'm wrong!) it's possibly a VBR encode with a 25 mbps max rate, and the padded bits are to pad it to a constant 25 mbps, rather than actually being a legit 25 mbps CBR.

This is what the main m2ts looks like when remuxed to MKV with MKVToolNix GUI;


I additionally decided to re-rip the film, also through MakeMKV, but rather than back up the disc, do a straight up MKV rip of the playlist of the film with the first 5 minutes and the credits added back. I chose the JP angle, and this is what you get;


Compared to BDinfo's own graph feature with the padded bits and somehow detecting the spikes;


So, we have a true bitrate of around 20 mbps with a 25 mbps max rate. Yikes.

Before I even saw the padded bits, I was very, very concerned going into watching the disc, thinking it was a 25 mbps CBR (and not knowing we'd be getting something even worse), and hoping it would turn out alright. (This was also my first time seeing the film in general)

The good news is that it's better than I feared. It is not a complete disaster like I imagined. The bad news is that it still looks really rough most of the time, but not as bad as it could've been with this low a "true" bitrate. I took shots from roughly the first twenty five or so minutes as to not spoil the film, and because it takes less time. (Justified laziness! )

All screenshots were taken in MPC-HC with MadVR:





















Visually, there are some cool effects at play, such as emulating LCD monitor glow, and in the third act, emulating the look of a crappy webcam with distortion, blocking and digital noise. The film has a clean, well defined look throughout most of the "real world" segments, while more dramatic scenes are stylized a bit. The scenes in U are much more complex, with lots of things on screen (it's so dense; every single frame has so many things going on), and the CG is well rendered... I think. It's possible that the poor encoding is helping to cover up rendering issues, but until I see the UK BD and UHD (which should be using different encodes than GKids), I have no clue.

The compression is really poor, as expected of such a low bitrate. It's not a Re:Zero-esque disaster as I expected, but in some scenes it gets really close. I took these shots from a sequence later in the film, which is debatably the worst in the film's duration. Despite being shown in marketing and being key art, I'm not directly including it in the main shots, so look here if you want to see the encode at its worst. If anything the scenes in U are quite "fuzzy," for a lack of a better word. Not a blocky mess as I was fearing, but a fuzzy image. It's possible a low pass filter was used for some of the background blurriness, or it may be inherent to the image, I have no clue. But, despite all that, it is (mostly) watchable, I guess, albeit very poor and still unacceptable for a major release of a big film. About on-par visually with a low bitrate Netflix stream, to give an analogy.


The film's original audio mixes are presented in lossless DTS-HD MA 5.1 (24-bit) and sound fantastic. Dynamic range is superb, fidelity is top notch, and there are no egregious issues to report. One cannot be disappointed with the audio presentation here. The JP Atmos track is presumably a remix, as are the 7.1 tracks on the UK BD. Most unfortunately Anime Limited will not be including these original 5.1 tracks on their releases, so there was a missed opportunity to make a definitive release. (If the JP Atmos track was included here instead of the 5.1, the video bitrate would be even lower, and I don't want to imagine how much worse it would be, especially if both 5.1 and Atmos were on the same disc as 3 hours of extras)


The English translation is very good. The subtitle font is the Shout! Factory standard, which means that they are less than optimal. In fact, it's not even the font itself which is the major issue, but the size of the black outline, which is too small. At a further distance from recommended viewing distances, and in brighter scenes like the one above, it can become very hard to read, and said small black outline is essentially nonexistent.

The extras package is fantastic for a standard release, and is easily worth the price of admission for fans of the film, though I'd personally wait for the deluxe editions from GKids and Anime Limited to have everything in one package.

So, yeah. The Blu-ray isn't a total disaster, with the audio and extras package being outstanding, but the video encode is very problematic should never have left QC and be placed on a disc. But for a major film to get such a mediocre and poor encode is shocking. Hopefully Duplitech, or whoever Shout uses for their Blu-ray compression and authoring, stops using CBR encodes, especially ones with padded bits on top. Had this been a VBR encode at even the same bitrate, this could've been something great. I personally am even more curious to see the UK BD and UHD now.
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Old 05-19-2022, 01:44 AM   #6718
Misioon_Odisea Misioon_Odisea is offline
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Quote:
Originally Posted by professorwho View Post
Belle
(GKids/Shout! Factory, North America)

So, yeah. The Blu-ray isn't a total disaster, with the audio and extras package being outstanding, but the video encode is very problematic should never have left QC and be placed on a disc. But for a major film to get such a mediocre and poor encode is shocking. Hopefully Duplitech, or whoever Shout uses for their Blu-ray compression and authoring, stops using CBR encodes, especially ones with padded bits on top. Had this been a VBR encode at even the same bitrate, this could've been something great. I personally am even more curious to see the UK BD and UHD now.
That's too bad about what happened to the video quality for this one! I wonder what behind-the-scenes is going on over there for Shout! Factory and Duplitech to continue employing CBR bitrates so carelessly for Blu-ray video, hopefully this will not be the case for the 4K UHD Blu-ray (and also this time it must be region-free and be encoded in the correct color space, unlike what happened with Weathering With You). Also, you're not the only one to have noticed the poor encoding, as the following 3.5/5 VQ review from TheaterByte has almost the same observations as you (with additional complaints about the audio being mastered too quiet and having almost no perceptible dynamic range):

https://www.theaterbyte.com/bluray-u...ay-review.html

Quote:
Originally Posted by Brandon A. Duhamel
What ultimately keeps this disc from reaching the heights of reference levels for me is the disappointing amount of color banding that plagues much of the color fills in this release. I must take points off for this, since most high-profile feature length anime releases are usually rather pristine, like most of the Studio Ghibli releases, for instance. With this, I also see just a bit of motion artifacts in the CGI.
Did you notify Neil Lumbard about this? It looks like this will be useful information to him if he reviews this disc for this website. Also somebody should notify Shout! and Duplitech about the shortcomings. Not expecting a replacement program or anything of the sort at all, it's just as a heads up so they don't continue making the same mistakes.
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Old 05-19-2022, 01:52 AM   #6719
Tylerfan Tylerfan is offline
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Speaking of Neil, he just reviewed some of the One Piece releases:

Collection 26: https://www.blu-ray.com/movies/One-P...287994/#Review
Collection 27: https://www.blu-ray.com/movies/One-P...291139/#Review
Collection 28: https://www.blu-ray.com/movies/One-P...300743/#Review
Collection 29: https://www.blu-ray.com/movies/One-P...309259/#Review
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Old 05-19-2022, 02:13 AM   #6720
P.A.C.O. P.A.C.O. is offline
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Quote:
Originally Posted by professorwho View Post
[Show spoiler]Belle
(GKids/Shout! Factory, North America)

2.39:1 Aspect Ratio
MPEG-4/AVC ??? mbps (You'll see why)
Japanese, English DTS-HD MA 5.1 (48kHz, 24-bit)
BD-50

Code:
DISC INFO:

Disc Title:     Belle
Disc Label:     BELLE
Disc Size:      49,030,932,683 bytes
Protection:     AACS
Extras:         BD-Java
BDInfo:         0.7.5.6

PLAYLIST REPORT:

Name:                   00200.MPLS
Length:                 2:01:28.781 (h:m:s.ms)
Size:                   31,455,301,632 bytes
Total Bitrate:          34.52 Mbps

Angle 1 Length:         0:11:39.865 (h:m:s.ms) / 2:01:28.781 (h:m:s.ms)
Angle 1 Size:           3,042,791,424 bytes / 31,455,313,920 bytes
Angle 1 Total Bitrate:  34.78 Mbps / 34.52 Mbps

All Angles Length:      2:13:08.647 (h:m:s.ms)
All Angles Size:        34,498,093,056 bytes
All Angles Bitrate:     34.55 Mbps

VIDEO:

Codec                   Bitrate             Description     
-----                   -------             -----------     
MPEG-4 AVC Video        25000 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
MPEG-4 AVC Video (1)    2400 (25000) kbps   1080p / 23.976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
DTS-HD Master Audio             English         3631 kbps       5.1 / 48 kHz /  3631 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /  1509 kbps / 24-bit)
DTS-HD Master Audio             Japanese        3381 kbps       5.1 / 48 kHz /  3381 kbps / 24-bit (DTS Core: 5.1 / 48 kHz /  1509 kbps / 24-bit)
Dolby Digital Audio             English         448 kbps        5.1 / 48 kHz /   448 kbps / DN -27dB

SUBTITLES:

Codec                           Language        Bitrate         Description     
-----                           --------        -------         -----------     
Presentation Graphics           English         33.472 kbps                     
Presentation Graphics           English         20.928 kbps                     
Presentation Graphics           Spanish         21.093 kbps                     
Presentation Graphics           English         0.367 kbps                      

FILES:

Name            Time In         Length          Size            Total Bitrate   
----            -------         ------          ----            -------------   
00009.M2TS      0:00:00.000     0:05:08.182     1,357,240,320   35,232          
00010.M2TS (1)  0:00:00.000     0:05:08.182     1,357,264,896   35,233          
00011.M2TS      0:05:08.182     1:49:48.915     28,412,522,496  34,497          
00012.M2TS      1:54:57.098     0:06:31.682     1,685,538,816   34,427          
00013.M2TS (1)  1:54:57.098     0:06:31.682     1,685,526,528   34,426          

CHAPTERS:

Number          Time In         Length          Avg Video Rate  Max 1-Sec Rate  Max 1-Sec Time  Max 5-Sec Rate  Max 5-Sec Time  Max 10Sec Rate  Max 10Sec Time  Avg Frame Size  Max Frame Size  Max Frame Time  
------          -------         ------          --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  --------------  
1               0:00:00.000     0:03:50.605     25,009 kbps     36,993 kbps     00:01:27.545    27,255 kbps     00:01:23.541    26,120 kbps     00:01:18.536    130,360 bytes   629,462 bytes   00:03:46.225    
2               0:03:50.605     0:03:54.525     25,008 kbps     37,895 kbps     00:05:39.464    27,586 kbps     00:05:35.460    26,263 kbps     00:05:30.455    130,378 bytes   640,610 bytes   00:05:13.187    
3               0:07:45.131     0:05:35.793     25,007 kbps     34,310 kbps     00:11:49.875    27,200 kbps     00:11:42.118    26,100 kbps     00:11:37.113    130,375 bytes   640,880 bytes   00:08:15.369    
4               0:13:20.925     0:05:04.304     25,018 kbps     34,356 kbps     00:14:21.986    27,355 kbps     00:14:47.136    25,908 kbps     00:18:15.219    130,435 bytes   640,213 bytes   00:14:52.766    
5               0:18:25.229     0:04:34.857     24,951 kbps     32,984 kbps     00:20:59.675    26,918 kbps     00:21:06.640    26,070 kbps     00:21:01.551    130,081 bytes   640,506 bytes   00:21:31.164    
6               0:23:00.087     0:04:28.935     25,005 kbps     35,320 kbps     00:25:50.674    27,534 kbps     00:25:46.711    26,276 kbps     00:25:41.665    130,366 bytes   640,636 bytes   00:23:55.308    
7               0:27:29.022     0:07:26.904     25,003 kbps     36,082 kbps     00:33:06.442    26,556 kbps     00:33:02.438    25,924 kbps     00:32:57.433    130,354 bytes   600,119 bytes   00:34:42.955    
8               0:34:55.927     0:06:05.531     25,002 kbps     36,797 kbps     00:37:23.366    27,445 kbps     00:35:24.372    26,444 kbps     00:40:33.764    130,351 bytes   640,583 bytes   00:35:34.006    
9               0:41:01.458     0:05:54.354     25,010 kbps     38,157 kbps     00:41:08.465    27,610 kbps     00:41:04.461    25,842 kbps     00:42:25.584    130,392 bytes   640,631 bytes   00:42:40.474    
10              0:46:55.812     0:04:54.752     24,984 kbps     33,210 kbps     00:51:06.229    26,644 kbps     00:51:29.336    25,822 kbps     00:51:24.331    130,254 bytes   640,845 bytes   00:46:57.689    
11              0:51:50.565     0:07:22.984     25,001 kbps     33,076 kbps     00:57:55.805    26,516 kbps     00:57:53.761    25,723 kbps     00:54:40.235    130,345 bytes   628,907 bytes   00:54:53.164    
12              0:59:13.549     0:04:41.155     25,004 kbps     33,052 kbps     01:00:54.108    27,141 kbps     01:00:50.104    25,757 kbps     01:00:45.099    130,359 bytes   563,946 bytes   01:03:47.448    
13              1:03:54.705     0:06:44.320     24,996 kbps     33,716 kbps     01:04:16.269    26,925 kbps     01:09:46.599    25,963 kbps     01:09:41.594    130,316 bytes   640,057 bytes   01:10:38.984    
14              1:10:39.026     0:06:19.170     24,994 kbps     35,161 kbps     01:16:15.946    27,666 kbps     01:16:31.586    26,202 kbps     01:16:26.707    130,306 bytes   640,860 bytes   01:15:36.406    
15              1:16:58.196     0:05:06.180     25,023 kbps     35,573 kbps     01:21:50.071    27,085 kbps     01:21:46.067    25,987 kbps     01:21:41.062    130,458 bytes   637,949 bytes   01:21:15.745    
16              1:22:04.377     0:07:35.830     24,990 kbps     41,470 kbps     01:26:49.287    28,257 kbps     01:26:45.283    26,638 kbps     01:26:40.278    130,286 bytes   640,139 bytes   01:23:02.852    
17              1:29:40.208     0:06:51.494     25,007 kbps     39,270 kbps     01:33:56.797    27,827 kbps     01:33:52.793    26,450 kbps     01:33:00.616    130,375 bytes   637,768 bytes   01:31:17.430    
18              1:36:31.702     0:06:07.200     24,989 kbps     38,836 kbps     01:38:17.975    28,644 kbps     01:39:09.985    26,367 kbps     01:39:04.980    130,282 bytes   636,592 bytes   01:39:20.829    
19              1:42:38.902     0:05:10.810     25,013 kbps     35,691 kbps     01:43:08.265    27,435 kbps     01:42:53.542    26,378 kbps     01:42:59.256    130,405 bytes   635,995 bytes   01:44:36.144    
20              1:47:49.713     0:04:57.505     24,989 kbps     35,715 kbps     01:52:35.081    27,076 kbps     01:52:31.077    26,052 kbps     01:52:26.072    130,281 bytes   632,965 bytes   01:47:52.340    
21              1:52:47.218     0:02:09.879     24,995 kbps     32,293 kbps     01:53:02.025    26,517 kbps     01:52:57.979    25,725 kbps     01:53:10.033    130,311 bytes   639,903 bytes   01:53:23.671    
22              1:54:57.098     0:06:31.682     25,000 kbps     29,144 kbps     01:58:26.682    26,127 kbps     01:59:32.540    25,614 kbps     01:59:32.540    130,352 bytes   640,708 bytes   01:59:44.385
Screencaps are towards the bottom, as the story to get to them is rewarding, IMO, but if you just wanna see them and not read my overly long nonsense, just scroll down.

I initially was gonna make this just a first impressions and leave most of my thoughts for when I get the Anime Limited 4K Deluxe Edition to compare the 1080p discs themselves and to the 4K UHD, but the more I uncovered here, the more I want to talk about this. I've still taken waaaaaaayyyyy less screenshots than I usually do (and will be doing for my Sayonara, Zetsubou-Sensei write-up I'm working on), but I guess this can be considered a "full" write-up, meaning I'm back after over a year absence.

So, GKids was quite nice to include about half of the extras produced for the film in their standard release, while Anime Limited included none in their standard. I can kind of see why now. It's an interesting prospect, as GKids has provided a more satisfying package for their standard edition, but, by including 173 minutes of extras on a single BD-50 with a film, there comes a cost in digital real estate.

Thankfully, said nearly three hours of extras have been encoded at just 10 mbps which is perfectly reasonable for digital HD extras, and shouldn't eat up too much space on a disc... normally, but due to there being three hours worth, it does a bit here, leaving the film to have a bitrate of 25 mbps.

25 mbps itself isn't an issue. The film is digitally made, in 2.39:1 scope ratio, and has many static scenes with little movement to balance out the intense and visually demanding sequences, so with a good variable bitrate encode at 25 mbps, there shouldn't be many problems... except, that isn't what we got at all.

Duplitech, Shout's frequent authoring house loves CBR encodes. CBR being Constant Bitrate, which means you have the bitrate value assigned as the bitrate for the entire duration of the video. Technically, there can be some bitrate spikes above said target, but usually that is not the case to any significant degree. Most unfortunately, Shout has used a CBR encode, rather than a variable bitrate encode, which is the wrong choice here. That means you have 25 mbps in every second of the film, meaning every scene is treated equally; scenes which don't need that kind of bitrate and can dip into the single digits (there's quite a few static scenes like that) are bloated to 25, while scenes that are visually complex and need a higher bitrate to not become a mess are starved of it. You can see why a CBR of 25 mbps is a major issue here.

I should mention here that there are branching credits options, both localised in English, but one with the JP actors credited, one with the EN actors. As a result, the film is broken up into multiple m2ts files, with one main one for the majority of the film, and then 4 tiny ones for EN and JP versions of the opening 5 minutes and the ending credits. This doesn't eat up a ton of space, and since this is GKids' MO, isn't a bad thing, but I mention it now as it does have an interesting side-effect.

As one can see by the "main" m2ts bitrate graph with the majority of the film, it is a 25 mbps CBR encode;

But, then I remembered some things I noticed with many of Shout/Duplitech's CBR, or CBR looking encodes... and oh boy, what a rabbit hole. It gets worse...

So, remember when Mangaranga looked at In/Spectre from Viz and discussed padded bits? Well, Shout Factory and Duplitech have been doing this for years. I don't fully get how padded bits work with a CBR setup, but if I had to guess, (someone more knowledgeable, please correct me if I'm wrong!) it's possibly a VBR encode with a 25 mbps max rate, and the padded bits are to pad it to a constant 25 mbps, rather than actually being a legit 25 mbps CBR.

This is what the main m2ts looks like when remuxed to MKV with MKVToolNix GUI;

I additionally decided to re-rip the film, also through MakeMKV, but rather than back up the disc, do a straight up MKV rip of the playlist of the film with the first 5 minutes and the credits added back. I chose the JP angle, and this is what you get;

Compared to BDinfo's own graph feature with the padded bits and somehow detecting the spikes;

So, we have a true bitrate of around 20 mbps with a 25 mbps max rate. Yikes.

Before I even saw the padded bits, I was very, very concerned going into watching the disc, thinking it was a 25 mbps CBR (and not knowing we'd be getting something even worse), and hoping it would turn out alright. (This was also my first time seeing the film in general)

The good news is that it's better than I feared. It is not a complete disaster like I imagined. The bad news is that it still looks really rough most of the time, but not as bad as it could've been with this low a "true" bitrate. I took shots from roughly the first twenty five or so minutes as to not spoil the film, and because it takes less time. (Justified laziness! )

Visually, there are some cool effects at play, such as emulating LCD monitor glow, and in the third act, emulating the look of a crappy webcam with distortion, blocking and digital noise. The film has a clean, well defined look throughout most of the "real world" segments, while more dramatic scenes are stylized a bit. The scenes in U are much more complex, with lots of things on screen (it's so dense; every single frame has so many things going on), and the CG is well rendered... I think. It's possible that the poor encoding is helping to cover up rendering issues, but until I see the UK BD and UHD (which should be using different encodes than GKids), I have no clue.

The compression is really poor, as expected of such a low bitrate. It's not a Re:Zero-esque disaster as I expected, but in some scenes it gets really close. I took these shots from a sequence later in the film, which is debatably the worst in the film's duration. Despite being shown in marketing and being key art, I'm not directly including it in the main shots, if you want to see the encode at its worst. If anything the scenes in U are quite "fuzzy," for a lack of a better word. Not a blocky mess as I was fearing, but a fuzzy image. It's possible a low pass filter was used for some of the background blurriness, or it may be inherent to the image, I have no clue. But, despite all that, it is (mostly) watchable, I guess, albeit very poor and still unacceptable for a major release of a big film. About on-par visually with a low bitrate Netflix stream, to give an analogy.


The film's original audio mixes are presented in lossless DTS-HD MA 5.1 (24-bit) and sound fantastic. Dynamic range is superb, fidelity is top notch, and there are no egregious issues to report. One cannot be disappointed with the audio presentation here. The JP Atmos track is presumably a remix, as are the 7.1 tracks on the UK BD. Most unfortunately Anime Limited will not be including these original 5.1 tracks on their releases, so there was a missed opportunity to make a definitive release. (If the JP Atmos track was included here instead of the 5.1, the video bitrate would be even lower, and I don't want to imagine how much worse it would be, especially if both 5.1 and Atmos were on the same disc as 3 hours of extras)

The English translation is very good. The subtitle font is the Shout! Factory standard, which means that they are less than optimal. In fact, it's not even the font itself which is the major issue, but the size of the black outline, which is too small. At a further distance from recommended viewing distances, and in brighter scenes like the one above, it can become very hard to read, and said small black outline is essentially nonexistent.

The extras package is fantastic for a standard release, and is easily worth the price of admission for fans of the film, though I'd personally wait for the deluxe editions from GKids and Anime Limited to have everything in one package.

So, yeah. The Blu-ray isn't a total disaster, with the audio and extras package being outstanding, but the video encode is very problematic should never have left QC and be placed on a disc. But for a major film to get such a mediocre and poor encode is shocking. Hopefully Duplitech, or whoever Shout uses for their Blu-ray compression and authoring, stops using CBR encodes, especially ones with padded bits on top. Had this been a VBR encode at even the same bitrate, this could've been something great. I personally am even more curious to see the UK BD and UHD now.
I learn a lot from reading your posts dude.
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professorwho (05-19-2022)
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