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Old 10-14-2021, 02:41 PM   #21
aewb aewb is offline
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Quote:
Originally Posted by Dragun View Post
Any chance of Nosferatu (or other Murnau films) being restored in 2K or 4K and re-released?
Pretty sure all of the FWMS restored Murnau films released on blu ray are 2K.
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Old 10-14-2021, 02:53 PM   #22
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Quote:
Originally Posted by Mr. Thomsen View Post
I prefer the James Bernard score of the BFI to that particular recording of the Erdmann score featured on the Eureka, but otherwise ... I have to disagree.

The PQ is much better on the Eureka and the tinting more correct.
Agreed, I don't like the BFI tinting much at all so don't feel the need to double dip.
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Old 10-14-2021, 03:28 PM   #23
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Why is the tinting so different?
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Old 10-14-2021, 06:35 PM   #24
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Quote:
Originally Posted by Guy87 View Post
Why is the tinting so different?
Check this out.

https://www.brentonfilm.com/articles...ing-variations

Neither restoration is perfect.

Plus here's his take on the Blu-rays specifically - https://www.brentonfilm.com/reviews/...u-ray-reviewed

Last edited by oddbox83; 10-14-2021 at 06:40 PM.
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Old 10-14-2021, 08:19 PM   #25
filmlover22 filmlover22 is offline
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here is my take (FWIW)

Eureka : Best PQ, lousy score
BFI : Best score, problematic PQ

I would love to have the Eureka PQ with the BFI score, but alas, this is how I see our options.
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Old 10-14-2021, 08:49 PM   #26
oddbox83 oddbox83 is offline
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While the clarity of the picture is stunning on the MOC I have to admit, when I fancy rewatching the film just for fun it’s the BFI disc all the way.
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Old 10-14-2021, 10:10 PM   #27
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I'd like the option of an expanded Timothy Howard organ score on a future release - ditto the excellent Timothy Brock score for Caligari.
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Old 10-15-2021, 10:55 AM   #28
Mr. Thomsen Mr. Thomsen is offline
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Quote:
Originally Posted by oddbox83 View Post
Check this out.

https://www.brentonfilm.com/articles...ing-variations

Neither restoration is perfect.

Plus here's his take on the Blu-rays specifically - https://www.brentonfilm.com/reviews/...u-ray-reviewed
Ah, seems I was a bit too liberal with my declaring the Eureka more correct. It does appear have some issues with the tinting, just as the 1995 restoration of the BFI disc has its own problems.

Brent Reid's excellent website is also where you can read how we almost got a new restoration of Nosferatu a bit over a decade ago. An acquintance of mine actually came across documents at the Cinematheque Francaise saying that FWMS had requested access to the French prints for that purpose.

Unfortunately, as Brent details, a certain someone dangled the access to a hitherto unknown nitrate print in front of them and stalled the process, until too much time had gone by. FWMS the, due to time and money restrictions, had to make do with a new digital clean-up of the 2006 restoration. Which is what we have now.

Hopefully, one day they will find the money to make another go at it.
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Old 10-15-2021, 12:29 PM   #29
Guy87 Guy87 is offline
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Quote:
Originally Posted by oddbox83 View Post
Check this out.

https://www.brentonfilm.com/articles...ing-variations

Neither restoration is perfect.

Plus here's his take on the Blu-rays specifically - https://www.brentonfilm.com/reviews/...u-ray-reviewed
I read through this earlier (it's a fantastic resource by the way)

But I don't understand WHY the movie's tinted so differently?

Is the original negative tinted? If so then why are the new scans tinted so vastly differently? Or is it a black and white negative and the tinting more of an modern day estimation of a process that was added later on for it's original release?
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Old 10-15-2021, 02:56 PM   #30
oddbox83 oddbox83 is offline
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Quote:
Originally Posted by Guy87 View Post
I read through this earlier (it's a fantastic resource by the way)

But I don't understand WHY the movie's tinted so differently?

Is the original negative tinted? If so then why are the new scans tinted so vastly differently? Or is it a black and white negative and the tinting more of an modern day estimation of a process that was added later on for it's original release?
From what that article says, I gather the surviving tinted French print is far from consistent and is faded, meaning each restoration has to make a best guess as to the original colours based on tinting variations and odd choices (that may or may not be an error) on that French print.

Last edited by oddbox83; 10-15-2021 at 03:09 PM.
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Old 10-16-2021, 09:13 AM   #31
Mr. Thomsen Mr. Thomsen is offline
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Quote:
Originally Posted by Guy87 View Post
I read through this earlier (it's a fantastic resource by the way)

But I don't understand WHY the movie's tinted so differently?

Is the original negative tinted? If so then why are the new scans tinted so vastly differently? Or is it a black and white negative and the tinting more of an modern day estimation of a process that was added later on for it's original release?
The original negative has long disappeared. But it would have been in black and white, yes, as tinting was a process done, when you made the theatrical prints (the different parts of the print were bathed in dye and then assembled. From the beginning of the 1920s, pre-colored stock also became available).

As oddbox83 writes, the tinted French print is faded and worn and not consistent in its hues, so each restoration have had to guestimate the colors used.

The French print is important because it is the only known tinted print to have survived from its original run in 1922. All other surviving prints and fragments are in black and white, and some of them duplicates made much later.
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Old 10-16-2021, 03:49 PM   #32
Eidolon Eidolon is offline
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regarding the music, there's some interesting alternatives that haven't appeared on BD at all.
There was a Synth version released exclusive to Blockbuster USA in the 80's. Apparently the tape goes for big money now. It's never been reissued, but it is on Youtube.
There's also the Eureka DVD version (Sepia tinted) from the late 90's that has a really good expressionist-abstract score that really fits the film well.
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Old 10-16-2021, 04:10 PM   #33
Aclea Aclea is offline
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Not ideal since it only runs 63 minutes so isn't complete and presents synch problems if you want to play it while watching the Eureka, but James Bernard's score was released on CD in 1997 and is still available as a download.
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Old 10-16-2021, 08:15 PM   #34
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Quote:
Originally Posted by Eidolon View Post
regarding the music, there's some interesting alternatives that haven't appeared on BD at all.
There was a Synth version released exclusive to Blockbuster USA in the 80's. Apparently the tape goes for big money now. It's never been reissued, but it is on Youtube.
There's also the Eureka DVD version (Sepia tinted) from the late 90's that has a really good expressionist-abstract score that really fits the film well.
The 2001 Eureka DVD used music by Art Zoyd, which is also on Kino's 2002 DVD.
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Old 04-05-2022, 09:46 PM   #35
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Ironically, my upload of the old JEF Films/Aikman dupe (which I had on VHS from Eureka) now has a copyright claim against in...in Brazil!

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Old 06-07-2022, 07:09 PM   #36
Eidolon Eidolon is offline
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Does anyone know how the score for the BFI version was recorded, or originally mixed? I will hopefully have enough time to watch mine this evening, but I'm not sure which is the correct mix. Was it originally done in 5.1, or is that some remix that the BFI have done themselves from an existing stereo score? Thanks.


Quote:
Originally Posted by Killer Meteor View Post
Ironically, my upload of the old JEF Films/Aikman dupe (which I had on VHS from Eureka) now has a copyright claim against in...in Brazil!

Nosferatu (1922) - Aikman Archive version - YouTube
i have the Aikman Archive VHs release of that. ALways meant to get more of their releases, never did.
My memory used to be a lot better than it is nowadays. When I got the Eureka DVD of Nosferatu, i straight off noticed a shot from the Aikman vhs version was missing from it, having not watched it for months before. Nowadays I can watch
Franco's Demons twice in the same month, different version on each occasion with a 30 minute difference, and not be able to notice what's missing :/
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Old 06-08-2022, 03:23 AM   #37
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Quote:
Originally Posted by Eidolon View Post
Does anyone know how the score for the BFI version was recorded, or originally mixed? I will hopefully have enough time to watch mine this evening, but I'm not sure which is the correct mix. Was it originally done in 5.1, or is that some remix that the BFI have done themselves from an existing stereo score? Thanks.
From what I've read, that score was commissioned in 1995. Not sure if 5.1 was very widespread in films as such, let alone for silent film revivals.
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Old 06-08-2022, 08:56 AM   #38
Mr. Thomsen Mr. Thomsen is offline
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It definitely wasn't widespread around that time. IIRC it was around the mid-90s that we first started to see 5.1 on home video releases. I remember it was a big deal that Jurassic Park was released in both DD5.1 and DTS versions. EDIT: on laserdisc, that is.

Last edited by Mr. Thomsen; 06-08-2022 at 12:52 PM.
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Old 06-08-2022, 11:38 AM   #39
oddbox83 oddbox83 is offline
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Heaven knows where my disc is (it's somewhere in overloaded shelves!), so I can't check the booklet. I assume though the 5.1 track is new and mastered from original multi-track recordings of the score session, I can't see the BFI bothering with a "faux" remix from a stereo source.
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Old 10-04-2022, 09:20 AM   #40
Muyfa666 Muyfa666 is offline
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Are there any new digital releases that's good for this movie? I found this rather lengthy comparison and the UK BFI and Eureka/MoC seem to be the best verions around, but the article is written 2016 as far as I can tell...

I have seen the MoC, but I didn't like the tone with the "happy" soundtrack at all.

Is the BFI the one to go for? What does this new 100th Anniversary Edition brind to the table?
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