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#421 |
Blu-ray Ninja
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Well the OP doesn't seem to be advocating non-OAR presentations of movies on BD. He's simply expressing a preference for the "taller" aspect ratios. I see no problem with that.
I myself prefer films that are shot in scope but I wouldn't dream of demanding they all be shot that way. The photography in Jurassic Park and War of the Worlds wouldn't have been as effective in demonstrating height of the dinosaurs and tripods had they been shot with a scope aspect ratio. On the other side of the spectrum, the robots in Transformers wouldn't have felt as massive had they been shot with a 1.85:1 aspect ratio. Either aspect ratio was the right choice for the particular effect the director and the DP were going for. However, I tend to gravitate more to images presented in a 2.40:1 aspect ratio. It's just personal preference. I don't really see the harm in making a list of movies that are shot in the aspect ratio you might prefer. |
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#422 |
Power Member
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My pet peeve about this whole thing is the use of the term "full screen". For many years, "full screen" has meant 4x3 (1.33:1). The term was probably never a really good term for what it was intended for (widescreen movies "modified to fit your screen"), but that is the name the marketing people came up with. Now blu-ray users are using the term for 16:9 video. It makes little sense to use a phrase to mean something different that the other 90% of the population uses it for. Maybe a better term would be "Full Widescreen".
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#424 | |
Member
Apr 2009
US
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Not really agreeing with either side, just pointing out a different way of placing worth and value on media. |
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#426 | |
Senior Member
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#427 |
Active Member
Jun 2007
Bay Area, CA
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thanks for your contribution Flores! Unfortunately I can't input Monster Inc. in because my list consists (or at least tries to consist) of movies that were physically seen displaying fullscreen. As the movie has not even been released yet, there's no way to know for sure if it displays fullscreen or not. Thank you anyways though! And i'll add the Sarah Connor Chronicles! It's a shame they cancelled the show...it was just starting to get good......
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#429 | |
Active Member
Jun 2007
Bay Area, CA
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thanks for the info and suggestion though! |
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#430 | |
Active Member
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#431 |
Active Member
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The question should be why do cinematographers/directors choose to shoot films in extremely wide formats. It made sense in the 1950's when movies were in competition with television. It also makes sense when it's a decision based on real artistic concerns. Directors such as John Carpenter, David Lean, and Stanley Kubrick (of course the list goes on) used aspect ratios in very specific and creative ways. IMHO too many films simply default to 2.4:1 without really exploiting the format to its fullest advantage. I wouldn't mind one bit if 1.85:1 became more common as a native format. Of course I feel compelled to add: NEVER CROP AN EXISTING FILM. Whenever a film is cropped on cable, I simply pass it by. When the heck are the "movie channels" going to wise up and stop cropping films?
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#434 | |
Active Member
Jun 2007
Bay Area, CA
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thanks for the contribution! |
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#435 |
Blu-ray Guru
Mar 2008
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The Indian movie Monsoon Wedding is 1.85:1 to be released in October (Criterion Collection).
https://www.blu-ray.com/movies/movies.php?id=6372 |
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#436 | |
Blu-ray Samurai
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I think the aspect ratio is always an artistic concern, made either by the director or the DP. The directors you posted do that, why wouldn't the filmmakers of today? |
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#438 | |
Active Member
Jun 2007
Bay Area, CA
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And that movie would be a good addition to the list if you can confirm it so thanks for that as well! |
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#440 | |
Blu-ray Archduke
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A new feature has been added to the search on the site allowing you to search by aspect ratio
![]() Will be useful for those who want their screen filled Quote:
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