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#1 |
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I bought a Hisense AX5120G soundbar with wireless satellites on sale recently, and it works great, except for the fact that when mono or stereo content is played, the sound is replicated by the rears. Because I watch a lot of older movies this does get really annoying. does anyone know how to turn this off?
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Thanks given by: | suspiciouscoffee (05-20-2025) |
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What concerns me most is whether or not there is a defect in my system or if this is normal functioning. The surrounds seem to be functioning more like the matrix method that I had using a quadraphonic receiver in the early 1970s that fed the same signal to the surround speakers, but boosted it when you were supposed to hear them. Many movies were mastered for Dolby Optical Stereo using a QS matrix for two tracks on the film, very similar to two tracks on vinyl records using the same encoding. I was using surround speakers for watching movies on laserdisc in 1981 using a QS decoder. But when I was using an AV receiver the discrete tracks meant silence in the rear speakers at times.
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I discovered that selecting a different sound mode on the soundbar killed the signal to the rear speakers. When selecting "STANDARD" the rears went dead. I went to the manual for the soundbar which conformed that 2.0 signals would not be sent to the rear, but indicated that 5.1 and other signals would result in activity in the rear. This is not the case. The rears are dead with any source used when the setting "STANDARD" is used. But it also shows that 2.0 and up (7.1 etc.) will all translate to 9.1.2 in all other modes, SURROUND, GAME, and ADAPTIVE. It appears this is like my old quadraphonic receiver that created or faked rear channel information.
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#8 |
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Actually you might have an option that I lack. From the manual for your soundbar:
Hi.JPG My remote doesn't have a SURR button. That button also controls the volume level of those speakers. In my case I would like to use the STANDARD mode since it would seem that it would use only discrete signals and not also derived ones. Perhaps updating my firmware would correct what currently seems a defect in getting the rear speakers to work with 5.1.2 mastered soundtracks. |
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I just turned on my system to find that mono sources were again showing up in the rear channels even though I was still set at "STANDARD." I switched to another mode, and then back and the sound in the rears had disappeared, but showed up when I played ATMOS and 5.1 demo clips on YouTube. But the same clips played from my Blu-ray disc had no surround signal. This is the same for other discs as well. Perhaps I will next try using a direct HDMI from the player into the soundbar again. But I'm concerned that setting to STANDARD does not always give the same results. I might need to attempt that firmware upgrade. However, I finally have gotten every promised sound delivery, but not consistently. But I think I've established that the new rear speaker kit operates as promised. Any problem I have is with the soundbar. |
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Last edited by BrokenGlass41; 07-12-2024 at 01:36 PM. |
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"The Q900T automatically optimises sound to whatever you're watching so you get a true sound experience, just as it was intended." This sounds like their claim for the ADAPTIVE sound mode. I don't think the manipulation in this and modes other that STANDARD creates what I think the intended true sound experience should be. Here is a chart showing what I have been talking about. The Q900T couldn't do the rear ATMOS channels to achieve 7.1.4. The next bar released, the Q950T could do so since its rear speakers had added some upfiring drivers. modes.JPG |
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Thanks given by: | BrokenGlass41 (07-13-2024) |
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I wanted to try another option, an app from Samsung called SmartThings that provides additional control. I hate phone apps in general as I have had trouble getting a high percentage of them to work. This one will not let me sign in, and sometimes a message says my browser is incompatible, even tough it is one listed that will work. I also can't sign into it on my Samsung TV on which it came already installed. I wish you a good day as well. I'm finding your Hisense soundbar to be interesting. Unlike mine it came with the rear speakers included. Hisense has marketed TVs here in Thailand for years, but not their soundbars. BTW, did you see that Studio Canal is going to release "The Third Man" in 4K UHD September 18th in France? This is significant for me because I consider it to be the best film ever made. |
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#16 |
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I have the same AX5120G and the same problem. I’ve tried every setting imaginable between my player, my TV, and the sound system. There is also no “Standard” EQ mode, and the modes it does have all have the issue. However, I’ve noticed the issue does NOT occur with lossless (or at least DTS-HD) 1.0 tracks, only 2.0 dual mono and lossy 1.0. I tested this with the brand new Arrow 4k of A Fistful of Dollars, lo and behold the sound was only coming from front and center. But just about every other mono track I’ve tested has at least some sound coming from the rears.
My best guess, which is not a very good one, is that 2.0 dual monos are being treated like matrixed stereo, but that leaves out the lossy 1.0 tracks (unless the thing interprets ac3 “Dolby Digital” to always be matrix stereo Dolby Surround, which may seem to be the case solely from the light display text but I don’t see how). So, sorry to bump without having an answer, but I did think that was an interesting (albeit slightly more maddening) wrinkle. Last edited by suspiciouscoffee; 05-20-2025 at 03:38 PM. |
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#17 |
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OK, after spending a long time mixing and matching settings, I’ve discovered a workaround! I had to do two things on my player. I have a Sony X700 (HDMI out directly into soundbar so no ARC) so your mileage may vary, but here’s what worked:
1. Set audio output to PCM rather than Bitstream (or Auto) 2. Perhaps counterintuitive, but enable DTS Neo:6. I assumed this steer things harder in the surrounds since it’s an upmixer, but it instead kept everything upfront. I tested these settings with a few discs, including classic Doctor Who episodes with DTS-HD 2.0 mono and The Exorcist 4K’s theatrical mono (another DTS-HD 2.0 mono). I stood next to my rear speakers and sure enough, there was no sound. The surrounds were also much more balanced for matrix stereo tracks (The Transformers: The Movie 2.0, again DTS-HD) and sounded less like everything was just copied around. This did have the effect of making everything display on the soundbar’s LED face as “Dolby Surround,” but it all sounded good enough to my ears for me to accept it for now. UPDATE: Still seems to struggle with lossy DD 1.0, but otherwise still good. Last edited by suspiciouscoffee; 05-29-2025 at 05:33 AM. |
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Thanks given by: | BrokenGlass41 (08-02-2025) |
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